Zagreb-born writer and illustrator Milan Trenc opened up a new world for museums with his 1993 children’s book The Night at the Museum, which told the story of a night watchman at New York City’s Museum of Natural History and his discovery that the dinosaur skeletons come alive at night.
The book became the basis for the 2006 film Night at the Museum and a resulting franchise, but it also inspired many museums to open their facilities up for nighttime visits, talks and explorations.
So it seems fitting that Tainan’s newest tourist attraction, the 14-month-old Chimei Museum, should team up with the city’s Cultural Affairs Bureau and Tainan Municipal Cultural Center artistic director Allen Yu (余能盛) for two nighttime concerts of Western opera highlights. After all, the museum in the Tainan Metropolitan Park boasts one of the largest collections of violins in the world, as well as other musical instruments, Western art and weaponry.
Photo Courtesy of the Tainan City Government
The “Museum Night, Opera Highlights” (博物館之夜‧歌劇選粹) concerts on June 11 and June 12 will be the culmination of this year’s three-month-long Tainan Arts Festival, which opened on March 26, and the highlight of the five-year-old festival’s “International Classics” series.
The producer for the two concerts is the Tainan-born, Austria-based choreographer Yu, who was named last year as the Tainan Municipal Cultural Center’s first artistic director.
Yu, who resigned as deputy ballet director and choreographer at the Graz Opera House to devote more time to the center and his Formosa Ballet (福爾摩沙芭蕾舞團), formerly known as the Chamber Ballet Taipei (台北室內芭蕾舞團), is using the contacts he developed over the decades he has worked at opera houses and festivals in Europe to bring more international guest artists to Tainan.
Photo: Wu Chun-fong, Taipei Times
Yu said a gala evening of opera arias is a good way to introduce Taiwanese audiences to Western opera because mounting full productions is so expensive and most local theaters lack the experience to do so.
In selecting the arias for the concert, Yu said he picked the most famous ones from several well-known operas, but also ones that are the most difficult technically for the performers.
“Some are very emotional, some are very character-oriented, like Ariel Olympia [from Offenbach’s The Tales of Hoffman], which most Taiwanese don’t known. I want to slowly introduce lesser-known operas to Taiwan. Even if many people have heard of the songs, they don’t know the operas that they come from,” Yu said yesterday.
The program runs the gamut from serious opera classics such as Der Vogelfanger bin ich ja and Queen of the Night from Mozart’s The Magic Flute, Vissi d’arte from Puccini’s Tosca, Figaro’s Aria from Rossini’s The Barber of Seville and Nessun Dorma from Puccini’s Turandot to a selection from Andrew Lloyd Webber musicals, including Memory, The Music of Night and Don’t Cry for Me Argentina.
The singers include Greek tenor Demos Flemotomos, Italian soprano Maria Pia Piscitelli, Austrian soprano Beate Ritter, Georgian mezzo-soprano Stella Grigorian and Dutch baritone Wiard Witholt.
Dutch conductor Antony Hermus — who worked with the Yu on his 2012 ballet Romance — The Music and The Destiny of Tchaikovsky (羅曼史～柴可夫斯基的音樂與人生) and two previous productions, will conduct the Evergreen Symphony Orchestra (長榮交響樂團). The Tainan Mu-Ling Bel Canto Choir (台南牧靈美聲合唱團) will provide the backup chorus and the Formosa Ballet will also perform two short pieces.
Tickets range from NT$500 to NT$4,800, although the top seats are already sold out for the first concert, and are available online at www.artsticket.com.tw and at convenience store ticket kiosks.
There are special travel/show packages available in conjunction with the Taiwan High Speed Rail Corp, and, in addition, concertgoers will be given free admission to the museum’s permanent collections for the day of their show.
For more information about the remaining Tainan Arts Festival programs, go to: tnaf.tnc.gov.tw (in Chinese with some English).
Towering high above Taiwan’s capital city at 508 meters, Taipei 101 dominates the skyline. The earthquake-proof skyscraper of steel and glass has captured the imagination of professional rock climber Alex Honnold for more than a decade. Tomorrow morning, he will climb it in his signature free solo style — without ropes or protective equipment. And Netflix will broadcast it — live. The event’s announcement has drawn both excitement and trepidation, as well as some concerns over the ethical implications of attempting such a high-risk endeavor on live broadcast. Many have questioned Honnold’s desire to continues his free-solo climbs now that he’s a
Francis William White, an Englishman who late in the 1860s served as Commissioner of the Imperial Customs Service in Tainan, published the tale of a jaunt he took one winter in 1868: A visit to the interior of south Formosa (1870). White’s journey took him into the mountains, where he mused on the difficult terrain and the ease with which his little group could be ambushed in the crags and dense vegetation. At one point he stays at the house of a local near a stream on the border of indigenous territory: “Their matchlocks, which were kept in excellent order,
Jan. 19 to Jan. 25 In 1933, an all-star team of musicians and lyricists began shaping a new sound. The person who brought them together was Chen Chun-yu (陳君玉), head of Columbia Records’ arts department. Tasked with creating Taiwanese “pop music,” they released hit after hit that year, with Chen contributing lyrics to several of the songs himself. Many figures from that group, including composer Teng Yu-hsien (鄧雨賢), vocalist Chun-chun (純純, Sun-sun in Taiwanese) and lyricist Lee Lin-chiu (李臨秋) remain well-known today, particularly for the famous classic Longing for the Spring Breeze (望春風). Chen, however, is not a name
There is no question that Tyrannosaurus rex got big. In fact, this fearsome dinosaur may have been Earth’s most massive land predator of all time. But the question of how quickly T. rex achieved its maximum size has been a matter of debate. A new study examining bone tissue microstructure in the leg bones of 17 fossil specimens concludes that Tyrannosaurus took about 40 years to reach its maximum size of roughly 8 tons, some 15 years more than previously estimated. As part of the study, the researchers identified previously unknown growth marks in these bones that could be seen only
RSS