Organized for the second year as a large promotional event at the Cannes International Film Festival, Hong Kong night in Cannes this year was seemed to be making a nod toward Wong Kar-wai (
As Cheung and Leung are best remembered for their turns in Wong Kar-wai's In the Mood for Love (花樣年華), the Hong Kong promotional program this year was titled "In the Mood for Hong Kong."
Carlton Beach on Saturday was specked with stars, champagne and fine food. Giant balloons with "Hong Kong" written in both Chinese and English hung high above the sea. And again, there were performances of dragon and lion shows, kung fu demonstrations and Chinese acrobatics. But of course most of the spotlights fell on Maggie Cheung.
Cheung just finished shooting Chinese director Zhang Yi-mou's (
It was also rumored that Cheung came to Cannes for another reason. Her ex-husband, French director Olivier Assayas, has had his new work Demonlover selected in Cannes' official competition. Cheung's agent announced two weeks ago that Cheung and Assayas had divorced.
"I'm glad that Hong Kong films are getting widely recognized. I'm proud to be a part of it," Cheung said in front of a crowd of journalists. She said it's always good for her to expand her acting career beyond Hong Kong. "Because I am new to the international audience, but in Hong Kong, I'm an old actress already," she said. "I appreciate having worked with Wong Kar-wai. He taught me to be an actress, instead of teaching me how to act," Cheung said.
Both Cheung and Tony Chiu-wai Leung are are slated to star in Wong's futuristic film 2046. The film began shooting two years ago, which is considered a normal schedule for Wong, who almost always takes more than a year to finish a film. As for the film's story, Leung only has a vague answer.
"When we began shooting, I was playing a cop in the year 2046, working in Japan with Wong Faye (
Leung was named Best Actor at Cannes two years ago for In the Mood For Love. He said he had been involved more in kung fu films. Apart from Hero, his next project is playing a Bruce Lee-like kung fu hero. "It's based on a true story and takes place at a martial arts parlor. And the character of Bruce Lee will show up at the end," he said.
Another Tony Leung, Tony Ka-fai Leung came to Cannes for the suspense thriller Double Vision (
That US assistance was a model for Taiwan’s spectacular development success was early recognized by policymakers and analysts. In a report to the US Congress for the fiscal year 1962, former President John F. Kennedy noted Taiwan’s “rapid economic growth,” was “producing a substantial net gain in living.” Kennedy had a stake in Taiwan’s achievements and the US’ official development assistance (ODA) in general: In September 1961, his entreaty to make the 1960s a “decade of development,” and an accompanying proposal for dedicated legislation to this end, had been formalized by congressional passage of the Foreign Assistance Act. Two
Despite the intense sunshine, we were hardly breaking a sweat as we cruised along the flat, dedicated bike lane, well protected from the heat by a canopy of trees. The electric assist on the bikes likely made a difference, too. Far removed from the bustle and noise of the Taichung traffic, we admired the serene rural scenery, making our way over rivers, alongside rice paddies and through pear orchards. Our route for the day covered two bike paths that connect in Fengyuan District (豐原) and are best done together. The Hou-Feng Bike Path (后豐鐵馬道) runs southward from Houli District (后里) while the
March 31 to April 6 On May 13, 1950, National Taiwan University Hospital otolaryngologist Su You-peng (蘇友鵬) was summoned to the director’s office. He thought someone had complained about him practicing the violin at night, but when he entered the room, he knew something was terribly wrong. He saw several burly men who appeared to be government secret agents, and three other resident doctors: internist Hsu Chiang (許強), dermatologist Hu Pao-chen (胡寶珍) and ophthalmologist Hu Hsin-lin (胡鑫麟). They were handcuffed, herded onto two jeeps and taken to the Secrecy Bureau (保密局) for questioning. Su was still in his doctor’s robes at
Mirror mirror on the wall, what’s the fairest Disney live-action remake of them all? Wait, mirror. Hold on a second. Maybe choosing from the likes of Alice in Wonderland (2010), Mulan (2020) and The Lion King (2019) isn’t such a good idea. Mirror, on second thought, what’s on Netflix? Even the most devoted fans would have to acknowledge that these have not been the most illustrious illustrations of Disney magic. At their best (Pete’s Dragon? Cinderella?) they breathe life into old classics that could use a little updating. At their worst, well, blue Will Smith. Given the rapacious rate of remakes in modern