What's so lovable about Manray Hsu(許文瑞) and Hungjohn Lin (林宏章) is
that they can come up with the most long-winded and incomprehensible
babble-filled excuses to hold a party that can be found anywhere in
Taiwan. And in the end, they still have a party, or curate an art
exhibition, or just hold something weird. Last summer, for example, they
were responsible for a short string of all-night drum circles, film
festivals and philosophically justified bacchanalia held under the open
sky in Taipei's Whashang Arts District.
Tonight they're having the opening celebration for The Good Place(好地
方), an exhibition of Canadian and Taiwanese artists to be held in
Taichung's streets and commercial districts from Dec. 2 to Dec. 16. You
may note that the opening party and the exhibition are actually a
weekend apart, but that's not stopping them. In fact, there will be
another party next weekend on Dec. 2 for the actual opening.
Tonight, though, they will be outside again with a line-up that includes
an old Chinese man playing the erhu, Broadway-style tap dancing to the
sounds of a hip hop scracth artist, a performance by the band Milk,
music by DJ RainboWarrior (who, by the way, did a nice job last week
with the party atop Taichung's Jinsha Department Store) and works by two
video artists. Films by the Taiwanese duo Pitch Peach will kick in while
Milk is on stage, and films by Canadian Michael Snow will accompany
RainboWarrior.
According to Hsu, all this is supposed to express the "trans-site," or
"the notion of geographical space as a socio-cultural expression in the
context of globalization." In layman's terms, events surrounding The
Good Place will look at how two different cultures mix in the context of
Taichung, a place like every other with its own status quo.
And this will happen by staging performances (including one called "urban massage" and featuring works that spill out of the museums and
into everyday life. Tonight's events will be held outdoors from 7pm to
10pm in the plaza in front of the Taichung City Cultural Center (台中市
立文化中心), located at 600 Yingtsai Rd. (台中巿英才路600號).
That US assistance was a model for Taiwan’s spectacular development success was early recognized by policymakers and analysts. In a report to the US Congress for the fiscal year 1962, former President John F. Kennedy noted Taiwan’s “rapid economic growth,” was “producing a substantial net gain in living.” Kennedy had a stake in Taiwan’s achievements and the US’ official development assistance (ODA) in general: In September 1961, his entreaty to make the 1960s a “decade of development,” and an accompanying proposal for dedicated legislation to this end, had been formalized by congressional passage of the Foreign Assistance Act. Two
Despite the intense sunshine, we were hardly breaking a sweat as we cruised along the flat, dedicated bike lane, well protected from the heat by a canopy of trees. The electric assist on the bikes likely made a difference, too. Far removed from the bustle and noise of the Taichung traffic, we admired the serene rural scenery, making our way over rivers, alongside rice paddies and through pear orchards. Our route for the day covered two bike paths that connect in Fengyuan District (豐原) and are best done together. The Hou-Feng Bike Path (后豐鐵馬道) runs southward from Houli District (后里) while the
March 31 to April 6 On May 13, 1950, National Taiwan University Hospital otolaryngologist Su You-peng (蘇友鵬) was summoned to the director’s office. He thought someone had complained about him practicing the violin at night, but when he entered the room, he knew something was terribly wrong. He saw several burly men who appeared to be government secret agents, and three other resident doctors: internist Hsu Chiang (許強), dermatologist Hu Pao-chen (胡寶珍) and ophthalmologist Hu Hsin-lin (胡鑫麟). They were handcuffed, herded onto two jeeps and taken to the Secrecy Bureau (保密局) for questioning. Su was still in his doctor’s robes at
Mirror mirror on the wall, what’s the fairest Disney live-action remake of them all? Wait, mirror. Hold on a second. Maybe choosing from the likes of Alice in Wonderland (2010), Mulan (2020) and The Lion King (2019) isn’t such a good idea. Mirror, on second thought, what’s on Netflix? Even the most devoted fans would have to acknowledge that these have not been the most illustrious illustrations of Disney magic. At their best (Pete’s Dragon? Cinderella?) they breathe life into old classics that could use a little updating. At their worst, well, blue Will Smith. Given the rapacious rate of remakes in modern
RSS