Finnish rockers Lordi won the 2006 Eurovision Song Contest late Saturday -- a stunning upset in a
competition better known for bland dance music and bubble-gum pop.
The cartoon metalheads, who sport latex monster masks and spark-spewing instruments and sing about "the Arockalypse," fought off a strong challenge from Russian heartthrob Dima Bilan to take the 51st annual music prize.
PHOTOS: AGENCIES
"This is a victory for rock music ... and also a victory for open-mindedness," lead singer Lordi told a news conference after the win -- Finland's first.
"We are not Satanists. We are not devil-worshippers. This is entertainment," he added.
Bosnia-Herzegovina's Hari Mata Hari was third in the contest, which was decided by phone and text message votes from viewers in 38 European countries.
The phantasmagoric Finns, who scandalized some compatriots when their song Hard Rock Hallelujah was chosen to represent the Nordic nation, was the surprise hit of the competition.
Combining crunchy guitars, a catchy chorus and mock-demonic imagery, Lordi is reminiscent of US 1970s stars KISS -- an acknowledged inspiration of frontman Lordi, who comes from Lapland in Finland's far north.
Band members never appear without their elaborate masks and makeup, and do not reveal their true names.
Lordi beat an unusually eclectic 24-nation field, which ranged from the perky pop of Danish teenager Sidsel Ben Semmane and Malta's Fabrizio Faniello to the balladry of Ireland's Brian Kennedy and the country-pop of Germany's Texas Lightning.
Lordi received 292 points, the highest score in the contest's history. Many Finns were delighted.
"I think it was so great because we are always the losers in Eurovision and now we've got the most points ever in Eurovision history," said Nina Nezeri, 26, who was watching the televised contest at home in Helsinki with a group of friends.
"It's a good song. They look scary and everything but it's a good song."
Greek contestant Anni Vissi, who drew the biggest cheers from the Athens crowd, finished a disappointing ninth.
"It doesn't matter that we lost, we are also winners because Greece put on a great show," Vissi told state-run NET TV. "Those monsters -- I, for one, loved them."
Malta came last, with one point -- but at least it avoided the dreaded "nul points," a mark of Eurovision shame.
Since 1956, Eurovision has pitted European nations against one another in pursuit of pop music glory. Previous winners include 1960s chanteuse Lulu, Sweden's ABBA -- victors in 1974 with Waterloo -- and Canada's Celine Dion, who won for Switzerland in 1988.
Some 13,000 fans from across the continent packed Athens' Olympic arena for the three-hour contest, broadcast live in 38 countries to an audience estimated at 100 million.
Some had come to cheer on their nation's competitor, others to soak in the atmosphere of an event adored by fans of camp and kitsch around the world.
"It's the campiness, the glamour, the glitz, the sparkles. We come every year," said Jude Habib, a communications consultant from London, attending her fourth Eurovision with friend Mandy Norman.
"Our friends think we're mad," she said. "But for one week a year, we can be completely silly."
Eurovision victory is no guarantee of fame. Dion and ABBA went on to glory -- as did Olivia Newton John, who lost to ABBA while competing for Britain in 1974. Other winners have sunk without trace, victims of the "curse of Eurovision."
Athens is hosting the event because Greece won last year in Kiev, Ukraine.
The show opened in true Eurovision style, with a garish musical number inspired, organizers said, by Greece's rich history, mythology and sparkling seas. The hosts, Greek pop singer Sakis Rouvas and American Access Hollywood correspondent Maria Menounous, were flown in from the wings onto a set inspired by an ancient theater.
Broadcaster NBC announced plans earlier this year to replicate the formula -- a forerunner of American Idol-style talent contests -- in the US, with acts from different US states competing for viewers' approval.
The European Broadcasting Union, which runs Eurovision, said it was in talks with NBC over rights. If successful, the American version could go ahead as early as this fall, said the group's director of television, Bjorn Erichsen.
June 23 to June 29 After capturing the walled city of Hsinchu on June 22, 1895, the Japanese hoped to quickly push south and seize control of Taiwan’s entire west coast — but their advance was stalled for more than a month. Not only did local Hakka fighters continue to cause them headaches, resistance forces even attempted to retake the city three times. “We had planned to occupy Anping (Tainan) and Takao (Kaohsiung) as soon as possible, but ever since we took Hsinchu, nearby bandits proclaiming to be ‘righteous people’ (義民) have been destroying train tracks and electrical cables, and gathering in villages
Swooping low over the banks of a Nile River tributary, an aid flight run by retired American military officers released a stream of food-stuffed sacks over a town emptied by fighting in South Sudan, a country wracked by conflict. Last week’s air drop was the latest in a controversial development — private contracting firms led by former US intelligence officers and military veterans delivering aid to some of the world’s deadliest conflict zones, in operations organized with governments that are combatants in the conflicts. The moves are roiling the global aid community, which warns of a more militarized, politicized and profit-seeking trend
The wide-screen spectacle of Formula One gets a gleaming, rip-roaring workout in Joseph Kosinski’s F1, a fine-tuned machine of a movie that, in its most riveting racing scenes, approaches a kind of high-speed splendor. Kosinski, who last endeavored to put moviegoers in the seat of a fighter jet in Top Gun: Maverick, has moved to the open cockpits of Formula One with much the same affection, if not outright need, for speed. A lot of the same team is back. Jerry Bruckheimer produces. Ehren Kruger, a co-writer on Maverick, takes sole credit here. Hans Zimmer, a co-composer previously, supplies the thumping
Dr. Y. Tony Yang, Associate Dean of Health Policy and Population Science at George Washington University, argued last week in a piece for the Taipei Times about former president Ma Ying-jeou (馬英九) leading a student delegation to the People’s Republic of China (PRC) that, “The real question is not whether Ma’s visit helps or hurts Taiwan — it is why Taiwan lacks a sophisticated, multi-track approach to one of the most complex geopolitical relationships in the world” (“Ma’s Visit, DPP’s Blind Spot,” June 18, page 8). Yang contends that the Democratic Progressive Party (DPP) has a blind spot: “By treating any