In the small township of Tungshih (
Ironically, the move to have the logging station made into a museum had its inspiration in a recent major disaster, namely the 921 Earthquake, which devastated much of central Taiwan. Tungshih was one of the heaviest-hit areas on the island. More than 300 lives were lost, hundreds were injured and numerous houses ruined. Volunteers were brought in to help -- one of these was Yen Ming-hung (
The vast and somewhat dilapidated shelter where he worked covered more than 18 hectares. The buildings used to house the offices and factories of the Tahsue Mountain Forestry Company (大雪山林業公司), which was a major lumber company in the 1960s.
PHOTO COURTESY OF YEN MING-HUNG
The forestry company had come into existence in early 1959, using US government aid and designs by a Seattle, Washington company. At the time, it was state-of-the-art. But after about 10 years, it was forced to close down, a victim of management problems that included embezzlement and lumber theft. Thereafter, it sat idle for 30 years, isolated in the quiet, conservative and yet culturally rich Hakka township.
Shieh Shang-ta (
PHOTO COURTESY OF YEN MING-HUNG
Prior to this, the KMT government had followed the example of the Japanese colonial government in bringing in much-needed foreign exchange with massive exports of cypress and other high-value timber. Taiwan yellow cypress, which holds claim to be the best of the seven types of cypress, now costs approximately NT$70,000 per cubic meter.
One report indicates that the island of Taiwan once possessed around 20,000 hectares of natural cypress forest. Grown over hundreds of years, some of the giant trees are over 1,000 years old. The oldest one on record in Taiwan is now 3,000-years-old and is more than 25m in diameter.
Thirty years of ruthless deforestation begun by the Japanese has reduced the cypress forest area by about half. This quantity continues to diminish despite a total ban on harvesting these trees at high elevations (from 1,800m to 2,500m above sea-level) that was started in 1976.
PHOTO COURTESY OF YEN MING-HUNG
The Tahsue Mountain Forestry Company was designed specifically to continue this exploitation in company-owned lands that extended from Taichung all the way up to Nantou and Hualien counties. The combination of a policy change, coupled with internal mismanagement, made the company a lost cause and led to its demise in 1973, representing a loss of several hundred million NT dollars for investors. Nowadays, 99 percent of the timber Taiwan consumes is imported from Indonesia or other Southeastern Asian countries.
One man's loss may be another man's gain. Because this forestry company folded within a relatively short period of time, Taiwanese forest conservationists had the good luck to have saved most of the cypress trees on the central Taiwan mountains from the sharp blade of US-made bandsaws. The office-and-factory sites were kept almost intact over these long years.
The machinery and related facilities inside several of these old factory buildings now serve as an inspiration to the many artists who are involved in a reutilization project.
The plant's high wooden ceilings, sunlight filled rooms, shadowy stairways and the fragrance of cypress emanating from the timber give full rein to the imagination and a sense of long-preserved energy being released from the surroundings.
Lin Ping (
Last year, Lin and others was invited by Yen and Liou Shuenn-ren (劉舜仁), professor of architecture at Tunghai University to set up an evaluation team. They are now presenting ideas to the Forestry Bureau, the sole landowner of the site, in the hope of turning this magnificent site into a forestry art museum.
Professor Liou, who serves as the team's convener, has high hopes for the conversion of the old timber factory. He said: "This is an ideal example of the decay of a raw material enterprise in a post-industrialized economy. Many wineries, sugar plants and railway warehouses in Taiwan were squeezed out of business for more or less the same reason ? industrialization. Obviously, the land these fallen enterprises owned needs to be released for reutilization."
A new plan
The Forestry Bureau had a plan in the past to develop this site into a forest ecology tourism zone, but it was never carried out. Now, Liou says that his team is just trying to carry out the Bureau's plan.
Both Liou and Yen emphasized that this site is perhaps the only large cypress mill left in the world. The factory is built entirely with top-grade wood that forms its beams, columns, frame structures and even floors. What the forestry company left to them is not only an architectural and cultural legacy but also holds unlimited potential for artistic expression.
The concept of reutilization of idle space is still very new in Taiwan. The movement came about in 1997 when three artists in Taipei forced their way into the Huashan Art District (
Yen, Lin and Liou see the possibility of achieving something pleasant and memorable for Taiwan with the Council's support. For example, its funding enabled Liou's team to recently organize a series of public cultural displays on this site to bring more attention to this secluded place.
Meanwhile, the fabulous example set by the Musee D'orsay in Paris, a building converted from an old railway station, is a constant inspiration.
Other internationally renowned projects such as the successful revitalization project of Loire's industrial zone at Feydeau Island in France in 1999, the Salamanca old town conversion plan in Spain, the converted Ruhr Industrial Park in Germany and I. M. Pei's current museum project constructed from the foundations of a medieval Luxemburg castle's walls, are similarly fine examples of reutilization.
The team aims to achieve the same high standard, setting up a world-class forestry ecological museum that makes use of the artwork and expertise of local artists.
Vaccines are the latest flashpoint inflaming cross-strait tensions between China and Taiwan, as the latter tries to fend off its worst coronavirus outbreak since the pandemic began with a mostly unvaccinated population and the former rails against outside assistance from Taipei’s allies. Global vaccination drives are widely seen as the only way out of the COVID-19 pandemic, but in Taiwan, just 3 percent of the population has received at least one dose. Now it is battling hundreds of cases a day and does not have enough vaccines for its 23.5 million people. Affected by global shortages, low initial orders and accusations of
Returning to Ciliwa (唭哩瓦) a couple of weeks ago, it took me a few minutes to get my bearings. This time, I’d approached by a different route. It bypassed the village’s so-called “new community” (新社) and brought me direct to the “old community” (舊社). Outsiders won’t notice many differences between these two settlements in an inland and ruggedly hilly corner of Tainan. Both are a mix of traditional single-story homes and more recent reinforced concrete structures. In the “newer” part of the village as in the “older,” several houses are empty, and it’s obvious nobody is trying to maintain them. The “old
With no way to make money during the outbreak and a developmentally delayed third-grader to raise alone, the only thing Mr Lin (林) can do is pray for vaccines. “I just hope that people can get vaccinated and life can go back to usual soon,” Lin says during a Line interview. “It’s unfortunate that Taiwan’s awkward international status prevents us from getting vaccines.” A foot masseuse catering to tourists in Taipei, Lin’s income already took a hit when the COVID-19 pandemic hit last year. With the latest outbreak shuttering massage parlors across the nation, he is now out of a
Harboring an unrequited love for someone is one thing; following them, secretly taking pictures of them and visiting them at work every day is stalking. Chasing down and confronting their new boyfriend (even though he is a horrible person) in the name of justice, is stalking. There’s not really an excuse, no matter how well-intentioned one is. Such behavior features heavily in My Missing Valentine (消失的情人節), which is available on Netflix after bagging five trophies during last year’s Golden Horse awards, including best feature and best director. It’s a skillfully edited and philosophical tale with a sweet and endearing protagonist