Two decades ago, rock 'n' roll was a sound for the young and rebellious, played live at only a few underground bars. A decade later, Taiwan's rock music came out of the closet and spawned big events like Spring Scream (春天吶喊), Formoz Festival (野台開唱) and Hohaiyan Rock Festival (海洋音樂祭).
For the past couple of years, the indie music scene has taken on a more spontaneous vibe at free street music gigs like the Watermelon Rock Festival (搖滾西瓜音樂季). Organized by the guitar club at National Taiwan Normal University (NTNU, 國立台灣師範大學), it features 15 bands jamming for eight hours nonstop, tomorrow at Shida Park (師大公園), Taipei.
PHOTO: COUTESY OF WATERMELON ROCK FESTIVAL
The semiannual festival was started five years ago by Bear Boss (熊老大), a member of the band Inferno, which was formed of guitar club members. He decided to change the group's irregular performances into a scheduled event. The best time for the show, the pioneers reckoned, was during the university's anniversary celebrations in June, also the time of the Watermelon Festival, when students traditionally give the fruit to their sweethearts.
The festival's rules are simple: at least one member of each band must be an NTNU student or alumnus and the event itself must remain avowedly independent and anticapitalist. Last December, the festival moved out of the campus to Shida park.
"We'd like to continue the street rock spirit from last year, highlighting music that is untainted by the mainstream," this year's festival coordinator and electric guitarist Hsu Ting-yu (許庭毓) said.
This year's lineup sees the return of Inferno, the members of which are now office workers who transform into heavy-metal bad boys at night. NTNU's musical luminaries include folk rock outfit Who Knows Band (天曉得) and Greenbean starring A-Mai (阿賣), who flunked classes because of jamming sessions.
Another big draw is the all-girl punk rock band Da Mo Wang (大魔王), who have been playing together since high school.
The festival organizers, in true anarchical style, have bent the rules and invited guest bands Clay Pigeon (陶土飛靶), to represent the National Taiwan University (國立台灣大學), and the award-winning Echo (回聲樂團), which consists of National Tsinghua University (清華大學) graduates.
The festival's anticapitalist ethos comes at a cost: limited sponsorship. But despite struggling with a simple sound system, the spirit of rock looks set to live on. "The Watermelon Rock Festival will be back next year, at the same place, and the same time," Hsu said.
Festival notes:
What: The 10th Watermelon Rock Festival
(第十屆搖滾西瓜音樂季)
Where: Shida Park (師大公園), near Shida night market
When: Sunday from 1pm to 9pm
On the Net: blog.roodo.com/ntnu_rocker
In the March 9 edition of the Taipei Times a piece by Ninon Godefroy ran with the headine “The quiet, gentle rhythm of Taiwan.” It started with the line “Taiwan is a small, humble place. There is no Eiffel Tower, no pyramids — no singular attraction that draws the world’s attention.” I laughed out loud at that. This was out of no disrespect for the author or the piece, which made some interesting analogies and good points about how both Din Tai Fung’s and Taiwan Semiconductor Manufacturing Co’s (TSMC, 台積電) meticulous attention to detail and quality are not quite up to
It is one of the more remarkable facts of Taiwan history that it was never occupied or claimed by any of the numerous kingdoms of southern China — Han or otherwise — that lay just across the water from it. None of their brilliant ministers ever discovered that Taiwan was a “core interest” of the state whose annexation was “inevitable.” As Paul Kua notes in an excellent monograph laying out how the Portuguese gave Taiwan the name “Formosa,” the first Europeans to express an interest in occupying Taiwan were the Spanish. Tonio Andrade in his seminal work, How Taiwan Became Chinese,
April 21 to April 27 Hsieh Er’s (謝娥) political fortunes were rising fast after she got out of jail and joined the Chinese Nationalist Party (KMT) in December 1945. Not only did she hold key positions in various committees, she was elected the only woman on the Taipei City Council and headed to Nanjing in 1946 as the sole Taiwanese female representative to the National Constituent Assembly. With the support of first lady Soong May-ling (宋美齡), she started the Taipei Women’s Association and Taiwan Provincial Women’s Association, where she
Mongolian influencer Anudari Daarya looks effortlessly glamorous and carefree in her social media posts — but the classically trained pianist’s road to acceptance as a transgender artist has been anything but easy. She is one of a growing number of Mongolian LGBTQ youth challenging stereotypes and fighting for acceptance through media representation in the socially conservative country. LGBTQ Mongolians often hide their identities from their employers and colleagues for fear of discrimination, with a survey by the non-profit LGBT Centre Mongolia showing that only 20 percent of people felt comfortable coming out at work. Daarya, 25, said she has faced discrimination since she
RSS