Intermittent rain over Taipei couldn't dampen the atmosphere for approximately 2,000 screaming fans who turned up last night outside the Sun Yat-sen Memorial Hall to watch their favorite pop singers arrive at the 15th Golden Melody Awards, where Taiwanese singer Jay Chou (周杰倫) took the top honors for best album of the year.
His capturing the award came as little surprise to spectators and fans, who have watched Chou come to dominate the Chinese pop-music scene with four albums. Chou has won Golden Melody Awards each of the past three years. In accepting the award, Chou thanked his mother, after whom his winning album was named.
Much of the evening's excitement took place on the red carpet outside the venue, where the wild throng of mostly teenagers pressed against guard rails screaming at the sight of almost the entire pantheon of Mando-pop and Canto-pop stars who filed into the hall.
PHOTO: TAIPEI TIMES
For most fans, however, the Golden Melody Awards marks the high point on the Mandarin pop music calendar.
At one point, an unidentified man stormed onto the red carpet to try to confront the Korean singer Boa, who performed at the ceremony, but was immediately pushed back and after a short scuffle with security personnel, the man disappeared into the crowd.
The Golden Melody Awards -- Taiwan's equivalent of the Grammys -- recognize the best singers, bands and music professionals whose work is done in Mandarin, Taiwanese, Hakka and Taiwan's Aboriginal languages. Nominees for the awards come from Taiwan, China, Hong Kong, Malaysia, Singapore and Thailand and are reviewed by a panel of 30 judges made up of music industry professionals.
PHOTO: TAIPIE TIMES
Along with best album, other major categories at the awards include best male and female singers, best singing group and best band.
In the night's biggest surprise, Sky Wu (
Hong Kong Mando-pop diva Faye Wong (
PHOTO: TAIPEI TIMES
Mandarin female singer for her album To Love (
As many expected, pop rock group Mayday (
The best band category, however, is the only one that recognizes work by rock 'n' roll bands. "We needed this award. It tells us that we didn't choose the wrong path in making our kind of music," A-hsin said backstage.
PHOTO: TAIPEI TIMES
The second big surprise of the evening, after Sky Wu winning the best Mandarin male singer award, came with the relatively new duo Ah-bao (
The mother of the best lyricist awardee, Shawn Song (
Peng Shui-kuang (
Popular music garners the greatest amount of attention at the awards, with 16 categories, but 10 awards are also given to artists working in religious music, children's music, and classical styles of music.
This year's awards tried to put the best face on an industry that has seen its revenues decline by almost two thirds since its peak in 1998.
The decline in album sales as a result of pirating is the most important issue facing the industry, but no mention of these ills throughout the evening's proceedings.
15th Golden MelodyAward Winners
Best Album: Yeh Huei-mei by Jay Chou (
Best musical director: Kuang Sheng (
Best instrumental album: Crystal Boys (
Best composer: Hsieh Hsiao-juan (
Best lyricist: Shawn Song (
Best arrangement: Chong Hsing-min (
Best producer: Lee Hom Wang (
Best Mandarin male singer: Sky Wu (
Best Taiwanese male singer: Chang Yu-wei (
Best Mandarin female singer: Faye Wong (
Best Taiwanese female singer: Showlen Maya (
Best Hakka singer: Xie Yu-wei (
Best Aboriginal singer: Peng Shui-kuang (
Best band: Mayday (
Best singing group: Ah-bao (
Best newcomer: Lin Junjie (
In the March 9 edition of the Taipei Times a piece by Ninon Godefroy ran with the headine “The quiet, gentle rhythm of Taiwan.” It started with the line “Taiwan is a small, humble place. There is no Eiffel Tower, no pyramids — no singular attraction that draws the world’s attention.” I laughed out loud at that. This was out of no disrespect for the author or the piece, which made some interesting analogies and good points about how both Din Tai Fung’s and Taiwan Semiconductor Manufacturing Co’s (TSMC, 台積電) meticulous attention to detail and quality are not quite up to
April 21 to April 27 Hsieh Er’s (謝娥) political fortunes were rising fast after she got out of jail and joined the Chinese Nationalist Party (KMT) in December 1945. Not only did she hold key positions in various committees, she was elected the only woman on the Taipei City Council and headed to Nanjing in 1946 as the sole Taiwanese female representative to the National Constituent Assembly. With the support of first lady Soong May-ling (宋美齡), she started the Taipei Women’s Association and Taiwan Provincial Women’s Association, where she
Chinese Nationalist Party (KMT) Chairman Eric Chu (朱立倫) hatched a bold plan to charge forward and seize the initiative when he held a protest in front of the Taipei City Prosecutors’ Office. Though risky, because illegal, its success would help tackle at least six problems facing both himself and the KMT. What he did not see coming was Taipei Mayor Chiang Wan-an (將萬安) tripping him up out of the gate. In spite of Chu being the most consequential and successful KMT chairman since the early 2010s — arguably saving the party from financial ruin and restoring its electoral viability —
It is one of the more remarkable facts of Taiwan history that it was never occupied or claimed by any of the numerous kingdoms of southern China — Han or otherwise — that lay just across the water from it. None of their brilliant ministers ever discovered that Taiwan was a “core interest” of the state whose annexation was “inevitable.” As Paul Kua notes in an excellent monograph laying out how the Portuguese gave Taiwan the name “Formosa,” the first Europeans to express an interest in occupying Taiwan were the Spanish. Tonio Andrade in his seminal work, How Taiwan Became Chinese,