Allen Yu (余能盛) loves the music of Peter Ilyich Tchaikovsky. His passion for the 19th-century Russian composer, who created the scores for some of the best-loved ballets in the Western classical canon, is not surprising for a ballet dancer or choreographer, but Yu could almost be considered somewhat obsessed.
Not only has he used Tchaikovsky’s music for several productions for his Formosa Ballet troupe (福爾摩沙芭蕾舞團) — its previous incarnation as the Chamber Ballet Taipei (台北室內芭蕾舞團) — but for works he created when he was deputy ballet director and choreographer at the Graz Opera House in Austria, many of the pieces he has produced in Taiwan have told about the composer’s life or his personal struggles, such as Romance — The Music and The Destiny of Tchaikovsky, Tchaikovsky — None But the Lonely Heart and When Ballet Meets Tchaikovsky.
After last year’s meditation on war, mankind and Mother Nature, Lost Illusion (失落的幻影), Yu has returned to his favorite subject with this year’s production, About Tchaikovsky (關於柴可夫斯基), which premieres in Tainan tomorrow night before starting a four-city tour.
Photo courtesy of Sandy Ouyang
He has also brought back two of his favorite guest artists, the Romanian couple Christina Dijmaru and Bogdan Canila, who are both principal dancers with the Bucharest National Opera Ballet.
Taiwanese Chiu Chu-en (邱主恩), who was so impressive in last year’s show is also back as a soloist, as is the Evergreen Symphony Orchestra (長榮交響樂團).
Yu centered this year’s production on two of Tchaikovsky works: the String Sextet in D minor, Op. 70, also known as Souvenir de Florence and Symphony No. 4 in F minor, Op. 36.
Yu said the first section of About Tchaikovsky is a love story, inspired by the composer’s love of Florence, the city where he not only worked on the string sextet, but where he composed the opera The Queen of Spades.
For this section, Yu based his storyline on Tchaikovsky’s 13-year relationship — by letters only — withy a wealthy widow, Nadezhda von Meck, who became his patron.
The second half of the show, set to the symphony, focuses on what Yu said was one of the unhappiest times in Tchaikovsky’s life following his disastrous and short-lived marriage to a former student, Antonina Miliukova.
However, for his the storyline Yu drew on another famous Russian, the poet and author Alexander Pushkin, who was a major influence on Tchaikovsky, and the convoluted love affairs and passions of Pushkin’s novel Eugene Onegin and his short story The Queen of Spades.
■ Tomorrow at 7:30pm, Sunday at 3pm at the Tainan Municipal Cultural Center Performance Hall (台南市立文化中心演藝廳), 332, Jhonghua E Rd Sec 3, Tainan (台南市中華東路三段332號)
■ Remaining tickets are NT$400 to NT$1,600; available online at www.artsticket.com, at convenience store ticket kiosks and at the door
■ Additional performances: Wednesday at 7:30pm at Kaohsiung Chihteh Hall (高雄至德堂), 67 Wufu 1st Rd, Kaohsiung (高雄市五福一路67號); Saturday at 7:30pm at Taichung Chungshan Hall (台中市中山堂), 98 Syueshih Rd, Taichung (台中市學士路98號); Aug. 21 at 7:30pm at the Performance Hall of the Hsinchu County Cultural Affairs Bureau (新竹縣文化局演藝廳), 146 Siancheng 9th Rd, Jhubei City, Hsinchu County (新竹縣竹北市縣政九路146號) and Aug. 23 and 24 at 7:30pm, Aug. 25 at 3pm at the Taiwan Traditional Theatre Center (臺灣戲曲中心小表演廳), 51 Wenlin Rd (台北士林區文林路751號).
■ The Kaohsiung show is sold out. The only seats left for the Taichung show are NT$400, for Hsinchu and Taipei shows, the tickets range from NT$400 to NT$2,000; available online at www.artsticket.com and at convenience store ticket kiosks
May 11 to May 18 The original Taichung Railway Station was long thought to have been completely razed. Opening on May 15, 1905, the one-story wooden structure soon outgrew its purpose and was replaced in 1917 by a grandiose, Western-style station. During construction on the third-generation station in 2017, workers discovered the service pit for the original station’s locomotive depot. A year later, a small wooden building on site was determined by historians to be the first stationmaster’s office, built around 1908. With these findings, the Taichung Railway Station Cultural Park now boasts that it has
Wooden houses wedged between concrete, crumbling brick facades with roofs gaping to the sky, and tiled art deco buildings down narrow alleyways: Taichung Central District’s (中區) aging architecture reveals both the allure and reality of the old downtown. From Indigenous settlement to capital under Qing Dynasty rule through to Japanese colonization, Taichung’s Central District holds a long and layered history. The bygone beauty of its streets once earned it the nickname “Little Kyoto.” Since the late eighties, however, the shifting of economic and government centers westward signaled a gradual decline in the area’s evolving fortunes. With the regeneration of the once
The latest Formosa poll released at the end of last month shows confidence in President William Lai (賴清德) plunged 8.1 percent, while satisfaction with the Lai administration fared worse with a drop of 8.5 percent. Those lacking confidence in Lai jumped by 6 percent and dissatisfaction in his administration spiked up 6.7 percent. Confidence in Lai is still strong at 48.6 percent, compared to 43 percent lacking confidence — but this is his worst result overall since he took office. For the first time, dissatisfaction with his administration surpassed satisfaction, 47.3 to 47.1 percent. Though statistically a tie, for most
In February of this year the Taipei Times reported on the visit of Lienchiang County Commissioner Wang Chung-ming (王忠銘) of the Chinese Nationalist Party (KMT) and a delegation to a lantern festival in Fuzhou’s Mawei District in Fujian Province. “Today, Mawei and Matsu jointly marked the lantern festival,” Wang was quoted as saying, adding that both sides “being of one people,” is a cause for joy. Wang was passing around a common claim of officials of the People’s Republic of China (PRC) and the PRC’s allies and supporters in Taiwan — KMT and the Taiwan People’s Party — and elsewhere: Taiwan and