A fading genre that pales before testosterone-charged gangster and martial art flicks, romances are hard to find these days in Chinese-language cinema. For those with a soft spot for a genuine love story, Happy Birthday (生日快樂) is a wish come true. And to those who look down upon such films as no more than chick flicks, this film merits appreciation for its quality filmmaking.
Adapted from a novella by singer and actress Rene Liu (劉若英), who apparently is a versatile talent, the film tells of a decade-long love story between Mi (played by Liu) and Nam (played by Louis Koo, 古天樂). A piano major in college, Mi gives her heart to Nam but struggles to keep a distance from the wealthy woman magnet, who is crazy about the baffling Mi.
The two part after graduation, yet the love between them remains. Mi believes that their story will have a happy ending after she gains more self-confidence and overcomes the fear of losing the love of her life.
PHOTOS COURTESY OF APPLAUSE FILM
The dream shatters when a text message from Nam says he will soon marry another girl. Years later, Mi still receives Nam's messages sent on her birthday and trusts that their love will last till the end of time.
Directed by award-winning cinematographer and director Jingle Ma (馬楚成), the technically accomplished film is an eye-pleasing visual treat in which the pure and innocent aura of romance is accented by lyrical lighting. The editing is smooth and stylish.
An early sequence made up of intercut shots of the grown-up Mi, flashbacks of Mi's mom thumping downstairs and Nam tersely explaining the character's deeply rooted fear of losing her loved ones is a demonstration of how a narrative can be enhanced through thoughtful editing.
Part of the film's merits also go to the finely adapted screenplay (director Silvia Chang (張艾嘉) is one of the screen writers). Love and romance are manifested in seemingly trivial details of daily life, in subtle gestures and exchanges of gaze rather than words and set-piece performances. The delicate touch of the narration saves the film from excessive sentimentalism with the revelation of Nam's death.
The film benefits from its trust in its actors, who are given a rare freedom to bring their talents into full play. Award-winning actress Liu grips the heart with her superb portrait of one of the strongest female characters that have come out of Chinese-language cinema in recent years. Echoing Chang's emotionally complicated female leads in Tempting Heart (心動, 1999) and 20, 30, 40 (2004), Mi is an independent modern woman who is kind and strong but insecure and unable to open her heart to love.
Graced by fine performances, intelligent storytelling and elegant simplicity, Happy Birthday offers an enjoyable 90 minutes of escape from the all too cynical world where love has lost its simplest meaning.
Nothing like the spectacular, dramatic unraveling of a political party in Taiwan has unfolded before as has hit the Taiwan People’s Party (TPP) over recent weeks. The meltdown of the New Power Party (NPP) and the self-implosion of the New Party (NP) were nothing compared to the drama playing out now involving the TPP. This ongoing saga is so interesting, this is the fifth straight column on the subject. To catch up on this train wreck of a story up to Aug. 20, search for “Donovan’s Deep Dives Ko Wen-je” in a search engine. ANN KAO SENTENCED TO PRISON YET AGAIN,
Despite her well-paying tech job, Li Daijing didn’t hesitate when her cousin asked for help running a restaurant in Mexico City. She packed up and left China for the Mexican capital last year, with dreams of a new adventure. The 30-year-old woman from Chengdu, the Sichuan provincial capital, hopes one day to start an online business importing furniture from her home country. “I want more,” Li said. “I want to be a strong woman. I want independence.” Li is among a new wave of Chinese migrants who are leaving their country in search of opportunities, more freedom or better financial prospects at a
When the Dutch began interacting with the indigenous people of Taiwan, they found that their hunters classified deer hide quality for trade using the Portuguese terms for “head,” “belly,” and “foot.” The Portuguese must have stopped here more than once to trade, but those visits have all been lost to history. They already had a colony on Macao, and did not need Taiwan to gain access to southern China or to the trade corridor that connected Japan with Manila. They were, however, the last to look at Taiwan that way. The geostrategic relationship between Taiwan and the Philippines was established
Sept. 9 to Sept. 15 The upgrading of sugarcane processing equipment at Ciaozaitou Sugar Factory (橋仔頭) in 1904 had an unintended but long-lasting impact on Taiwan’s transportation and rural development. The newly imported press machine more than doubled production, leading to an expansion of the factory’s fields beyond what its original handcarts and oxcarts could handle. In 1905, factory manager Tejiro Yamamoto headed to Hawaii to observe how sugarcane transportation was handled there. They had trouble finding something suitable for Taiwan until they discovered a 762mm-gauge “miniature” railroad at a small refinery in the island of Maui. On