She has written some of Taiwan’s most popular romantic dramas, but years ago award-winning screenwriter Mag Hsu (徐譽庭) had her own heart broken when her then-boyfriend dumped her for her best friend.
“I somehow had a gut feeling that it would happen. My first love and my best friend shared many similar tastes — they picked the same clothes and liked the same kind of movies — so when he started a relationship with her, it wasn’t a big surprise to me,” recalls the 51-year-old, who is behind the screenplays of hit television series In Time with You (我可能不會愛你, 2011), Mars (戰神, 2004) and Meteor Garden 2 (流星花園2, 2002).
While most would harbor a grudge over having their beau stolen, Hsu’s experience gave her an unexpected brainwave for her debut film, Dear Ex (誰先愛上他的), which made its world premiere at the Far East Film Festival (FEFF) in Udine, Italy last month. Co-directed with music video director Hsu Chih-yen (許智彥), the family drama was one of 21 candidates for the festival’s newly-established award, the White Mulberry, which recognizes Asian directors presenting their first or second film.
Photo Courtesy of Ricky Modena
“I was inspired to write a story about the third person who broke up a romance,” Mag Hsu says. “From my personal love story, I found out that the one you may regard as the ‘enemy’ who stole your love, could, in fact, be your friend, because we both loved the same person.”
In Dear Ex, the enemy in question is not a woman, but a man named Jay (Roy Chiu, 邱澤), the gay lover of the deceased Song Zheng-yuan (Spark Chen, 陳如山, of band Quarterback). After Song passes away from cancer, his widow Liu San-lian (Hsieh Ying-hsuan, 謝盈萱) discovers that her late husband made Jay the sole beneficiary of his life insurance policy, leaving her and their teenage son Cheng-xi (Joseph Huang) with nothing. Cheng-xi soon finds himself caught between his mother and Jay, who are at odds over both love and money.
“The four characters in our film, including the one that dies, are all very complex, and it wasn’t easy to depict them,” says Hsu Chih-yen, who is also making his film debut. A familiar face in Taiwan’s music industry, the 33-year-old has directed the videos of artists from major hip-hop label Kao!, including rappers Miss Ko, DJ Didilong and Soft Lipa.
Photo Courtesy of Far east film
“I read the script over and over again in all my waking hours,” he says, “and it took me about two months before I fully understood the characters.”
With their age gap of nearly 20 years and different fields of specialization, the directing duo comprising the older and younger Hsu may come across as an unlikely pairing. But Mag Hsu, who has previously directed for the stage, explains that it was a conscious decision on her part to rope a younger collaborator into this project and serve as a mentor figure.
“For me it’s a late start to be a director, so I wanted somebody young, pure and willing to tuck into the movie industry. I feel that I should be part of the generation guiding and coaching young filmmakers,” she says.
It turned out to be a complementary combination of skills, with Mag Hsu coaching the actors and Hsu Chih-yen taking charge of the film’s visuals. Notably, the first half of Dear Ex features several colorful animated sequences that depict the inner psyche of young protagonist Cheng-xi, of which were only added after a test screening with Mag Hsu’s friends.
“After some people watched our first cut, I was really sad because the reaction wasn’t as good as I had expected,” she says. “I was worried that this film might be left in the refrigerator forever, so we decided to retouch the film to make it more whimsical and appealing to younger viewers.”
It seems like their efforts have paid off — Dear Ex was received positively at the Far East Film Festival, with audiences praising its heartfelt storyline and snappy graphics.
“The response there was overwhelming,” Mag Hsu says. “On the other hand, predicting how Taiwanese audiences will react to our film is like fishing for a needle in the ocean, though I hope they will react the same way as those in Italy.”
Given Taiwan’s historic ruling towards legalizing same-sex marriage in May last year, it perhaps could not be a more well-timed release for Dear Ex, which is set to open in local theaters in September.
With that in mind, however, both directors are quick to assert that their film goes beyond its LGBT themes.
“The film is really about humanity and love. When it comes to love, there should not be any kind of discrimination,” Hsu Chih-yen says.
The sentiment is echoed by Mag Hsu. “Many people in the world have different views about love, and how to deal with love,” she says. “At the end of the day, I want this film to help us understand the real meaning of love, and resolve any opposing ideas.”
May 18 to May 24 Pastor Yang Hsu’s (楊煦) congregation was shocked upon seeing the land he chose to build his orphanage. It was surrounded by mountains on three sides, and the only way to access it was to cross a river by foot. The soil was poor due to runoff, and large rocks strewn across the plot prevented much from growing. In addition, there was no running water or electricity. But it was all Yang could afford. He and his Indigenous Atayal wife Lin Feng-ying (林鳳英) had already been caring for 24 orphans in their home, and they were in
President William Lai (賴清德) yesterday delivered an address marking the first anniversary of his presidency. In the speech, Lai affirmed Taiwan’s global role in technology, trade and security. He announced economic and national security initiatives, and emphasized democratic values and cross-party cooperation. The following is the full text of his speech: Yesterday, outside of Beida Elementary School in New Taipei City’s Sanxia District (三峽), there was a major traffic accident that, sadly, claimed several lives and resulted in multiple injuries. The Executive Yuan immediately formed a task force, and last night I personally visited the victims in hospital. Central government agencies and the
Australia’s ABC last week published a piece on the recall campaign. The article emphasized the divisions in Taiwanese society and blamed the recall for worsening them. It quotes a supporter of the Taiwan People’s Party (TPP) as saying “I’m 43 years old, born and raised here, and I’ve never seen the country this divided in my entire life.” Apparently, as an adult, she slept through the post-election violence in 2000 and 2004 by the Chinese Nationalist Party (KMT), the veiled coup threats by the military when Chen Shui-bian (陳水扁) became president, the 2006 Red Shirt protests against him ginned up by
As with most of northern Thailand’s Chinese Nationalist Party (KMT) settlements, the village of Arunothai was only given a Thai name once the Thai government began in the 1970s to assert control over the border region and initiate a decades-long process of political integration. The village’s original name, bestowed by its Yunnanese founders when they first settled the valley in the late 1960s, was a Chinese name, Dagudi (大谷地), which literally translates as “a place for threshing rice.” At that time, these village founders did not know how permanent their settlement would be. Most of Arunothai’s first generation were soldiers
RSS