Looking good comes naturally to one of Taiwan's leading young designers, Robyn Hung (洪英妮).
"When I was little we used to go on family trips and my mother used to look at us before we went out. She looked up and down and then often said, `Now go back and change.' It was a natural part of being the daughter of a successful designer."
Though she briefly toyed with the idea of opening an old people's home, Hung has been trying to find her own way in the world of fashion since then.
Petite, pretty, 30 years old and in charge of her own fashion house that has around 20 outlets in Taiwan and China, Hung would appear to have it all.
She was sent to Canada, for a foreign education at the age of 15 and learned to look after herself there. She named herself Robyn because the bird heralds spring and is a harbinger of good news.
"The idea of looking after old people folded and then at 16 I thought I could do anything. In Toronto I wanted to see the world rather than study. I kind of fell into fashion," Hung said.
PHOTOS: COURTESY OF ROBYN HUNG
She studied in Britain at the London College of Fashion. "I really hated it at first because they don't teach, you have to do what you do and then they judge you. It was completely different to everything I was used to."
After graduating, Hung worked with trend forecasting companies in Europe before returning to Taiwan and joining the family business. Her mother, Joyce Su (
"She's an amazing woman. She's always improving herself and others," Hung said. "She didn't come from a wealthy family and worked really hard to get where she is today. Of course she has helped and inspired me."
On the other hand, "When you feel fortunate it's like a guilty feeling and you have to do more to give something back."
Hung is conscious of high family expectations and is obviously ambitious as a result. In addition to becoming a publisher and expanding her own label, as well as helping her mother's business, she opened Robyn Hung Boutique on Zhong-zheng Road in Tienmu last year to develop the idea of fashion as more than just clothes.
The boutique is inspired by the street markets of London and Paul Smith's store in Convent Garden, which displays only goods the designer likes. It's like a one-stop shop for dressing oneself and decorating your home. Style is everything and fashion becomes somewhat secondary.
Robyn Hung's boutique offers home furnishings, cosmetics, antiques, ceramics and accessories, as well as her latest collections. You can drop in for tea and a chat with a design consultant or get an eye for the latest trends.
Her most recent show was inspired by Africa, Morocco, Victor-iana and her upcoming wedding. The clothes had her signature style that mixes European ideas of fun and individuality with Taiwanese concepts of innovation and cuteness.
An example of this is a white T-shirt with epaulettes, which has a picture of a British bulldog wearing a crown, adorned with sequins and a necklace of pearls. It's a real fusion item of clothing that shows no fear of influences.
The concept of keai (
According to Hung, zhuang keai (to make oneself cute) is a positive energy. It's good to look cute. It makes people happy. It's not like in the West, where it's just for kids. You don't need to look tough. Cute and successful is even more adorable."
Other trademark Hung designs include combining old and new, Victoriana with the street, denim with lace -- adding two big pockets to a stylish cocktail dress. She wants to promote a look that is Audrey Hepburn for the 21st century and keep introducing foreign cultures.
Hsieh Yung-hsu (謝詠絮), a lecturer in the fashion design department at Shih Chien University (實踐大學), was impressed by the energy of Hung's show last weekend but said it was "fashion as a statement rather than as clothes."
"When I see her work I feel it's European and fun. You can create your own style by mixing and matching. That's what I find so attractive and makes her one of our leading young designers.
"There is a growing stage in Taiwan, and you don't always have to be successful from a selling point of view these days. A designer can have just one store and still have a big influence."
Though fashion is obviously central for Hung, it's not everything and at one point in our interview she said it was not important.
"I'm not trying to be fashionable. Some of our customers don't understand this. I'm just giving them something they don't know, bringing a new culture or look. What I like about fashion is that there is no prejudice and everything is good if you know how to put it together."
As for the business of fashion, Hung was ambivalent and described her job as taking money from people who are able to give it away.
"Money is just a figure. But it's important, otherwise you can't do good things. The numbers have to look good. The good thing about making money is there are thousands of good ways of giving it back."
She then talked about a local motivational group, Round Table, that has helped her come to terms with success and appreciate people more.
"In the beginning it was always very important for me to be successful, but that doesn't make you happy. I was always chasing something. The important thing is not money, it's people."
Hung said she is already working on her next fashion show, which will have a fairy tale theme. She's also thinking of ways to return the fortune she has been favored with and may open an old people's home after all, through her charity work.
"I don't want to talk about it any more, I just want to do it."
That US assistance was a model for Taiwan’s spectacular development success was early recognized by policymakers and analysts. In a report to the US Congress for the fiscal year 1962, former President John F. Kennedy noted Taiwan’s “rapid economic growth,” was “producing a substantial net gain in living.” Kennedy had a stake in Taiwan’s achievements and the US’ official development assistance (ODA) in general: In September 1961, his entreaty to make the 1960s a “decade of development,” and an accompanying proposal for dedicated legislation to this end, had been formalized by congressional passage of the Foreign Assistance Act. Two
Despite the intense sunshine, we were hardly breaking a sweat as we cruised along the flat, dedicated bike lane, well protected from the heat by a canopy of trees. The electric assist on the bikes likely made a difference, too. Far removed from the bustle and noise of the Taichung traffic, we admired the serene rural scenery, making our way over rivers, alongside rice paddies and through pear orchards. Our route for the day covered two bike paths that connect in Fengyuan District (豐原) and are best done together. The Hou-Feng Bike Path (后豐鐵馬道) runs southward from Houli District (后里) while the
March 31 to April 6 On May 13, 1950, National Taiwan University Hospital otolaryngologist Su You-peng (蘇友鵬) was summoned to the director’s office. He thought someone had complained about him practicing the violin at night, but when he entered the room, he knew something was terribly wrong. He saw several burly men who appeared to be government secret agents, and three other resident doctors: internist Hsu Chiang (許強), dermatologist Hu Pao-chen (胡寶珍) and ophthalmologist Hu Hsin-lin (胡鑫麟). They were handcuffed, herded onto two jeeps and taken to the Secrecy Bureau (保密局) for questioning. Su was still in his doctor’s robes at
Mirror mirror on the wall, what’s the fairest Disney live-action remake of them all? Wait, mirror. Hold on a second. Maybe choosing from the likes of Alice in Wonderland (2010), Mulan (2020) and The Lion King (2019) isn’t such a good idea. Mirror, on second thought, what’s on Netflix? Even the most devoted fans would have to acknowledge that these have not been the most illustrious illustrations of Disney magic. At their best (Pete’s Dragon? Cinderella?) they breathe life into old classics that could use a little updating. At their worst, well, blue Will Smith. Given the rapacious rate of remakes in modern
RSS