The annual Golden Horse Film Festival awards ceremony was held in Kaohsiung yesterday. Because the organizers had invited several Chinese actors and wanted to avoid political conflict, they did not invite President Chen Shui-bian (
Things are, however, not that simple. Chinese films are registered to participate in the festival, and last year's best actor and actress, who had agreed to participate, are also Chinese. Once the debate over whether to invite Chen surfaced, they immediately withdrew their participation. This was obviously due to China-related political factors. The organizers clearly do not consider national sovereignty, and are guilty of nothing short of belittling Taiwan. It is sad to see the Golden Horse Film Festival come to this.
Arthur Iap (
We agree. By accommodating China, the organizers are letting it use Taiwanese government funds to wage a war of cultural unification on Taiwan.
The Golden Horse Awards ceremony is a grand occasion in film circles. But the meaning of the annual awards has become distorted, turning both government and organizers into losers. In future, perhaps film circles should reconsider the value of the festival's continued existence. The government should also review whether there are other ways to boost the local movie industry, apart from funding the festival.
Why does Taiwan's film industry indulge China this way? The only explanation is that they harbor unrealistic dreams about the China market. That audience of 1.2 billion people has featured in their fantasies as they have searched for a source of new vitality since Taiwan's own film market went into recession.
Taiwan long ago opened its doors to allow imports of Chinese movies, but only last year, after striving for 12 years to break into the China market, was one Taiwanese movie imported by China -- after passing through mandatory censorship for ideologically sensitive material. The door to the China market remains firmly closed.
Even if the exchanges are one-sided, however, Taiwan's film circles are willing to accept setbacks with resignation and try to accommodate China to win favor. They compete for opportunities to cooperate with China in producing films or strive for the rights to distribute Chinese films. How ludicrous!
The salaries of the Golden Horse film festival organizers come largely from Taiwanese taxpayer's pockets. But for fear of offending China, they repeatedly debase themselves and even threaten to call off the show.
One is left feeling that they are ignorant and crass. If we let this group continue to steer Taiwan's film world, it's very hard to feel optimistic that better days will follow. The time has come for a thorough overhaul.
If the people in Taiwan's film circles pledge their allegiance to China's communist regime, we advise the government not only to stop subsidizing the Golden Horse Film Festival, but also to get rid of the awards all together. Beginning next year, let the organizers go participate in Chinese film festivals -- that is, if Beijing will let them.
In their recent op-ed “Trump Should Rein In Taiwan” in Foreign Policy magazine, Christopher Chivvis and Stephen Wertheim argued that the US should pressure President William Lai (賴清德) to “tone it down” to de-escalate tensions in the Taiwan Strait — as if Taiwan’s words are more of a threat to peace than Beijing’s actions. It is an old argument dressed up in new concern: that Washington must rein in Taipei to avoid war. However, this narrative gets it backward. Taiwan is not the problem; China is. Calls for a so-called “grand bargain” with Beijing — where the US pressures Taiwan into concessions
The term “assassin’s mace” originates from Chinese folklore, describing a concealed weapon used by a weaker hero to defeat a stronger adversary with an unexpected strike. In more general military parlance, the concept refers to an asymmetric capability that targets a critical vulnerability of an adversary. China has found its modern equivalent of the assassin’s mace with its high-altitude electromagnetic pulse (HEMP) weapons, which are nuclear warheads detonated at a high altitude, emitting intense electromagnetic radiation capable of disabling and destroying electronics. An assassin’s mace weapon possesses two essential characteristics: strategic surprise and the ability to neutralize a core dependency.
Chinese President and Chinese Communist Party (CCP) Chairman Xi Jinping (習近平) said in a politburo speech late last month that his party must protect the “bottom line” to prevent systemic threats. The tone of his address was grave, revealing deep anxieties about China’s current state of affairs. Essentially, what he worries most about is systemic threats to China’s normal development as a country. The US-China trade war has turned white hot: China’s export orders have plummeted, Chinese firms and enterprises are shutting up shop, and local debt risks are mounting daily, causing China’s economy to flag externally and hemorrhage internally. China’s
During the “426 rally” organized by the Chinese Nationalist Party (KMT) and the Taiwan People’s Party under the slogan “fight green communism, resist dictatorship,” leaders from the two opposition parties framed it as a battle against an allegedly authoritarian administration led by President William Lai (賴清德). While criticism of the government can be a healthy expression of a vibrant, pluralistic society, and protests are quite common in Taiwan, the discourse of the 426 rally nonetheless betrayed troubling signs of collective amnesia. Specifically, the KMT, which imposed 38 years of martial law in Taiwan from 1949 to 1987, has never fully faced its