I’ve always been an enormous fan of Paul Theroux. It’s true he sometimes produces a relative dud (A Dead Hand comes to mind), but these are more than made up for by his numerous successes, marked by caustic observations, incisive wit and obsessive truth-telling. Now, at 72, he’s come up with a companion-piece to Dark Star Safari (2002), which saw him travel from Cairo to Cape Town. That time he made his way down Africa’s east side; this time he ventures northwards up the west, from South Africa, through Namibia, into Angola.
From the start, however, there are signs that all may not be well. Theroux repeatedly refers to his age, and in addition displays a time-consuming concern with African words, their meanings and their etymologies. Would he rather be spending his declining years in a library?
In addition, some of the old fire is in short supply. In the opening chapters of The Pillars of Hercules (1995), for example, he spectacularly insults a fellow passenger on a bus, and then a few pages later pens the most insightful analysis of Surrealism I’ve ever read. There isn’t the equal of either display in this new book.
You get the feeling, too, that Theroux is aware of this. He’s constantly girding his loins for a brutal set-piece assault, only to feel the need at the last moment to be reasonable and state both sides of the argument (over the value of aid to Africa, for instance). He’s clearly determined the book shouldn’t go off like a damp squib, but his old compulsion to tell the truth as he sees it tends to bring him nowadays to the reasonable and balanced position.
First he surveys Cape Town, visiting shantytowns and finding that slum-tourism is quite the fashion. He concludes that, despite the ubiquitous African contrast between rich and poor, the place has measurably improved since he was there last.
Then off he sets, riding, true to his old form, on public buses. He talks to all and sundry, stops off to meet up with old contacts, and arrives in Namibia reasonably pleased with what he’s seen. Of course there are slums hidden away behind Namibia’s orderly facade — this is Africa, after all — but nevertheless he understands why a million foreigners visit the country every year. He goes to the coast, to Swakopmund where Brad Pitt and Angelina Jolie went for the birth of their daughter Shiloh in 2006. But the elegance doesn’t stretch far, he discovers, and he soon finds squalor to more than make up for the Weiner schnitzel and loin of springbok.
Back on the road again, he visits an ultra-luxury safari camp where the guests ride African elephants for several thousand US dollars a day. And then, as if forming the journey’s high point, he encounters a sub-group of the African bushmen, the Ju/’hoansi. These, the “earth’s oldest folk,” and the most intensely studied of all tribal peoples anywhere, take him on a bush walk that Theroux also features in the book’s introductory section.
These people, he later reveals, who not so long ago were hunted as “sport” by some South Africans, haven’t in reality been true hunter-gatherers since the 1950s. But they briefly exchange their American baseball hats and T-shirts for animal skins to give tourists a “genuine” experience, and even Theroux initially falls for the ruse.
So the book hasn’t yet found its climax, and Theroux crosses the border into Angola not quite knowing what he’ll find. What he does find, however, gives him just what he needs.