For the last decade, Taipei’s punk scene has been pretty dead, while the metalheads have just cliquishly brooded in their own musical corner, kind of like they would at any high school. But then earlier this week, I got into a conversation with my Shida music dudes about how indie-rock kids are once again developing some creeping affections for hard, heavy, guitar-crunching bands. It might have to do with bombastic, high-energy shows by touring legends like Napalm Death, and it might also have to do with bands inching out of old genres and finding new cross-over crowds. That’s what seems to be happening with a new wave of bands, who are turning their backs on post-punk, postrock and shoegaze and instead making a conscious effort to look, act and sound “very rocker.”
Sleaze (湯湯水水) is one of the better bands in this growing scene, and they’ll release their first CD next Friday, Sept. 21 at Underworld, to be followed by three other shows through the end of the month. When I sat down with them earlier this week, the interview immediately turned into one of those interminable discussions of musical genre.
“Before, I listened to hardcore and screamo,” says Sleaze vocalist Norton Lin (林書緯). “Then I started listening to stoner [rock], and I really wanted to play stoner, but we weren’t really stoner. We were just some strange music, I don’t know what to call it.”
Photo courtesy of Sleazy
“I don’t really want to think about our band as being a certain genre,” he said. Then 10 minutes later, “I think Sleaze is a hardcore band.” And 20 minutes later, “If you have to say we’re some genre, say ‘psychedelic.’”
At this, guitarist King Kong Guan (官靖剛) started laughing. “Dude, we’re definitely not psychedelic. What, you think we’re Pink Floyd?”
“Oh,” said Lin. “Well then, maybe just forget about it.”
What they are is a group that started off in punk, hardcore and screamo. (Lin and Guan both loved the Japanese band Envy.) Three years ago, the different bands they were playing in broke up at around the same time. So they got together in 2009 and began by jamming off of heavy riffs, then followed those riffs into heavy grooves. Now, Sleaze forms its music around a core of extended jams that hearken back to late-70s hard rock, but they also weave in explosive punk riffs and spaced-out sections of bleary-eyed dub. There’s even the odd saxophone solo.
Lin also has a very interesting back-story, having started out as something of a child prodigy. Before the age of 10, his mother trained him to sing, dance and play the piano, before launching him into the world of TV singing competitions, including the most famous of the time, Wu Deng Jiang (五燈獎) (literally: Five Lights Awards). She also had him perform at weddings for NT$10,000 a pop. This is much less than he now makes delivering low, gutteral groans as lead singer of Sleaze. Still, he claims that the influence of Taiwanese pop singing legends like Wen Xia (文夏) and Liu Jia-chang (劉家昌) has not left him. And Guan, incredibly enough, claims that old pre-90s Mandopop influences his guitar arrangements. I will have to take their word for it.
■ Sleaze plays Fri, Sept. 21, 9pm at Underworld (地下社會), B1, 45 Shida Rd, Taipei City (台北市師大路45號B1). Admission: NT$300. They also play Sept. 22 at the Nangang Bottlecap Factory (南港瓶蓋工廠), Sept. 29 at Emerge Livehouse in Taichung (浮現藝文展演空間) and Sept. 30 at the Wall, Taipei.
In business news, Funky Brothers (放客兄弟) claims to be Taiwan’s first band to have used crowdfunding to raise money to produce an album. To thank their fans, they’ll play a free show at Revolver next Wednesday. Using the website FlyingV.cc, they raised NT$380,000 from 272 supporters, each of whom will get gifts — CDs, release party tickets and t-shirts — depending on the level of support.
Funky Brothers started five years ago as a four-piece, but has now expanded to become a 10-piece and one of Taiwan’s favorite party bands. Vocalist Airy Liu (劉怡伶) says there are now three very young crowdfunding websites in Taiwan. They chose crowdfunding after three years of failed applications for government recording subsidies, and she’s much happier with this solution.
“If we get money from the government, then finishing the album becomes just like finishing your homework. But if we get the money from our friends and our fans, it just makes more sense. In this case, we make the album for the people who want the music,” said Liu.
■ Funky Brothers play Revolver, 1-2, Roosevelt Rd Sec 1, Taipei City (台北市羅斯福路一段1-2號), near Chiang Kai-shek Memorial Hall MRT Station (中正紀念堂捷運站) Exit 4. Tel: (02) 3393-1678, on Sept 19 at 10pm. Admission is free.
Recently the Chinese Nationalist Party (KMT) and its Mini-Me partner in the legislature, the Taiwan People’s Party (TPP), have been arguing that construction of chip fabs in the US by Taiwan Semiconductor Manufacturing Co (TSMC, 台積電) is little more than stripping Taiwan of its assets. For example, KMT Legislative Caucus First Deputy Secretary-General Lin Pei-hsiang (林沛祥) in January said that “This is not ‘reciprocal cooperation’ ... but a substantial hollowing out of our country.” Similarly, former TPP Chair Ko Wen-je (柯文哲) contended it constitutes “selling Taiwan out to the United States.” The two pro-China parties are proposing a bill that
March 9 to March 15 “This land produced no horses,” Qing Dynasty envoy Yu Yung-ho (郁永河) observed when he visited Taiwan in 1697. He didn’t mean that there were no horses at all; it was just difficult to transport them across the sea and raise them in the hot and humid climate. “Although 10,000 soldiers were stationed here, the camps had fewer than 1,000 horses,” Yu added. Starting from the Dutch in the 1600s, each foreign regime brought horses to Taiwan. But they remained rare animals, typically only owned by the government or
It starts out as a heartwarming clip. A young girl, clearly delighted to be in Tokyo, beams as she makes a peace sign to the camera. Seconds later, she is shoved to the ground from behind by a woman wearing a surgical mask. The assailant doesn’t skip a beat, striding out of shot of the clip filmed by the girl’s mother. This was no accidental clash of shoulders in a crowded place, but one of the most visible examples of a spate of butsukari otoko — “bumping man” — shoving incidents in Japan that experts attribute to a combination of gender
Last month, media outlets including the BBC World Service and Bloomberg reported that China’s greenhouse gas emissions are currently flat or falling, and that the economic giant appears to be on course to comfortably meet Beijing’s stated goal that total emissions will peak no later than 2030. China is by far and away the world’s biggest emitter of greenhouse gases, generating more carbon dioxide than the US and the EU combined. As the BBC pointed out in their Feb. 12 report, “what happens in China literally could change the world’s weather.” Any drop in total emissions is good news, of course. By
RSS