Researchers sifting the contents of long-unopened boxes at the National Portrait Gallery in London have discovered relics from the coffin of Richard II, along with detailed drawings of his skull that could be used to create a true likeness of the deposed medieval king.
To say the researchers were taken aback by the discovery in the archive of the gallery’s founding director, Sir George Scharf, is perhaps an understatement.
“It was very surprising, yes,” said Krzysztof Adamiec, the assistant archivist at the gallery who made the discovery.
The relics, he said, at first “just looked like a simple, empty box of cigarettes.”
“But when I opened it up there were strips of leather and pieces of wood. It was very exciting for me — it’s one of the biggest pleasures of this job to literally feel that you are touching history,” he said.
The wood is likely to be from Richard II’s coffin, while there is compelling evidence that the leather is from his glove. There are also meticulously detailed sketches of the king’s skull and bones, together with measurements that the gallery believes could be used to recreate a true likeness.
Scharf took charge of the gallery shortly after it was founded in 1857. After some detective work, Adamiec was able to connect the relics in his archive with the decision in 1871 to open Richard’s grave at Westminster Abbey.
The original intention was to clean the tombstones but, being -inquisitive Victorians, those responsible decided that the coffin should be opened to try to establish how the king died in 1400 — after he was deposed by Henry IV — and whether it was because of an axe to the head. It wasn’t.
Scharf, an enthusiastic witness, decided to pocket some mementos, something that would be frowned upon now, but was a “Victorian gentleman” thing to do. He was clearly a collector. Researchers have also found in the archive a pebble from the grave of Lord Macaulay, a piece of frame from a Raphael painting and the edge of a Van Dyck canvas.
The archive contains a huge amount of material, something like 230 notebooks and sketchbooks, which the gallery is about to complete cataloging.
“He was a very meticulous man; he recorded everything. Every day he would make a note of the weather, which direction the wind blew, what he ate, who he met. Sometimes he would draw the table plans of dinners he attended,” Adamiec said.
Scharf, born in 1820, inherited his love of drawing from his father, who would take him on drawing expeditions, including one in 1834, to the ruins of the Palace of Westminster after the devastating fire, also documented in several paintings by JMW Turner. In 1854, he missed out on becoming director of the National Gallery, but three years later was appointed secretary to the new National Portrait Gallery.
He was a prominent member of the Society of Antiquaries and seems to have particularly enjoyed grave openings, among them Richard II, Edward VI, Henry VII, James I and Elizabeth of York.
The Scharf archive catalog is now available online, joining the papers of other gallery directors including Sir Lionel Cust and Sir Roy Strong.
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