Mon, Nov 26, 2012 - Page 12 News List

WEEKENDER: Sigur Ros sprinkles some sugar on Taipei

The Icelandic ensemble delivered an outstanding show of minimalist and post-rock at the NTU Stadium

By Olivia Wycech  /  Contributing Reporter

Lead singer of Sigur Ros, Jonsi Birgisson, plays the electric guitar with a bow.

Photo: Olivia Wycech, Taipei Times

When Sigur Ros took to the stage last Wednesday night at the National Taiwan University Stadium, it was to a room of people sitting in folding chairs. Promoters probably expected that the ambient band would put people to sleep with their celestial sounding songs. But instead, the Icelandic ensemble delivered an unforgettable and mind-blowing exhibition of sheer talent that left fans quite literally scrambling over their seats just to get a closer look at the band.

Maybe it was because this was Sigur Ros’ first performance in Taiwan and people didn’t know what to expect of a band categorized as minimalist and post-rock, but the show started slow. Perhaps the crowd needed a minute to fully absorb how the hypnotic coos coming from lead singer Jonsi Birgisson made them feel. But in the blink of an eye, life charged through some very serious listeners and most of the audience rose to their feet, some even stood on their chairs. And that’s when the concert really began.

As the show went on, emotional intensity continued to build up as brooding melodies carried over into tremendous build-ups that when released, even sparked some soft head banging from the crowd. But for the most part, it seemed concertgoers stood enraptured with their mouths agape.

This is probably because they couldn’t sing along, since the band sang mostly in Icelandic or Hopelandic, a made-up language that the band says is supposed to evoke a unique experience in every listener. But, despite very few distinguishable characteristics between songs, fans seemed to know every song from the very first chord and responded with roaring cheers and applause.

It didn’t matter that no one could understand Birgisson because his falsetto voice was an ethereal instrument to enjoy all on its own. He hit and held, quite literally, every note so well that he seemed to impress even himself. Birgisson’s exquisite projection of sonic sublime resonated in breathtaking moments where people simply stood mesmerized, with their eyes closed.

Although Birgisson was joined on stage by his core band and a small orchestra of six, it was still he who, after every apex, continued to enthrall fans by theatrically playing his electric guitar with a bow. Later, he would sing with the microphone pressed against his forehead. This is all part of the idiosyncratic nature that has defined the band since they formed in 1994.

At one point, the band paused dramatically mid-song and motion, which clearly confused the crowd as bouts of awkward cheers kept erupting sporadically. While many people didn’t know what to do with the silence, the people that understood what was happening quickly shushed them and savored every second of the silence bestowed upon them by Sigur Ros.

The encore was thunderous and immediately after the show, one fan on the group’s Web site even compared it to an out-of-body experience. It seemed that Sigur Ros far exceeded expectations and won the hearts of many new fans along the way.

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