These days, few things can stir Ju Ming (
Confining himself to his wood cabin and studio near Ching-ching Dairy Farm
In retreat from the distractions of city life, Ju hopes to finish "the biggest show of my life" -- an army of 300 life-sized figures -- modern Taiwanese troopers with all their equipment, including planes and a battleship. (The battleship will be built from wire, but will be the same size as the real thing.) A related work, which is part of the same project, is 60 soldiers representing the retreat of the KMT's army in 1949.
PHOTO: GEORGE TSRONG, TAIPEI TIMES
Easily Taiwan's best-known artist -- having created the ubiquitous Tai Chi series of sculptures -- Ju Ming started life as a humble temple sculptor. It was a search for a personal style that brought him into contact with the late Yang Ying-feng (楊英風), under whom he studied.
Ju held his first solo exhibition at the National Museum of History (
In January, the prestigious French publisher Editions Cercle D'Art released a book on Ju's works titled simply Ju Ming. Last week, he received an honorary doctorate from Fu Jen Catholic University (
PHOTO: GEORGE TSRONG, TAIPEI TIMES
Despite this recognition of his artistic achievement, Ju isn't resting on his laurels. "I try to hide from the busy social life in Taipei because it disturbs my work. Living in Taipei troubles your mind. Even if you don't go out and no one is visiting you, you can't find tranquility. It is impossible to work seriously like that," Ju said.
Ju, who is known for his avoidance of publicity, has, in the last decade, rarely shown up even for the opening of his own exhibitions.
Despite advancing years -- he is now in his late 60s -- Ju maintains a rigorous work schedule. When working on a project, he lives the life of a monk. "Except for sleep, all I do is sculpt," Ju said. Every morning, Ju also practices tai chi, which he has done religiously for 35 years. He first began to study tai chi on the suggestion of his mentor, Yang, who thought Ju not physically strong enough to be a sculptor.
"After breakfast, I work on my sculptures until sunset. Only when it became so dark I cannot see do I go indoors and call it a day," Ju said.
Ju works outside his 200-ping two-story studio where he can hear the sound of birds and see the wide expanse of tea plantations.
"Even when I'm not working, my mind is on my sculptures. Every night I think about ways I can improve the pieces I am working on," Ju said.
In his studio, several Styrofoam soldiers stand to attention. These figures await casting in bronze when they will become part of his National Troops series.
"They all look different. Their height and the shape of their faces are all different," Ju said in excitement, moving some of them forward to show the different equipment they carry. "This one is my company captain," said Ju, pointing to one figure with its mouth open wide. A name was written above his shirt pocket. "That's his name. He's shouting orders to the soldiers because officers are coming," said Ju, describing the scene as though it were taking place before his eyes.
"These soldiers listen to nobody but me. I'm the commander. I give them titles, provide them with warships. I even clothe them," Ju said.
Next September, on the fifth anniversary of his Museum's opening, the National Troops series will be installed there. Ju hopes the president will attend the event to give a "military review" so that they can become real soldiers.
The 60 figures representing KMT troops that he is also currently working on present a sad scene of a retreating army in the face of communist forces in the late 1940s. Two figures have already been completed in bronze, while others are still in Styrofoam.
In creating the dispirited, crippled and ill-equipped soldiers, Ju is fulfilling a promise he made over 20 years ago.
"I was in Rome for two months to help with the shooting of a movie. Wei Shu (
"They could not possibly win and yet had to fight. Nobody knows how helpless they were. He asked me to let people know about their story through my work," Ju said. "At the time I was so moved I promise to do this. But I never had the occasion to do such a big project until now."
"People say that life is a play. If that's true, then my museum is my stage and this project is the biggest play of my life," Ju said. The monumental sculpture, which Ju expects to finish within three years, is exceptional in scope. The total weight will be around 100 tonnes and will cost him NT$30 million. Already in serious debt after the construction of his museum, Ju once again shows he is willing to risk everything to accomplish what he thinks he has to.
In the spring sunlight outside his studio, Ju demonstrates how he works. Picking up a saw, Ju carves away in rapid movements. In a matter of minutes, a Styrofoam block is shaped into a soldier straining to push a cart of rations.
"Every slash is confident. Every cut matters. That's just me," he said.
Last week, the the National Immigration Agency (NIA) told the legislature that more than 10,000 naturalized Taiwanese citizens from the People’s Republic of China (PRC) risked having their citizenship revoked if they failed to provide proof that they had renounced their Chinese household registration within the next three months. Renunciation is required under the Act Governing Relations Between the People of the Taiwan Area and the Mainland Area (臺灣地區與大陸地區人民關係條例), as amended in 2004, though it was only a legal requirement after 2000. Prior to that, it had been only an administrative requirement since the Nationality Act (國籍法) was established in
Three big changes have transformed the landscape of Taiwan’s local patronage factions: Increasing Democratic Progressive Party (DPP) involvement, rising new factions and the Chinese Nationalist Party’s (KMT) significantly weakened control. GREEN FACTIONS It is said that “south of the Zhuoshui River (濁水溪), there is no blue-green divide,” meaning that from Yunlin County south there is no difference between KMT and DPP politicians. This is not always true, but there is more than a grain of truth to it. Traditionally, DPP factions are viewed as national entities, with their primary function to secure plum positions in the party and government. This is not unusual
The other day, a friend decided to playfully name our individual roles within the group: planner, emotional support, and so on. I was the fault-finder — or, as she put it, “the grumpy teenager” — who points out problems, but doesn’t suggest alternatives. She was only kidding around, but she struck at an insecurity I have: that I’m unacceptably, intolerably negative. My first instinct is to stress-test ideas for potential flaws. This critical tendency serves me well professionally, and feels true to who I am. If I don’t enjoy a film, for example, I don’t swallow my opinion. But I sometimes worry
More than 75 years after the publication of Nineteen Eighty-Four, the Orwellian phrase “Big Brother is watching you” has become so familiar to most of the Taiwanese public that even those who haven’t read the novel recognize it. That phrase has now been given a new look by amateur translator Tsiu Ing-sing (周盈成), who recently completed the first full Taiwanese translation of George Orwell’s dystopian classic. Tsiu — who completed the nearly 160,000-word project in his spare time over four years — said his goal was to “prove it possible” that foreign literature could be rendered in Taiwanese. The translation is part of
RSS