It is not often that a local dance company gets to restage one of its original productions, a situation that reflects both market forces and the government’s cultural subsidy system. This is a great loss, both for audiences and a company’s performers because it robs them of a chance to revisit a work and have new dancers tackle the roles.
Building a repertoire is crucial for a company’s development and something that Tainan-born choreographer Allen Yu (余能盛) feels very strongly about.
“Taiwanese are always throwing things away ... you need a repertoire for dancers and the public. Some of my pieces are in the repertories [of companies] in Germany, the Czech Republic, but no other company keeps a repertoire in Taiwan outside of Cloud Gate [Dance Theater (雲門舞集)],” Yu said in a telephone interview last week.
Photo Courtesy of Sandy Ouyang
So Yu jumped at the chance to revise one of his works for the Tainan Municipal Cultural Center, which named Yu its first artistic director last year.
The center wanted him to do a big ballet this year, but he told them he did not have the time to create two new ballets, having organized the Museum Night, Opera Highlights (博物館之夜‧歌劇選粹) concerts in June for the Tainan Arts Festival and the Chimei Museum, which included two short dances.
So center officials picked Yu’s 2010 production, The Door (門), for the Chamber Ballet Taipei (台北室內芭蕾), which was renamed Formosa Ballet (福爾摩沙芭蕾舞團) last year.
Photo Courtesy of Sandy Ouyang
Yu said reviving The Door gave him a chance to “clean it up” and expand the cast to 30 dancers, including a larger contingent of males.
“It is one of my personal favorites of the about 30 big ballets that I have done so far,” he said. “I’m still not 100 percent satisfied, I can’t say that, but I’m happy. I really enjoy doing this piece.”
Yu brought back dancers Bogdan Canila and Cristina Dijmaru, soloists with the Bucharest National Opera Ballet who were so memorable in Yu’s 2013 Swan Lake, for the leading roles.
“Christine, she is great. She is younger than Nadja Saidakova from Deutsch Oper Berlin [who starred in the 2010 show], who was in her 40s, so I changed the choreography in the solo for her. Christine has beautiful technique, beautiful feet. She got married last year, I told her she is now different, really a woman,” Yu said.
One of the hallmarks of Yu’s productions is the use of live music. The Evergreen Symphony Orchestra (長榮交響樂團) will be led by German conductor Gernot Schmalfuss, but Yu warned that audiences this weekend will not enjoy the full effect of the music — Italian composer Nino Rota’s La Strada suite and Sergei Rachmaninoff’s Symphonic Dances — because the New Taipei City Arts Center’s theater is so small.
“With a double timpani and a piano, the space is so tight, so we had to go with a smaller, upright piano [instead of a grand piano]. However, the Hsinchu and Tainan theaters have more space,” Yu said. “I hope next year I can get a bigger place in Taipei to do a show.”
A two-act ballet, divided by both the extremely different scores and styles of choreography, The Door is about the doorways of our lives and what they lead to: jobs, love, tragedy, happiness. They serve as the turning points that frame our lives.
A collection of 12 large moveable door frames make up the starkly simple set, their strong clean lines providing a visual and a physical counterpoint to the dancers’ pliable bodies.
Performance notes
WHAT: The Door
WHEN: Tomorrow at 7:30pm, Sunday at 3pm
WHERE: New Taipei City Arts Center (新北市藝文中心演藝廳), 62 Jhuangjing Rd, Banciao District, New Taipei City (新北市板橋區莊敬路62號)
ADMISSION: NT$400 to NT$2,000; tickets available online at www.artsticket.com.tw, convenience store ticketing kiosks and at the door
ADDITIONAL PERFORMANCES: Tuesday at 7:30pm at the Performance Hall of the Hsinchu County Cultural Affairs Bureau (新竹縣文化局演藝廳), 146 Siancheng 9th Rd, Jhubei City, Hsinchu County (新竹縣竹北市縣政九路146號); Aug. 13 at 7:30pm at the Taichung Chungshan Hall (台中中山堂), 98 Hsuehshi Rd, Taichung City (台中市學士路98號); and Aug. 20 at 7:30 and Aug. 21 at 3pm at the Tainan Municipal Cultural Center (臺南文化中心演藝廳), 332, Chunghua East Rd Sec 3, Greater Tainan (臺南市中華東路3段332號). Ticket prices and purchase points as above.
This is the year that the demographic crisis will begin to impact people’s lives. This will create pressures on treatment and hiring of foreigners. Regardless of whatever technological breakthroughs happen, the real value will come from digesting and productively applying existing technologies in new and creative ways. INTRODUCING BASIC SERVICES BREAKDOWNS At some point soon, we will begin to witness a breakdown in basic services. Initially, it will be limited and sporadic, but the frequency and newsworthiness of the incidents will only continue to accelerate dramatically in the coming years. Here in central Taiwan, many basic services are severely understaffed, and
Jan. 5 to Jan. 11 Of the more than 3,000km of sugar railway that once criss-crossed central and southern Taiwan, just 16.1km remain in operation today. By the time Dafydd Fell began photographing the network in earnest in 1994, it was already well past its heyday. The system had been significantly cut back, leaving behind abandoned stations, rusting rolling stock and crumbling facilities. This reduction continued during the five years of his documentation, adding urgency to his task. As passenger services had already ceased by then, Fell had to wait for the sugarcane harvest season each year, which typically ran from
It is a soulful folk song, filled with feeling and history: A love-stricken young man tells God about his hopes and dreams of happiness. Generations of Uighurs, the Turkic ethnic minority in China’s Xinjiang region, have played it at parties and weddings. But today, if they download it, play it or share it online, they risk ending up in prison. Besh pede, a popular Uighur folk ballad, is among dozens of Uighur-language songs that have been deemed “problematic” by Xinjiang authorities, according to a recording of a meeting held by police and other local officials in the historic city of Kashgar in
It’s a good thing that 2025 is over. Yes, I fully expect we will look back on the year with nostalgia, once we have experienced this year and 2027. Traditionally at New Years much discourse is devoted to discussing what happened the previous year. Let’s have a look at what didn’t happen. Many bad things did not happen. The People’s Republic of China (PRC) did not attack Taiwan. We didn’t have a massive, destructive earthquake or drought. We didn’t have a major human pandemic. No widespread unemployment or other destructive social events. Nothing serious was done about Taiwan’s swelling birth rate catastrophe.