According to Mahayana Buddhism, anyone can attain enlightenment, and to assist the masses in reaching that state, known as Nirvana, a number a bodhisattvas and arhats roam the earth as spiritual coaches. Both are considered quasi-deities, but while bodhisattvas resemble Buddha in their appearance and commute between the human and divine realms, arhats look more like monks and live on earth.
In his latest exhibition, Taiwanese artist J.C. Kuo (
Modern-day Buddhist disciples are a concept Kuo began working on in 2000 and each of the arhats is based on male acquaintances of the artist. With strong religious and political overtones, his paintings act as guidelines for living in contemporary Taiwanese society.
PHOTO COURTESY OF MAIN TREDN GALLERY
The walls of the gallery are covered by 20 large paintings, one for each of the arhats and two depicting the cycles of birth and rebirth. The works are rich in color and detail; most use a collage of materials including newspaper print, buttons and jewelry. Kuo's background in woodcarving comes through in his broad brush strokes. The pop-culture and religious iconography are also reminiscent of Roy Lichtenstein's work.
A cautious view of modern technology is a reccurring theme in several of the pieces. In Lohan 7 a man wearing a suit and carrying a notebook computer is surrounded by a multitude of stamps with the words "delete," "shift" and "enter." Similar to other paintings, the man is barefoot, indicating a need to stay grounded and in touch with nature. In Lohan 10 a man is cloaked in a scholar's robe and sits gazing at a mammoth flat-screen TV. The submissive position of the man kneeling in front of the screen indicates a need to question the authority and power of media that has become like a 21st-century religion.
In other works political sentiments are illustrated, such as in Lohan 4 where a middle-aged protester is clad in a white sweat suit and sports both a blue jacket and green headband. Outlining the figure is a burlap sack, which pays homage to the fishermen and farmers who were the forerunners of protest and democracy in Taiwan.
Democracy is also explored in Lohan 1, which shows a man wearing a suit rocking on a toy horse. Above the painting is written the date July 15, 1987, marking the end of martial law. The painting shows Taiwan's young democracy, like a child, needs time to grow and mature.
Traditional Chinese themes of fortune, marital bliss, fertility and long life are also expressed in four of the works. Considering that Buddhist deities are celibate, the inclusion of family men among the other arhats downplays the religious connotations in the exhibit and produces conceivable role models for the real world.
Exhibition notes :
What: J.C. Kuo's 2005 18 Lohans Solo Exhibition
Where: Main Trend Gallery (大趨勢畫廊), 209-1 Chengde Rd, Sec 3, Taipei (台北市大同區承德路三段209-1號)
When: Until April 16. Daily 11am to 7pm. Gallery closed on Mondays.
The number of scandals and setbacks hitting the Taiwan People’s Party (TPP) in such quick and daily succession in the last few weeks is unprecedented, at least in the countries whose politics I am familiar with. The local media is covering this train wreck on an almost hourly basis, which in the latest news saw party chair Ko Wen-je (柯文哲) detained by prosecutors on Friday and released without bail yesterday. The number of links collected to produce these detailed columns may reach 400 by the time this hits the streets. To get up to speed, two columns have been written: “Donovan’s
President William Lai’s (賴清德) vision for Taiwan to become an “AI island” has three conditions: constructing advanced data centers, ensuring a stable and green energy supply, and cultivating AI talent. However, the energy issue supply is the greatest challenge. To clarify, let’s reframe the problem in terms of the Olympics. Given Taiwan’s OEM (original equipment manufacturer) roles in the technology sector, Taiwan is not an athlete in the AI Olympics, or even a trainer, but rather a training ground for global AI athletes (AI companies). In other words, Taiwan’s semiconductor ecosystem provides world-class training facilities and equipment that have already attracted
Nothing like the spectacular, dramatic unraveling of a political party in Taiwan has unfolded before as has hit the Taiwan People’s Party (TPP) over recent weeks. The meltdown of the New Power Party (NPP) and the self-implosion of the New Party (NP) were nothing compared to the drama playing out now involving the TPP. This ongoing saga is so interesting, this is the fifth straight column on the subject. To catch up on this train wreck of a story up to Aug. 20, search for “Donovan’s Deep Dives Ko Wen-je” in a search engine. ANN KAO SENTENCED TO PRISON YET AGAIN,
Despite her well-paying tech job, Li Daijing didn’t hesitate when her cousin asked for help running a restaurant in Mexico City. She packed up and left China for the Mexican capital last year, with dreams of a new adventure. The 30-year-old woman from Chengdu, the Sichuan provincial capital, hopes one day to start an online business importing furniture from her home country. “I want more,” Li said. “I want to be a strong woman. I want independence.” Li is among a new wave of Chinese migrants who are leaving their country in search of opportunities, more freedom or better financial prospects at a
RSS