With concert halls shut, one French mezzo-soprano decided to take her voice directly into people’s homes as a way to stay connected, and has found herself performing to families, Alpine shepherds and a couple of cats.
Sat comfortably on their couch and surrounded by family, Genevieve and Jacques, both in their nineties, have a front-row seat for a very intimate performance.
Professional opera singer Fiona McGown, 32, is delivering a powerful and moving program of Benjamin Britten, Ravel and Rameau right in their front room.
Photo: AFP
“It’s moving to hear such singing in your own home ... and we hear it better than at a concert,” former banker Jacques said.
Some of the organization is very of-the-moment: polymerase chain reaction tests the day before, a maximum of six people in the room, either vaccinated or wearing masks.
Yet it also has the feel of a bygone age.
“It’s like the recitals of the 19th century,” McGown said. “In a concert hall, we are blinded by the lights; we don’t see the faces. Here I can see you, feel you.”
The French-Scottish singer was used to performing on stage at least four times a month, and had been doing so since she was 12. When France shut all its cultural venues during a second wave of the COVID-19 pandemic in October last year, she decided to take matters into her own hands.
“With my diary empty, I told myself that either I sit on the sofa, or I go find an audience in their own homes,” she said. “It’s amazing to be able to sing again for an audience, even a little one... It’s a gift, a reconnection with what is essential in life.”
Now her timetable is filling up, with seven performances last month and already five lined up for this month in Paris, Le Havre and Rennes.
“At the start, it was very much word-of-mouth,” she said. “Now, I’ve started getting requests by e-mail and social media.”
That included a nurse, exhausted from her work, who asked McGown to come sing for her and her children.
She was also invited down to a farm in the Alps.
“They had never been to a concert and were very moved,” she said.
It was in an artists’ workshop in Aubervilliers that she found herself singing for a family and their two cats.
“They didn’t meow, but they started to fight when I sang Ravel. I just tried to stay focused,” said McGown, laughing.
“I don’t know if I’ll want to go see singers on the stage after this,” said the cat owner Nour Awada, a visual artist. “I’d almost rather that this tradition of home performances carries on.”
With cultural venues due to reopen on May 19 in France, McGown said she does hope to continue with her new venture, even though her diary is rapidly filling up again with summer festival bookings.
“Maybe once a month,” she said with a smile.
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