Kwon Ki-soo seems to be playing a joke on the observer.
When looking at his paintings online or in print, a person could be forgiven for thinking they were illustrations from a children’s book (many South Korean critics have done just that). The bold colors, simple shapes and figures lend the paintings an infantile quality perhaps more suited to a nursery school than an art gallery.
Standing in front of the large acrylic canvasses at Metaphysical Art Gallery, however, provides the viewer with a different perspective altogether because what at first appears to be cartoonish flora and a comic book character is replaced with works of meditative simplicity that employ techniques and forms of Korean painting that date back hundreds of years. And yet the playfulness remains.
PHOTO COURTESY OF METAPHYSICAL ART GALLERY
The exhibit’s title, Who’s Dongguri?, challenges the viewer to ponder the relationship between the figure, its background and a tradition of painting that has changed little over the centuries.
Kwon, who trained in classical Korean painting at Seoul’s Hongik University, draws on two classical styles of art, sumi and sansui, in his work. Sumi is a form of ink painting that employs four central motifs — plum blossoms, orchids, chrysanthemums and bamboo — to symbolically illustrate the meditative and scholarly life of Korea’s literati.
With sansui, or landscape painting, artists rely on their own impressions of nature’s logic and laws to express a transcendent image of what is actually seen. In other words, the painter paints what he feels as much as what he sees.
PHOTO COURTESY OF METAPHYSICAL ART GALLERY
Kwon infuses these forms and motifs onto his paintings and adds a visual vocabulary in line with Animamix art, most clearly discernible in Dongguri, a smiley-faced and genderless figure that appears on all canvases either by itself, with a dog, or with a coterie of Dongguri imitations who appear to be living a life free of worries.
Red Forest Rest is a classic example of Kwon moving beyond the confines of Korean art while still remaining within its tradition. It presents four Dongguri figures lounging on the forest floor, surrounded by a colorful bamboo thicket. Interspersed among the bamboo are grey rocks, here seen as cubes, prized in traditional Korean painting for their abstract quality. Though the traditional motifs remain, they are given new life and color in a manner similar to graphic design.
Dongguri’s smiling face alludes to the bearing Koreans (and by extension, Asians) often adopt toward others, especially superiors. The repetitive fixed expression of Dongguri, Kwon seems to suggest, mirrors a society that seeks harmony under a banner of conformity — a prison from which social norms don’t allow the individual to escape.
Kwon’s stark Airplane series dispenses with sumi and sansui and is a nod at the Korean War. It shows rows of featureless planes filling the sky, each piloted by Dongguri. The irony of the smiling figures, apparently willing to participate in an ideological conflict, contrasts with the stark purple, green and red of the sky and the threatening lines of planes flying overhead.
The answer to the question “Who’s Dongguri” is, like art itself, pretty much decided by the individual. For this reviewer, Kwon’s paintings are a statement against tradition and how lack of change imposes a stagnant conformity on people. Kwon’s canvases make a leap beyond tradition — though perhaps a leap that goes too far — and in the process allows room for Korean art to grow in new directions.
EXHIBITION NOTES:
WHAT: Who’s Dongguri?
WHERE: Metaphysical Art Gallery, (形而上畫廊), 7F, 219, Dunhua
S Rd Sec 1, Taipei City (台北市敦化南路一段219號7樓)
WHEN: Until Aug. 5
DETAILS: Open Tuesdays through Sundays, from 11am to 6:30pm
On the Net: www.artmap.com.tw
Taiwanese chip-making giant Taiwan Semiconductor Manufacturing Co (TSMC) plans to invest a whopping US$100 billion in the US, after US President Donald Trump threatened to slap tariffs on overseas-made chips. TSMC is the world’s biggest maker of the critical technology that has become the lifeblood of the global economy. This week’s announcement takes the total amount TSMC has pledged to invest in the US to US$165 billion, which the company says is the “largest single foreign direct investment in US history.” It follows Trump’s accusations that Taiwan stole the US chip industry and his threats to impose tariffs of up to 100 percent
From censoring “poisonous books” to banning “poisonous languages,” the Chinese Nationalist Party (KMT) tried hard to stamp out anything that might conflict with its agenda during its almost 40 years of martial law. To mark 228 Peace Memorial Day, which commemorates the anti-government uprising in 1947, which was violently suppressed, I visited two exhibitions detailing censorship in Taiwan: “Silenced Pages” (禁書時代) at the National 228 Memorial Museum and “Mandarin Monopoly?!” (請說國語) at the National Human Rights Museum. In both cases, the authorities framed their targets as “evils that would threaten social mores, national stability and their anti-communist cause, justifying their actions
In the run-up to World War II, Admiral Wilhelm Canaris, head of Abwehr, Nazi Germany’s military intelligence service, began to fear that Hitler would launch a war Germany could not win. Deeply disappointed by the sell-out of the Munich Agreement in 1938, Canaris conducted several clandestine operations that were aimed at getting the UK to wake up, invest in defense and actively support the nations Hitler planned to invade. For example, the “Dutch war scare” of January 1939 saw fake intelligence leaked to the British that suggested that Germany was planning to invade the Netherlands in February and acquire airfields
The launch of DeepSeek-R1 AI by Hangzhou-based High-Flyer and subsequent impact reveals a lot about the state of the People’s Republic of China (PRC) today, both good and bad. It touches on the state of Chinese technology, innovation, intellectual property theft, sanctions busting smuggling, propaganda, geopolitics and as with everything in China, the power politics of the Chinese Communist Party (CCP). PLEASING XI JINPING DeepSeek’s creation is almost certainly no accident. In 2015 CCP Secretary General Xi Jinping (習近平) launched his Made in China 2025 program intended to move China away from low-end manufacturing into an innovative technological powerhouse, with Artificial Intelligence
RSS