The National Museum of History's (
The exhibition details the different shoe styles prevalent in different regions of China and Taiwan. All have in common delicate handiwork, beautiful patterns and bold color schemes. Some were clearly articles of high fashion in their days. The details of the embroidery reveal the social conditions of the region of origin. Some bow shoes from Taiwan have wooden heels, an influence of Japanese colonization.
Ke's X-ray photo of a bound foot hung next to one of a normal female foot helps viewers understand the physical aspect of the cultural practice. There are also detailed illustrations of how to bind feet correctly using a wide range of tools. If bound correctly, a woman's foot could fit into 5cm wide shoes, the smallest in the exhibition, which comes from southern Taiwan.
The origin of foot binding has not yet been pinned down, although most historical documents show the practice started during the Tang Dynasty. The trend took off in the Sung Dynasty, when a delicate physique was viewed as the basis for female beauty. In the Yuan Dynasty, bound feet were compared to a "golden lotus" and in Ming society they were an indication of high social class. Ching dynasty parents competed to have their sons marry women with the smallest possible feet.
Bound feet may seem a deformity today but for ancient Chinese it served many purposes. Apart from keeping woman in the home, a Confucian idea, people also believed that it improved a couple's sex life. As a woman with bound feet had to carry more weight with her hips and thighs, this was supposed to improve the function of her external sexual organs and enable her to give her husband greater sexual pleasure.
The transformation of women's lower body due to feet binding, Ke said, changed the sexual behavior of both sexes.
Ke bought his first pair of small shoes when he was 18. Over the last 28 years, he has collected 1,500 pairs of small shoes and 5,000, paraphernalia and historical documents, related to the practice. The director of a hospital in Taipei County, Ke has also published two books on bound feet.
He is currently working on a three-part trilogy on the artifacts, culture and sexual practices related to bound feet.
Ke's small shoes collection has toured in the US, Canada and Germany. Here his collection has been shown in many public galleries around Taiwan.
"A Thousand Years of Bound Feet" will run until Sept. 14 at the National Museum of History, 49 Nanhai Rd, Taipei (台北市南海路49號).
The US war on Iran has illuminated the deep interdependence of Asia on flows of oil and related items as raw materials that become the basis of modern human civilization. Australians and New Zealanders had a wake up call. The crisis also emphasizes how the Philippines is a swatch of islands linked by jet fuel. These revelations have deep implications for an invasion of Taiwan. Much of the commentary on the Taiwan scenario has looked at the disruptions to world trade, which will be in the trillions. However, the Iran war offers additional specific lessons for a Taiwan scenario. An insightful
It’s only half the size of its more famous counterpart in Taipei, but the Botanical Garden of the National Museum of Nature Science (NMNS, 國立自然科學博物館植物園) is surely one of urban Taiwan’s most inviting green spaces. Covering 4.5 hectares immediately northeast of the government-run museum in Taichung’s North District (北區), the garden features more than 700 plant species, many of which are labeled in Chinese but not in English. Since its establishment in 1999, the site’s managers have done their best to replicate a number of native ecosystems, dividing the site into eight areas. The name of the Coral Atoll Zone might
Polling data often confirms what we expect, but sometimes it throws up surprises. When examined over time, some patterns appear that speak to something bigger going on. In this column, whenever possible, Formosa’s polls are used. Despite the sometimes cringeworthy antics of Formosa’s Chairman, Wu Tzu-Chia (吳子嘉), the data produced includes detailed breakdowns crucial for analysis. It has also been conducted monthly 11-12 times a year for many years with many of the same questions, allowing for analysis over time. When big shifts do occur between one month and the next it is usually in response to some event in
April 6 to April 13 Few expected a Japanese manga adaptation featuring four tall, long-haired heartthrobs and a plucky heroine to transform Taiwan’s television industry. But Meteor Garden (流星花園) took the nation by storm after premiering on April 12, 2001, single-handedly creating the “idol drama” (偶像劇) craze that captivated young viewers across Asia. The show was so successful that Japan produced its own remake in 2005, followed by South Korea, China and Thailand. Other channels quickly followed suit, with more than 50 such shows appearing over the following two years. Departing from the melodramatic