While the LGBT community eagerly anticipates the 12th Taiwan LGBT Pride (台灣同志遊行) parade set for Oct. 25, the Taiwan International Queer Film Festival (台灣國際酷兒影展, TIQFF) launches its first edition this weekend with a lineup of 60 feature, documentary and short works from 30 countries. With venues in Taipei and Greater Kaohsiung, the festival aims to bring more visibility to the LGBT community through audience-friendly films, a competition and a production workshop given by industry professionals from Taiwan, South Korea and the US.
“People think gay men are all about flesh and parties ... We want to show that there is a lot more going on than partying, and that there are a lot more sexual and gender identities than gay and lesbian,” festival co-director Jay Lin (林志杰) told the Taipei Times.
The festival will screen works that address a wide range of issues and topics faced by not only gays, but transsexuals, cross-dressers and other gender-variant people. Topics include family, aging, relationships and HIV/AIDS. While conservative Christians may find it hard to believe, some actually offer wholesome, family entertainment.
Photo courtesy of TIQFF
G.B.F., for example, is an American teen comedy about a gay teenager fought over by three popular girls, who all agree that a “gay best friend” is the trendiest personal accessory.
The award-winning documentary How to Survive a Plague compellingly documents the early days of the AIDS epidemic and the struggles Aids Coalition to Unleash Power (Act Up) had with authorities.
Peter Staley, founder of Act Up affiliate Treatment Action Group and who is featured prominently in the documentary, will attend question-and-answer sessions as well as forums joined by local LGBT-rights activists and NGO leaders.
Photo courtesy of TIQFF
Apart from film screenings, festival organizers hope to establish a network among filmmakers and industry movers and shakers.
Taiwan International Media and Education Association (台灣國際影音與教育協會) and Portico Media (杰德影音), a media production and distribution company, will collaborate to discuss the importance of producing LGBT-related projects within the media industry.
“Taipei is considered one of the most open and liberal cities in Asia, but there are relatively few LGBT-themed films made here ... We want to set up a platform through which filmmakers and other professionals can develop material, seek funding or network,” says Lin, who is the CEO of Portico Media.
Photo courtesy of TIQFF
QUEER AWARDS
To discover and encourage new talent, the Taiwan Queer Awards (台灣酷兒獎) was launched to recognize excellence in short filmmaking in Chinese-speaking regions. Five works — all Taiwanese productions — were nominated. The award ceremony will take place on Oct. 5 in Greater Kaohsiung.
Meanwhile, an intense, two-day workshop intended for local filmmakers will focus on the production and distribution of LGBT-related works, as well as specialized topics such as how to generate LGBT content that appeals to mainstream audiences.
Photo courtesy of TIQFF
Participating speakers include television and film producer and director Kim Jho Gwang-soo from South Korea, whose four gay-themed shorts and debut feature, Two Weddings and a Funeral, will be shown at the festival, and Stephen Israel, the prolific producer behind G.B.F..
Taiwan-born, San Francisco-based filmmaker Leo Chiang (江松長) will share his experience of co-producing Limited Partnership, a documentary about one of the first legally married same-sex couples in the US. The film is on the festival’s lineup.
Lin says that the production of LGBT-related films and other media is a global trend.
“According to a report I did in March, 17 out of the top 20 TV shows in the US have gay characters or gay actors. If we take Hollywood as a trend, it will spill over to Asia, and I think the spillover to Taiwan will be the fastest [among other Asian countries],” Lin says.
“This festival doesn’t have to be fringe, but offers mainstream LGBT content for more people to see and, hopefully, helps more people to stop worrying about making LGBT works that don’t sell,” he adds.
This month the government ordered a one-year block of Xiaohongshu (小紅書) or Rednote, a Chinese social media platform with more than 3 million users in Taiwan. The government pointed to widespread fraud activity on the platform, along with cybersecurity failures. Officials said that they had reached out to the company and asked it to change. However, they received no response. The pro-China parties, the Chinese Nationalist Party (KMT) and Taiwan People’s Party (TPP), immediately swung into action, denouncing the ban as an attack on free speech. This “free speech” claim was then echoed by the People’s Republic of China (PRC),
Exceptions to the rule are sometimes revealing. For a brief few years, there was an emerging ideological split between the Democratic Progressive Party (DPP) and Chinese Nationalist Party (KMT) that appeared to be pushing the DPP in a direction that would be considered more liberal, and the KMT more conservative. In the previous column, “The KMT-DPP’s bureaucrat-led developmental state” (Dec. 11, page 12), we examined how Taiwan’s democratic system developed, and how both the two main parties largely accepted a similar consensus on how Taiwan should be run domestically and did not split along the left-right lines more familiar in
Many people in Taiwan first learned about universal basic income (UBI) — the idea that the government should provide regular, no-strings-attached payments to each citizen — in 2019. While seeking the Democratic nomination for the 2020 US presidential election, Andrew Yang, a politician of Taiwanese descent, said that, if elected, he’d institute a UBI of US$1,000 per month to “get the economic boot off of people’s throats, allowing them to lift their heads up, breathe, and get excited for the future.” His campaign petered out, but the concept of UBI hasn’t gone away. Throughout the industrialized world, there are fears that
Most heroes are remembered for the battles they fought. Taiwan’s Black Bat Squadron is remembered for flying into Chinese airspace 838 times between 1953 and 1967, and for the 148 men whose sacrifice bought the intelligence that kept Taiwan secure. Two-thirds of the squadron died carrying out missions most people wouldn’t learn about for another 40 years. The squadron lost 15 aircraft and 148 crew members over those 14 years, making it the deadliest unit in Taiwan’s military history by casualty rate. They flew at night, often at low altitudes, straight into some of the most heavily defended airspace in Asia.