Fans of Irish dance are in for a treat in the coming weeks when the "original" Irish dance ensemble, Riverdance makes its Taiwan debut and performs in Taipei, Taichung, Tainan and Kaohsiung.
Not to be confused with Michael Flatley's "other" foot tapping traditional Irish dance combo, the Lord of the Dance, which has paid numerous visits to Taiwan over the past three years, Riverdance was the first all Irish dance troupe to bring the Irish jig to mainstream audiences the world over.
Flatley's group was initially formed to perform at the 1994 Eurovision Song Contest in Dublin, but Riverdance actually proved more popular than many of contest's lackluster musical acts. Within a year the show that was choreographed to be a little more than a six-minute celebration of Irish culture that took to the stage in between acts had morphed into one of the most popular shows of all time.
Since Flatley quit Riverdance in 1995 the group and show have not only spawned numerous copycat acts, but have led to global interest in all things Irish. Riverdance has performed nearly 10,000 concerts, has played to packed houses in over 30 countries, and has netted merchandising sales in excess of US$35 million. And as if all that isn't enough to impress, then audience figures certainly should, as an estimated 2 billion people worldwide have seen the show.
The Riverdance troupe is no longer a single company. There are now three groups all of which take their names from Ireland's rivers. The Boyne tours in North America, the Avoca tours throughout Europe and the Corrib, which is named after the river that runs through the picturesque county of Galway, is tasked with keeping Asian audiences entertained.
While several local newspapers, a well-known singer and a rather un-Broadway savvy politician have recently been critical of touring groups that perform in Taiwan -- labeling the Really Useful Company that is set to bring Andrew Lloyd Webber's Phantom of the Opera to Taiwan early next year as "amateurs" -- Riverdance's Corrib troupe is a highly talented,
professional and handpicked unit.
And while only three of the lead roles are performed by genuine Irish dancers who were born and raised in the Land of the Blarney Stone organizers are not expecting this to hinder ticket sales or local audiences' enjoyment of the show.
What: Riverdance Live in Taiwan
Where and when: Thursday, Dec. 1 until Dec. 8 Taipei International Convention Center (台北國際會議中心); Dec. 10 and 11 Taichung Chunghsing University (台中中興大學); Dec. 12 and 13 Tainan City Cultural Center (台南市立文化中心); Dec. 15 through 17 Kaohsiung Chideh Hall (高雄至德堂).
Tickets: Tickets for Taipei shows cost from NT$800 to NT$4,800 and for performances in Koahsiung, Taichung and Tainan tickets cost from NT$600 to NT$3,600. Tickets for all performances are available from ERA ticketing outlets nationwide.
For many people, Bilingual Nation 2030 begins and ends in the classroom. Since the policy was launched in 2018, the debate has centered on students, teachers and the pressure placed on schools. Yet the policy was never solely about English education. The government’s official plan also calls for bilingualization in Taiwan’s government services, laws and regulations, and living environment. The goal is to make Taiwan more inclusive and accessible to international enterprises and talent and better prepared for global economic and trade conditions. After eight years, that grand vision is due for a pulse check. RULES THAT CAN BE READ For Harper Chen (陳虹宇), an adviser
Traditionally, indigenous people in Taiwan’s mountains practice swidden cultivation, or “slash and burn” agriculture, a practice common in human history. According to a 2016 research article in the International Journal of Environmental Sustainability, among the Atayal people, this began with a search for suitable forested slopeland. The trees are burnt for fertilizer and the land cleared of stones. The stones and wood are then piled up to make fences, while both dead and standing trees are retained on the plot. The fences are used to grow climbing crops like squash and beans. The plot itself supports farming for three years.
President William Lai (賴清德) on Nov. 25 last year announced in a Washington Post op-ed that “my government will introduce a historic US$40 billion supplementary defense budget, an investment that underscores our commitment to defending Taiwan’s democracy.” Lai promised “significant new arms acquisitions from the United States” and to “invest in cutting-edge technologies and expand Taiwan’s defense industrial base,” to “bolster deterrence by inserting greater costs and uncertainties into Beijing’s decision-making on the use of force.” Announcing it in the Washington Post was a strategic gamble, both geopolitically and domestically, with Taiwan’s international credibility at stake. But Lai’s message was exactly
May 4 to May 10 It was once said that if you hadn’t performed at the Sapphire Grand Cabaret (藍寶石大歌廳), you couldn’t truly be considered a star. Taking the stage at the legendary Kaohsiung club was more than just a concert. Performers were expected to entertain in every sense, wearing outlandish or revealing costumes and staying quick on their feet as sharp-tongued, over-the-top hosts asked questions and delivered jokes that would be seen as vulgar, even offensive, by today’s standards. Opening in May 1967 during a period of strict political and social control, Sapphire offered a rare outlet for audiences in