The film Memoirs of a Geisha, which opens in Taiwan Jan. 13, tells the story of a poor Japanese girl who goes to work as a servant in a geisha house and ends up learning the art of the geisha.
But Sony Pictures Entertainment, parent company of Columbia Pictures, has already mastered the art of the sell, inking licensing agreements with a handful of retailers and manufacturers for merchandise tie-ins with the film.
Japanese-inspired products range from makeup to tea -- and even include leather goods, such as shoes and bags from Icon and a high-end cherry-blossom candle from the DL and Co that's available at Barneys New York.
PHOTOS: AP
"Lots of these products bubble to the surface after people see the movie," said Amy Klaris, a branding specialist at
consulting firm Kurt Salmon Associates. "The geisha look will bring a bit of the Asian touch, through higher neckline [mandarin collar] tops, beading and embroidery."
For fashionistas, that may be a welcome change of pace. Japanese-inspired fashion is a stark contrast to bohemian-chic styles that are now in vogue, featuring earth tones, flowing skirts and chunky beads.
"Asia is already in focus as an alternative ethnic inspiration to follow tired old boho," David Wolfe, a trend analyst with the Doneger Group in New York, said via e-mail.
Retailer Banana Republic has created a limited-edition holiday collection called East meets West that is priced between US$38 and US$178. The collection includes a kimono, obi-style dresses, and a quilted bag with tassel accent in rich colors of purple, navy, deep red and black.
"We played up the sexiness and glamour of both our brand and the movie, using sensual materials like silk and velvet," said Deborah Lloyd, executive vice president of design for the specialty store.
And cosmetics, which are key to attaining the look of a geisha, make natural product tie-ins.
"The beauty of the film is really the beauty," said Tom Julian, retail trends analyst. "Zhang Ziyi 's character going from girl to geisha was an art form, a skill. It was a process between fashion and makeup."
Fresh, the cosmetic firm that first introduced a sake bath and rice collection in 2000, added the Memoirs of a Geisha collection to its line in September (US$18.50-US$125; www.fresh.com). It includes an eau de parfum, a rice face wash and a flower petal mask -- each packaged in cherry blossom-designed boxes -- inspired by a kimono worn by Sayuri, Zhang's character in the film.
"The collection reflects the culture of a geisha beauty ritual," said Fresh co-founder Alina Roytberg. "It starts with a sake bath, then a rice face wash, followed by a flower petal face mask for rejuvenating the skin. The next step is applying the shimmer on eyes, lips and cheeks, followed by a lip gloss. Finally, you spray on the fragrance, a blend of white peach, rose absolute and jasmine."
"The scent is understated, just like the culture of the geisha," Roytberg said.
So far, the two biggest stars in the collection have been the perfume and the rose face palette: a satin luster cream, blush and gloss, all applied by fingertips -- the way a geisha would do it.
But the promotional tie-ins do not end with fashion and beauty. Tea also is an important part of the geisha experience and the film.
When Arthur Golden's book, Memoirs of a Geisha came out in 1997, the Republic of Tea marked the occasion with a special spring cherry green tea blend for the Barnes and Noble bookstore chain. It has revived "The blend -- Japanese Sencha green tea blended with essence of cherries, rose petals and white tea buds -- is essentially the same," said company spokeswoman Marideth Post. "For us, it was a natural tie-in and made sense. It was done in the spirit of a geisha tea ceremony."
The container's label art is from the movie; 50 tea bags are US$10 (www.republicoftea.com).
"Women can start their own rituals at home," Roytberg said.
For many people, Bilingual Nation 2030 begins and ends in the classroom. Since the policy was launched in 2018, the debate has centered on students, teachers and the pressure placed on schools. Yet the policy was never solely about English education. The government’s official plan also calls for bilingualization in Taiwan’s government services, laws and regulations, and living environment. The goal is to make Taiwan more inclusive and accessible to international enterprises and talent and better prepared for global economic and trade conditions. After eight years, that grand vision is due for a pulse check. RULES THAT CAN BE READ For Harper Chen (陳虹宇), an adviser
Traditionally, indigenous people in Taiwan’s mountains practice swidden cultivation, or “slash and burn” agriculture, a practice common in human history. According to a 2016 research article in the International Journal of Environmental Sustainability, among the Atayal people, this began with a search for suitable forested slopeland. The trees are burnt for fertilizer and the land cleared of stones. The stones and wood are then piled up to make fences, while both dead and standing trees are retained on the plot. The fences are used to grow climbing crops like squash and beans. The plot itself supports farming for three years.
The breakwater stretches out to sea from the sprawling Kaohsiung port in southern Taiwan. Normally, it’s crowded with massive tankers ferrying liquefied natural gas from Qatar to be stored in the bulbous white tanks that dot the shoreline. These are not normal times, though, and not a single shipment from Qatar has docked at the Yongan terminal since early March after the Strait of Hormuz was shuttered. The suspension has provided a realistic preview of a potential Chinese blockade, a move that would throttle an economy anchored by the world’s most advanced and power-hungry semiconductor industry. It is a stark reminder of
May 4 to May 10 It was once said that if you hadn’t performed at the Sapphire Grand Cabaret (藍寶石大歌廳), you couldn’t truly be considered a star. Taking the stage at the legendary Kaohsiung club was more than just a concert. Performers were expected to entertain in every sense, wearing outlandish or revealing costumes and staying quick on their feet as sharp-tongued, over-the-top hosts asked questions and delivered jokes that would be seen as vulgar, even offensive, by today’s standards. Opening in May 1967 during a period of strict political and social control, Sapphire offered a rare outlet for audiences in