The Wilde Theatre Company pulls open its first curtain tonight with an adaptation of Neil Simon's The Odd Couple, a spot-on choice of a premiere performance for the English-language troupe.
The play stars Wilde Theatre Company co-founder David Young as the cigar-smoking, poker-playing Oscar and Jacques Fouche is his fussy friend Felix.
Oscar is a young sports writer living in a spacious five-room flat in North London. Felix is a BBC reporter and actor who is dumped by his boyfriend of seven years and starts a new life under Oscar's roof.
PHOTO : DAVID MOMPHARD, TAIPEI TIMES
Audiences familiar with Simon's script will quickly notice exactly where Wilde Theatre Company's adaptation departs from the original.
"The biggest differences are that it takes place in London instead of New York and that Felix is gay," Young said.
The first of these differences is a technical issue, given Young's Irish brogue and Frouche's English accents. The second might be chalked up to the company's credo to produce theater that looks at multi-cultural themes and issues.
"We wanted to update the material and make it more [appealing] to a younger Taipei audience," said Wilde's other founder and director of the current production, Barbara
Coughlin.
"Having studied the play and placed it in a modern context we were unafraid and confident to interpret Felix as an out gay man in today's society. It also seemed more feasible that two 20-somethings would not be married with children as in the original play."
Coughlin and Young, founded Wilde Theatre Company in March of this year. They are, in their words, "passionate and committed to theater and concerned by the lack of public performance found in Taipei."
Though The Odd Couple is being staged in the pub-cum-performance space Chocolate and Love, the company hopes to find future audiences -- and actors -- in both the foreign and local communities, using the arts as a kind of outreach program.
English language and literature are both great tools to assist non native speakers in their learning and appreciation of Western tradition and culture," they write in the company's literature.
Auditions for upcoming performances, including a production of Oscar Wilde's Dorian Gray, will be held throughout September. Contact wildetheatre@gmail.com for details.
Wilde Theatre Company's production of Neil Simon's Odd Couple runs tonight through Sunday and again next Friday, Aug. 12 to Sunday, Aug. 14 at Chocolate and Love. Tickets cost NT$400 and are available at the door. Seating is limited and audiences are advised to arrive early. All performances begin at 7pm. Chocolate and Love is located at 148, Xinyi Rd, Sec 4, Taipei (
When the Dutch began interacting with the indigenous people of Taiwan, they found that their hunters classified deer hide quality for trade using the Portuguese terms for “head,” “belly,” and “foot.” The Portuguese must have stopped here more than once to trade, but those visits have all been lost to history. They already had a colony on Macao, and did not need Taiwan to gain access to southern China or to the trade corridor that connected Japan with Manila. They were, however, the last to look at Taiwan that way. The geostrategic relationship between Taiwan and the Philippines was established
Sept. 9 to Sept. 15 The upgrading of sugarcane processing equipment at Ciaozaitou Sugar Factory (橋仔頭) in 1904 had an unintended but long-lasting impact on Taiwan’s transportation and rural development. The newly imported press machine more than doubled production, leading to an expansion of the factory’s fields beyond what its original handcarts and oxcarts could handle. In 1905, factory manager Tejiro Yamamoto headed to Hawaii to observe how sugarcane transportation was handled there. They had trouble finding something suitable for Taiwan until they discovered a 762mm-gauge “miniature” railroad at a small refinery in the island of Maui. On
“Once you get there, you think, that’s a little embarrassing or revealing or scary... but ultimately, I learned that is where the good stuff is,” says Taiwanese-American director Sean Wang about writing indie breakout Didi (弟弟), which debuted at Sundance Film Festival Asia 2024 in Taipei last month. Didi is a heartwarming coming-of-age story centered on the Asian American experience. Not just a 2000s teenage nostalgia piece, but a raw, unflinching look at immigrant families and adolescent identity struggles. It quickly became the centerpiece of the event, striking a chord with not only those sharing similar backgrounds but anyone who’s ever
“Magical,” “special,” a “total badass:” step forward Kamala Harris, the 59-year-old dynamo who has rebranded her country at lightning speed, offering it up as a nation synonymous with optimism, hope and patriotism. For the rest of us, Kamala’s gift is her joy and vibrancy — and the way she is smashing it just months away from her seventh decade, holding up 60 in all its power and glory. Welcome to the new golden age. Hers is the vibrancy of a woman who owns her power, a woman who is manifesting her experience and expertise, a woman who knows her time has