There is nothing intrinsically vicious about a tearjerker movie, and going to the movies for a good cry has a long and distinguished tradition. I Wish (奇妙的旅程), the new celebrity vehicle featuring TV host Blackie (陳建州) and model Cheryl Yang (楊謹華) sets out to move its audience to tears, but unfortunately, instead of tugging at the heart strings, it launches into an assault on the tear ducts that flagrantly disregards all sense of good taste and common decency. It's an act of emotional battery that has all the subtlety of a blow to the head from a blunt instrument.
The plot is not without potential. Blackie (陳建州) plays Lee Bing, a gifted music student who has become a bitter and emotionally stunted grown-up who scraps a living singing in pubs. One day, he finds a child at his door who claims to be his son by his estranged wife Qi Li (Cheryl Yang, 楊謹華). The kid leads him on a journey of self-discovery that involves a deathbed wish (hence the title) and a little girl struggling with terminal leukemia. Without giving away the plot twist that wrings a few more tears from the audience, there are shades of Ghosts, Sixth Sense and the host of movies about innocent childhood redeeming the misdirected lives of grown-ups.
Blackie's narrow range of emotional expression (mostly he simply looks constipated) in a film that tries to show the nuances of suffering is the first strike against I Wish. Wang Cheng-wei (汪政緯), who has also come of age through TV variety shows, is cute as the child of the story, but heavy-handed cuteness wears down audiences' patience. Strike two. A deathbed scene with Yang leaning forward while wearing a low-cut V-neck was just the most heinous instance of director Hsu Guo-jhih's (徐國誌) lack of taste. Strike three. An intrusive musical score that felt the need to underline every emotional moment. Strike four. A Sunday-school theme of the wish-fulfilling properties of a Christian god was seriously annoying, and made the film, packed with a young generation of TV personalities, strangely dated and preachy. Strike five ... wait. You only get three strikes.
PHOTO: COURTESY OF JETTONE FILMS LIMITED
I Wish is a commendable effort of Taiwan's film industry to break out of the art house and establish a relationship with the mainstream movie-going public. Leveraging the appeal of well-known TV personalities, and linking with variety show Blackie's Teenage Club (我愛黑澀會) and the talent show One Million Star (超級星光大道), is a device of proven worth, distasteful as it may be. It is unfortunate that ham-fisted direction and workaday acting undermines any serious cinematic pretensions and the whole thing comes off rather like an extended public service advertisement for loving thy neighbor.
That US assistance was a model for Taiwan’s spectacular development success was early recognized by policymakers and analysts. In a report to the US Congress for the fiscal year 1962, former President John F. Kennedy noted Taiwan’s “rapid economic growth,” was “producing a substantial net gain in living.” Kennedy had a stake in Taiwan’s achievements and the US’ official development assistance (ODA) in general: In September 1961, his entreaty to make the 1960s a “decade of development,” and an accompanying proposal for dedicated legislation to this end, had been formalized by congressional passage of the Foreign Assistance Act. Two
Despite the intense sunshine, we were hardly breaking a sweat as we cruised along the flat, dedicated bike lane, well protected from the heat by a canopy of trees. The electric assist on the bikes likely made a difference, too. Far removed from the bustle and noise of the Taichung traffic, we admired the serene rural scenery, making our way over rivers, alongside rice paddies and through pear orchards. Our route for the day covered two bike paths that connect in Fengyuan District (豐原) and are best done together. The Hou-Feng Bike Path (后豐鐵馬道) runs southward from Houli District (后里) while the
March 31 to April 6 On May 13, 1950, National Taiwan University Hospital otolaryngologist Su You-peng (蘇友鵬) was summoned to the director’s office. He thought someone had complained about him practicing the violin at night, but when he entered the room, he knew something was terribly wrong. He saw several burly men who appeared to be government secret agents, and three other resident doctors: internist Hsu Chiang (許強), dermatologist Hu Pao-chen (胡寶珍) and ophthalmologist Hu Hsin-lin (胡鑫麟). They were handcuffed, herded onto two jeeps and taken to the Secrecy Bureau (保密局) for questioning. Su was still in his doctor’s robes at
Mirror mirror on the wall, what’s the fairest Disney live-action remake of them all? Wait, mirror. Hold on a second. Maybe choosing from the likes of Alice in Wonderland (2010), Mulan (2020) and The Lion King (2019) isn’t such a good idea. Mirror, on second thought, what’s on Netflix? Even the most devoted fans would have to acknowledge that these have not been the most illustrious illustrations of Disney magic. At their best (Pete’s Dragon? Cinderella?) they breathe life into old classics that could use a little updating. At their worst, well, blue Will Smith. Given the rapacious rate of remakes in modern