Richard Saunders is back at it again, penning in-depth advice to English-speakers on how to get to and enjoy Taiwan’s most delectable places. He really can’t put a foot wrong, and nor will you if you follow his instructions. He’s the perfect guide — knowledgeable, witty, thorough, and very readable. Those who have followed his hiking guides will immediately know what to expect.
Saunders’ crucial strength, indeed his central characteristic, is his enthusiasm. He invariably makes you want to go to the places he describes, and then keeps you company when you get there. The Islands of Taiwan will consequently be worth its weight in gold to anyone venturing off-shore.
For example, a useful chart at the start grades the islands with marks out of five under a number of heads. For “English Language Friendliness” Orchid Island or Lanyu (蘭嶼) as it is also known, gets one mark, while Green Island (綠島) and Penghu (澎湖島) receive three each. But for “Natural Beauty,” all of the islands are either a four or five. Saunders is nothing if not appreciative.
Saunders is simultaneously amusing and useful. Of one Penghu homestay he writes: “This one is strictly for couples in love and lovers of Taiwan’s unique brand of kitsch cuteness.” Adding to that, he writes about how the island boasts “the best prickly pear cactus smoothie in town. Try the kind with a scoop of cactus ice cream plopped on top — fantastic!”
Penghu’s Magong City is given very thorough treatment and credited with having the best selection of food in all the outlying islands. Penghu’s North Sea and East Sea Islands which are usually only visited by tour groups are also given detailed coverage.
Saunders is both scholarly and responsive to modern-day realities. The latter he usually appreciates rather than decries, referring to one McDonald’s as a “useful landmark.” But he does think the proposal for a casino accepted by Matsu’s (馬祖列島) residents as being an “appalling offer.”
Saunders is outspoken elsewhere too. Of the islands of Dungyin (東引島) and Xiyin (西引島) in the Matsu Islands, he writes that though they are “often considered the most scenic of the Matsu islands,” the interior of Dungyin is “still heavily militarized; and until nature is allowed to take over and soften many a cruel blemish and scar, it’s not a pretty sight.” Lanyu’s Nuclear Waste Storage Facility gets similarly straightforward treatment.
The description of each island is preceded by a short “Don’t Miss” section, followed by “What’s Great” and “What’s Not So Great” sections. Getting to Lanyu is “tricky to arrange” by plane and “uncomfortable” by boat. He recommends trying standby to get a flight to Orchid Island if all else fails — often a good ruse in my experience in other parts of the world. These sorts of remarks by Saunders may be opinionated, but they are useful nonetheless.
Approaching the end of the book, he describes Keelung Island (基隆嶼), Turtle Island (龜山島), Pengjia (彭佳嶼), Mianhua (棉花嶼), and the Huaping Islands (花瓶嶼). Of the lighthouse on the highest tip of Keelung Island he writes: “Up close it’s actually quite a small, stubby little thing. It’s unmanned, of course, and not nearly as romantic as the wonderful, historic old lighthouses on Dongju (東莒) and Dungyin in Matsu, or the fine one on Lanyu.” But the view back to the Taiwan mainland is “tremendous.”
For the rest, there’s “A Short History of Green Island’s Notorious Prisons,” a warning about taking notice of the tide times when crossing certain Penghu causeways uncovered only at low tide. Saunders also says that Kinmen (金門) has “probably the best collection of historic buildings in Taiwan.” Green Island is “Taiwan’s perfect holiday island”, while Matsu is “Taiwan’s best island-hopping destination.”
As for travel onwards from Kinmen to Xiamen in mainland China, it is “quick and simple these days, so long as you’ve arranged a visa before leaving the main island of Taiwan.” This book is awash with useful tips like this.
Typical of Saunders’ flair for giving information in a way that’s likely to be most useful is his description of how to find the office for booking seats on the boat back from Kinmen to Keelung — “behind 7-Eleven; look for the building with large golden characters above the door.” He’s also notably aware of what families with small children need, and hands out advice to them accordingly.
You would never guess from reading this book that Saunders is also an accomplished concert pianist. The late writer Harry Griffin, who used to contribute articles on the UK’s Lake District to The Guardian, was reputed at the time of his death to be planning a book on the Lake District and classical music, identifying this route or that mountain with beloved musical moments. I wonder if Saunders has ever contemplated such a work. He now seems to have covered every Taiwan mountain trail and forsaken island, so he must be wondering what next to turn his hand to.
The book ends with the remote Pratas Islands which, despite Dongsha (東沙), a tiny islet and the only inhabited point, having been designated Taiwan’s seventh National Park in 2007, are currently off-limits to the public.
Writers of guidebooks frequently find that they are engaged on something that’s halfway between a list of phone numbers and a sequence of purple passages. But Saunders navigates this difficult writer’s territory with ease, constantly informing, and then equally touching us with his infectious love for the place.
This is a magnificent book. The tragic plane accident off Penghu in July should not deter visitors to these and other islands, which must constitute some of the most attractive parts of all of Taiwan. If you’re an English-only speaker, this is undoubtedly the book to take with you, but because of its up-to-date-ness and thoroughness it is very likely to prove of interest to Chinese-speakers as well.
Most heroes are remembered for the battles they fought. Taiwan’s Black Bat Squadron is remembered for flying into Chinese airspace 838 times between 1953 and 1967, and for the 148 men whose sacrifice bought the intelligence that kept Taiwan secure. Two-thirds of the squadron died carrying out missions most people wouldn’t learn about for another 40 years. The squadron lost 15 aircraft and 148 crew members over those 14 years, making it the deadliest unit in Taiwan’s military history by casualty rate. They flew at night, often at low altitudes, straight into some of the most heavily defended airspace in Asia.
Beijing’s ironic, abusive tantrums aimed at Japan since Japanese Prime Minister Sanae Takaichi publicly stated that a Taiwan contingency would be an existential crisis for Japan, have revealed for all the world to see that the People’s Republic of China (PRC) lusts after Okinawa. We all owe Takaichi a debt of thanks for getting the PRC to make that public. The PRC and its netizens, taking their cue from the Chinese Communist Party (CCP), are presenting Okinawa by mirroring the claims about Taiwan. Official PRC propaganda organs began to wax lyrical about Okinawa’s “unsettled status” beginning last month. A Global
Taiwan’s democracy is at risk. Be very alarmed. This is not a drill. The current constitutional crisis progressed slowly, then suddenly. Political tensions, partisan hostility and emotions are all running high right when cool heads and calm negotiation are most needed. Oxford defines brinkmanship as: “The art or practice of pursuing a dangerous policy to the limits of safety before stopping, especially in politics.” It says the term comes from a quote from a 1956 Cold War interview with then-American Secretary of State John Foster Dulles, when he said: ‘The ability to get to the verge without getting into the war is
Like much in the world today, theater has experienced major disruptions over the six years since COVID-19. The pandemic, the war in Ukraine and social media have created a new normal of geopolitical and information uncertainty, and the performing arts are not immune to these effects. “Ten years ago people wanted to come to the theater to engage with important issues, but now the Internet allows them to engage with those issues powerfully and immediately,” said Faith Tan, programming director of the Esplanade in Singapore, speaking last week in Japan. “One reaction to unpredictability has been a renewed emphasis on