This week, Tanshui is once more being celebrated in the reincarnation of Godot Theatre Company's perennial favorite Little Town of Tanshui.
Adapted from Thornton Wilder's Our Town, this is the play's fifth incarnation in Taiwan, which was first introduced on the stage for the Taiwan audience in 1989 and was last seen in 1999.
Why did writer and director James Liang (梁志民) feel the need to reinvent the story again?
PHOTO COURTESY OF GODOT
"It's been 17 years since audiences in Taiwan first experienced the story on stage," explains Godot's head of
marketing Alice Yang (楊玉玲).
"In each version, the presentation was always different to reflect the different actors and different tones. The play has always been very well received in all its different forms over the years so that audiences actually look forward to its next incarnation. For our performance this year, we wanted to capture the essence of Tanshui in a poetic, almost dream-like way, and to do so we used high-powered projectors to present subtle but very atmospheric paintings in the background as the story unfolds."
Set in the 40s and 50s in the then quiet port town of Tanshui, the story is told through a storyteller played by Tao Da-wei (陶大偉), who in his theaterical debut has the ability to pause, fast-forward, and rewind the events seen on stage. With him, we observe the characters in this town, mainly two families, the Chens and the Ais, and their children, particularly Shao-wei and Jasmine. The story follows their lives through 20 years of childhood, courtship, marriage and ends with Jasmine recollecting their lives together on Shao-wei's tomb.
In adapting the story for Taiwan, one might wonder, why Tanshui?
"Tanshui at that time was at its start of development," explains Yang.
"There were people arriving from the mainland, the local residents and the Mackay Memorial Hospital (馬偕醫院) doctors. It wasn't a rich or politically important town, and yet they all worked together harmoniously and over decades dedicated their lives to the land and slowly breathed life into the Tanshui we know today. In the process they showed the best side of humanity."
One of the key attractions of this year's variation is Tao who, himself a famous singer and father of pop icon David Tao, expressed his strong desire to appear for the first time on stage and to infuse the story with his unique trademark humor.
"This is ultimately, a simple story of life," says Yang. "There's a symbolic moment in the play when one of the characters gives birth to a baby, a magni-ficent moment of welcoming a new life into the world, only for the mother to die moments later. This play hopes to highlight the beauty, tragedy, joys and sorrows that occur for everyone in everyday life, and of course to remind all of us to cherish the moment."
What: Godot Theater Company's Little Town of Tanshui (
Where: Sun Yat-sen Memorial Hall, 505, Renai Rd, Sec 4, Taipei (
When: Tonight, tomorrow and Sunday at 7pm and tomorrow and Sunday at 2pm. For performances in other cities, visit www.godot.org.tw
Tickets: NT$400 to NT$2,500 and are available through www.artsticket.com.tw
If one asks Taiwanese why house prices are so high or why the nation is so built up or why certain policies cannot be carried out, one common answer is that “Taiwan is too small.” This is actually true, though not in the way people think. The National Property Administration (NPA), responsible for tracking and managing the government’s real estate assets, maintains statistics on how much land the government owns. As of the end of last year, land for official use constituted 293,655 hectares, for public use 1,732,513 hectares, for non-public use 216,972 hectares and for state enterprises 34 hectares, yielding
The small platform at Duoliang Train Station in Taitung County’s Taimali Township (太麻里) served villagers from 1992 to 2006, but was eventually shut down due to lack of use. Just 10 years later, the abandoned train station had become widely known as the most beautiful station in Taiwan, and visitors were so frequent that the village had to start restricting traffic. Nowadays, Duoliang Village (多良) is known as a bit of a tourist trap, with a mandatory, albeit modest, admission fee of NT$10 giving access to a crowded lane of vendors with a mediocre view of the ocean and the trains
The March/April volume of Foreign Affairs, long a purveyor of pro-China pablum, offered up another irksome Beijing-speak on the issues and solutions for the problems vexing the People’s Republic of China (PRC) and the US: “America and China at the Edge of Ruin: A Last Chance to Step Back From the Brink” rang the provocative title, by David M. Lampton and Wang Jisi (王緝思). If one ever wants to describe what went wrong with US-PRC relations, the career of Wang Jisi is a good place to start. Wang has extensive experience in the US and the West. He was a visiting
One of the challenges with the sheer availability of food in today’s world is that lots of us end up spending many of our waking hours eating. Whether it’s full meals, snacks or desserts, scientists have found that it’s not uncommon for us to be mindlessly grazing at some point during all of our 16 or so waking hours. The problem? As soon as this food hits the bloodstream in the form of glucose, it initiates the release of the hormone insulin. This in turn activates a switch present in every one of our cells, which is responsible for driving cell