On the surface, the South Korean movie Ardor is a movie about a bored housewife having a passionate affair, in revenge for her husband's unfaithfulness, featuring sensual love scenes. But, in the background, director Byun Young-joo tries to tell a woman's story about gaining power, about her ego and about her desire. The film has a feminist message.
Housewife Mi-heun thinks her life is pure happiness, with a loving husband and a beautiful daughter, until one Christmas Eve she finds her husband's mistress in her bed. The illusion of a perfect life is shattered.
To help mend their marriage, Mi-heun and her husband move to the countryside, where she meets In-gyu, a charming doctor who plays around with women. In-gyu proposes a game of love to Mi-heun and a passionate affair begins between them. The rule of the game is that as long as one of them doesn't say "I love you," the affair may continue. Mi-heun decides to create a series of lies for her husband, in the same way her husband used to lie to her.
PHOTO COURTESY OF HWA JAAN FILMS
Actors Kim Yoon-jin and Lee Jong-won both give convincing performances. Kim, in particular, renders a depth of acting, shifting from a pure and vulnerable wife to a woman of secrets, also gaining vigor in life from the dangerous extra-marital relationship. Kim was the North Korean assassin in action thriller Shiri (1999); and the selfish woman in Mr. Iron Palm (2002).
But it is Ardor that sees her give her most polished performance. By getting the most out of his leading actress, director Byun makes this movie a film by a woman for women.
It is not a sugar-coated tale, telling you to expect Mr. Right, but the voicing of a woman's desire and independence in a gender-unequal society such as South Korea. With this movie as her first dramatic film, Byun (who was a prolific documentary maker prior to the film) also shows a sophisticated depiction of women's psychology in her detailed narratives.
The only pitfall of the movie is that the development of the story is a little predictable. For those who are used to a Hollywood style-housewife-having-an-affair movie, one might be disappointed to find no surprises toward the end of the movie.
From the last quarter of 2001, research shows that real housing prices nearly tripled (before a 2012 law to enforce housing price registration, researchers tracked a few large real estate firms to estimate housing price behavior). Incomes have not kept pace, though this has not yet led to defaults. Instead, an increasing chunk of household income goes to mortgage payments. This suggests that even if incomes grow, the mortgage squeeze will still make voters feel like their paychecks won’t stretch to cover expenses. The housing price rises in the last two decades are now driving higher rents. The rental market
July 21 to July 27 If the “Taiwan Independence Association” (TIA) incident had happened four years earlier, it probably wouldn’t have caused much of an uproar. But the arrest of four young suspected independence activists in the early hours of May 9, 1991, sparked outrage, with many denouncing it as a return to the White Terror — a time when anyone could be detained for suspected seditious activity. Not only had martial law been lifted in 1987, just days earlier on May 1, the government had abolished the Temporary Provisions Effective During the Period of National Mobilization for Suppression of the Communist
Hualien lawmaker Fu Kun-chi (傅?萁) is the prime target of the recall campaigns. They want to bring him and everything he represents crashing down. This is an existential test for Fu and a critical symbolic test for the campaigners. It is also a crucial test for both the Chinese Nationalist Party (KMT) and a personal one for party Chairman Eric Chu (朱立倫). Why is Fu such a lightning rod? LOCAL LORD At the dawn of the 2020s, Fu, running as an independent candidate, beat incumbent Democratic Progressive Party (DPP) lawmaker Hsiao Bi-khim (蕭美琴) and a KMT candidate to return to the legislature representing
Fifty-five years ago, a .25-caliber Beretta fired in the revolving door of New York’s Plaza Hotel set Taiwan on an unexpected path to democracy. As Chinese military incursions intensify today, a new documentary, When the Spring Rain Falls (春雨424), revisits that 1970 assassination attempt on then-vice premier Chiang Ching-kuo (蔣經國). Director Sylvia Feng (馮賢賢) raises the question Taiwan faces under existential threat: “How do we safeguard our fragile democracy and precious freedom?” ASSASSINATION After its retreat to Taiwan in 1949, the Chinese Nationalist Party (KMT) regime under Chiang Kai-shek (蔣介石) imposed a ruthless military rule, crushing democratic aspirations and kidnapping dissidents from
RSS