Wed, Jan 13, 2010 - Page 7 News List

New Nixon papers deal in political spying, art ‘uglies’

AP , WASHINGTON

In newly released papers from his presidency, former US president Richard Nixon directs a purge of Kennedy-era modern art — “these little uglies” — orders hostile journalists to be frozen out and fusses over White House guest lists to make sure political opponents do not make it in.

As his lieutenants built an ambitious political espionage operation that tapped journalists as spies, Nixon is shown preoccupying himself with the finest details of dividing friend and foe.

The Nixon Library, run by the National Archives, released 280,000 pages of records on Monday from his years in office, many touching on the early days of political spycraft and manipulation that would culminate in a presidency destroyed by the Watergate scandal.

The latest collection sheds more light on the long-familiar determination of Nixon’s men to find dirt on Democrats however they could. Memos attempt to track amorous movements of then-senator Ted Kennedy, the Massachusetts Democrat whom Nixon’s operatives apparently feared the most. Journalists secretly hired by Nixon’s men reported on infighting among Democratic presidential contenders.

In 1971, keeping tabs on Kennedy was a prominent feature of the growing political intelligence operation. Nixon ordered aides to recruit Secret Service agents to watch the senator and spill secrets, previous disclosures show.

After the Chappaquiddick scandal, when Kennedy drove off a bridge in an accident that drowned his female companion, Nixon hoped to derail the married senator’s presidential hopes by catching him with more women. The new collection includes daily notes by Gordon Strachan, assistant to White House chief of staff H.R. Haldeman, touching on this effort.

“We need tail on EMK,” he wrote from one meeting, referring to Kennedy by his initials. The idea: “get caught w[ith] compromising evidence ... Bits and pieces now need hard evi[dence].” Several prominent women are named as being involved with the senator.

By today’s Republican standards, Nixon was liberal on some aspects of domestic policy, including healthcare and the environment, but he and his advisers were also sticklers for social conservative traditions.

When an aide wrote a memo suggesting a woman be found to fill a senior slot at the Labor Department, Charles Colson, Nixon’s special counsel, quickly protested.

“No! No!” Colson scribbled by hand on the memo. “She couldn’t possibly handle the ‘hardhats’ — get a good tough Political man — Please, please.”

And Nixon despised the cultural influences of the Kennedys and their liberal circles.

In a Jan. 26, 1970, memo to Haldeman and secretary Rose Mary Woods, the president demanded that the administration “turn away from the policy of forcing our embassies abroad or those who receive assistance from the United States at home to move in the direction of off-beat art, music and literature.”

He called the Lincoln Center in New York a “horrible monstrosity” that shows “how decadent the modern art and architecture have become,” and he declared modern art in embassies “incredibly atrocious.”

“This is what the Kennedy-Shriver crowd believed in and they had every right to encourage this kind of stuff when they were in,” he wrote. “But I have no intention whatever of continuing to encourage it now. If this forces a show-down and even some resignations it’s all right with me.”

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