Following two popular tango shows in Taipei in previous years -- Tango Passion in 1997, Forever Tango last year, there is another heavy-weight Tango troupe from Argentina coming to Taiwan -- the King of Tango, led by renowned dancer Gustavo Russo.
The troupe will play eight consecutive shows in Taiwan's four cities.
Apart from being one of the best Tango troupes in the world, which has sold out shows in London, Vienna, Madrid, Brussels and Berlin, there is another attraction to King of Tango. The repertoire, titled The Tango Seduction, will largely use the music of Nuevo Tango master Astor Piazzolla. Taiwan and Hong Kong have recently gone through a craze for Piazzolla's music and it is expected that the show will attract Piazzolla music fans.
PHOTO: COURTESY OF NEW ASPECT FOUNDATION
Seven musicians, including the accordianist and one singer will accompany 13 dancers to present a show with rich flavors and elegant body movements.
What is tango, exactly? For star dancer Gustavo Russo, the point is to express the entanglement and tension of love.
Those who went to the performance of Tango Passion in 1992 will find Gustavo Russo a familiar face. He was the young first-seat dancer in the show that played 11 years ago in Taipei. Russo is the winner of the Estelares Del Mar (Star of the Sea), a top tango competition in Argentina for seven consecutive years.
He also won the title of Precio Del Argentina, that was presented by the Buenos Aires Academy.
After a string of successful world tours and a short period performing in the Broadway productions, Russo recruited top dancers from various tango troupes in Argentine and formed his own "King of Tango" troupe in 2001.
The show follows a love story that takes place in a pub in Buenos Aires' harbor area. According to Russo it is a story about jealousy and passion.
Act one of "The Tango Seduction" covers the origin and the history of tango styles. The stage, decorated as an old fashioned bar by the harbor, has the dancers playing roles from different social classes, all expressing their sentiment through dancing. Here, tango is a direct, collective expression of the emotions of European
immigrants.
Act two of the show is the "Tango Nuevo." This newly styled tango has now turned into an art form, in terms of dance steps and music. On the stage there will be a giant mirror to create illusory images of the dancers. Piazzolla's music will harmonize with the more complicated steps of the seven pairs to produce a thrillingly rich image on stage.
Russo will be paired with Samanta Garcia, who has performed in Broadway productions such as Les Miserables, Cats and Miss Saigon.
The musical director of the troupe, Fernanado Marzan, also has an impressive background. He was the composer and music director for Madonna's Evita and one of his recent works is Bedita Buenos Aires, co-composed with Japanese musician Taro Hakase.
That US assistance was a model for Taiwan’s spectacular development success was early recognized by policymakers and analysts. In a report to the US Congress for the fiscal year 1962, former President John F. Kennedy noted Taiwan’s “rapid economic growth,” was “producing a substantial net gain in living.” Kennedy had a stake in Taiwan’s achievements and the US’ official development assistance (ODA) in general: In September 1961, his entreaty to make the 1960s a “decade of development,” and an accompanying proposal for dedicated legislation to this end, had been formalized by congressional passage of the Foreign Assistance Act. Two
Despite the intense sunshine, we were hardly breaking a sweat as we cruised along the flat, dedicated bike lane, well protected from the heat by a canopy of trees. The electric assist on the bikes likely made a difference, too. Far removed from the bustle and noise of the Taichung traffic, we admired the serene rural scenery, making our way over rivers, alongside rice paddies and through pear orchards. Our route for the day covered two bike paths that connect in Fengyuan District (豐原) and are best done together. The Hou-Feng Bike Path (后豐鐵馬道) runs southward from Houli District (后里) while the
President William Lai’s (賴清德) March 13 national security speech marked a turning point. He signaled that the government was finally getting serious about a whole-of-society approach to defending the nation. The presidential office summarized his speech succinctly: “President Lai introduced 17 major strategies to respond to five major national security and united front threats Taiwan now faces: China’s threat to national sovereignty, its threats from infiltration and espionage activities targeting Taiwan’s military, its threats aimed at obscuring the national identity of the people of Taiwan, its threats from united front infiltration into Taiwanese society through cross-strait exchanges, and its threats from
March 31 to April 6 On May 13, 1950, National Taiwan University Hospital otolaryngologist Su You-peng (蘇友鵬) was summoned to the director’s office. He thought someone had complained about him practicing the violin at night, but when he entered the room, he knew something was terribly wrong. He saw several burly men who appeared to be government secret agents, and three other resident doctors: internist Hsu Chiang (許強), dermatologist Hu Pao-chen (胡寶珍) and ophthalmologist Hu Hsin-lin (胡鑫麟). They were handcuffed, herded onto two jeeps and taken to the Secrecy Bureau (保密局) for questioning. Su was still in his doctor’s robes at