A Chinese movie sharply critical of deteriorating morals amid the country's rapid economic growth will finally hit theaters later this week after being heavily censored and delayed for a key Communist Party meeting, its producer, Fang Li (方勵), said.
Director Li Yu's (李玉) Lost in Beijing (蘋果), which describes the fallout after a Beijing foot massage parlor owner rapes an employee from the countryside, will be released today and is expected to show at about 500 movie theaters, the producer said.
In its uncensored form, Lost in Beijing is a damning indictment of greed and lust in modern Chinese society.
PHOTO: AP
Explicit sex scenes were cut from the movie, Fang said. He also cut out a side character, as well as scenes showing dirty streets, gambling, the Chinese flag and Tiananmen Square.
Fang said the film has also been sold to distributors in North America, Europe, Singapore, Thailand, the Philippines and South Korea.
A quixotic look at the life and times of legendary singer Bob Dylan was nominated for four Spirit Awards, the Oscars of the independent film world.
I'm Not There, which features Cate Blanchett, Richard Gere and four others playing incarnations of the enigmatic singer, was nominated for best feature; supporting actress for Blanchett; supporting actor for child performer Marcus Carl Franklin; and best director for Todd Haynes.
Also nominated for best film were A Mighty Heart, The Diving Bell and Butterfly, about paralyzed French author Jean-Dominique Bauby; Juno, about a pregnant teenager and others.
Nominees for best actress include Angelina Jolie for her role in A Mighty Heart, Ellen Page for her Juno, and China's Tang Wei (湯唯) for Lust, Caution (色,戒).
Foreign film nominees included Romania's 4 Months, 3 Weeks and 2 Days, an Israeli film called The Band's Visit, an Irish drama Once, Lady Chatterley and Persepolis from France.
The prizes are open to movies that cost less than US$20 million to make and which played in theaters for a week or at a top festival.
Sundance, the main US showcase for independent film also announced nominees this week. Winona Ryder, Nick Nolte, Anjelica Huston and Paul Giamatti will be among those competing for top honors at the festival.
Also included were documentaries on writer Hunter S. Thompson, musician Patti Smith and filmmakers Roman Polanski and Derek Jarman.
Taking place Jan. 17 to Jan. 27 in Park City, Utah, Sundance has chosen 16 films in its dramatic competition for American fictional films, including director Geoff Haley's The Last Word, starring Ryder, Wes Bentley and Ray Romano in a romance about a reclusive writer who crafts suicide notes for other people.
Also competing in a lineup heavy on tales of families at odds are: Rawson Thurber's The Mysteries of Pittsburgh, the story of a young man with a gangster father who embarks on a soul-searching summer after college; Clark Gregg's Choke, a mother-and-son tale; and Paul Schneider's Pretty Bird, a dark comic narrative of entrepreneurs trying to invent a rocket belt.
The bombing of Mumbai's commuter train network that killed nearly 200 people last year has inspired a new Indian film.
Directed by Nishikant Kamat, Mumbai Meri Jaan, will recount the death and devastation through the eyes of a female journalist, a witness to the carnage.
"The film is inspired from what happened during and after the blasts," said actress Soha Ali Khan, who plays the reporter.
"It not only tells the audience about the horror but also takes them into the aftermath of the tragedy. It is not gory in its presentation and has a humane angle to it."
Seven bombs went off within 15 minutes on packed commuter trains during the evening rush-hour in July last year, killing close to 200 innocent people and one of the bombers and injuring many more.
Police say the attack was triggered by disaffected Indian Muslims at the behest of Pakistan-based Islamist militants.
Bollywood made a critically acclaimed film based on India's worst bombing, also in Mumbai, in 1993 in which 257 people were killed. But it failed at the box office.
Mumbai Meri Jaan is set to open in February.
Taiwan’s English education system is being pulled apart by three opposing forces. Bilingual Nation 2030 pulls students toward English and global communication. Artificial Intelligence (AI) readiness pulls them toward digital judgment, verification and AI-mediated work. But Taiwan’s old exam culture pulls them back toward memorization, grammar drills, timed reading and correct answers. If the education system keeps using old exams to define success, it risks producing graduates who are neither genuinely bilingual nor genuinely AI-ready, but trained for tasks machines can already perform. The first force is Bilingual Nation 2030. Launched in 2018, the policy aimed to “help Taiwan’s workforce connect
“Taiwan’s Opposition Leader Comes to US With a Message Straight Out of Beijing” read a May 31 headline in the Wall Street Journal. Top US administration officials and members of Congress almost certainly read the WSJ, and if there was a bullet point takeaway that people in Washington should absorb ahead of Chinese Nationalist Party (KMT) Chair Cheng Li-wun’s (鄭麗文) arrival in DC on June 9, that headline is it. The last few columns have discussed this very topic, and the timing is not coincidental. While those top officials likely do not read the Taipei Times, judging by the number
With weighty, anxiety-inducing geopolitical topics dominating the headlines, checking in on the wild and weird state of local politics can take some of the edge off. This November’s elections will determine who will be in charge of fixing potholes in your neighborhood, not the potholes in Taiwan’s complicated geopolitical space. Recently, after an online interview with a Taipei-based journalist, I commented that Taipei journalists never go further than the MRT can take them. He laughed and agreed. Naturally, the Taipei mayoral race is eating up much of the press attention. TAIPEI CITY Democratic Progressive Party (DPP) candidate Puma Shen (沈伯洋) has
As someone who normally steers clear of books with “transcendence” or “metaphysics” in their subtitles, this reviewer — a casual observer of local belief systems since the 1990s — found Fabian Graham’s Money God Temples in Taiwan a challenging read. Those who’ve only dipped their toes into temple culture will likely need to parse several sections with special care if they’re to keep up with the author, a British ethnographic researcher whose previous books have investigated religious practices among ethnic Chinese in Southeast Asia. This scholarly volume examines a facet of Taiwan’s religious landscape that didn’t exist a century ago, and