Two film festivals, both rewarding excellence in short filmmaking, are joining forces this year. One is the annual Golden Harvest Awards (金穗獎), the oldest film festival in Taiwan and a lively platform for new talent and film students. The other is the lesser known Alternation Film Festival (交替影展), which takes place once every three years and screens short films made funded by subsidies handed out by the Government Information Office (GIO).
Organized by the Chinese Taipei Film Archive (國家電影資料館) under the auspices of the GIO, the double-bill event boasts a lineup of 79 fictional, animation, experimental and documentary shorts that will be screened at Cinema 7 (絕色影城) in Ximending, starting today.
Many of the selected works have already found success on the local festival circuit.
Photo courtesy of Chinese Taipei Film Archive
With a technically polished, drama-packed cat-and-mouse tale set entirely at Tonghua Night Market (通化夜市) and starring big-name actors including Chou Heng-yin (周姮吟) and Huang Jian-wei (黃健瑋), Thief (小偷) received the Best Short Film Award at last year’s Golden Horse Awards (金馬獎).
Winner of last year’s Taipei Film Awards (台北電影獎) best short film gong, The Blackout Village (下落村的來電) takes a sober look at social underdogs through a well-executed story about an injured Taipower (台電) worker.
Since young filmmakers tend to turn their lens on what is close to them, it is not surprising that the subject of familial relations is among the most frequently visited topics.
Photo courtesy of Chinese Taipei Film Archive
My Transformed Family (我的拼湊家庭), a nominee at last year’s Taipei Film Awards, tells of a struggling artist caught between creative anxiety and family strife. The acclaimed film features an admirable cast led by award-winning thespian Wu Pong-fong (吳朋奉) and noted director and actor Cheng Yu-chieh (鄭有傑).
Shot with 35mm film, Suspended Moment (休學) won praise for its novel approach. The movie relies on images and sounds, rather than words, to weave together a seemingly simple tale about an unemployed man and his aging mother taking a slow train to Taipei, where his daughter attends dance school, which the family can no longer afford to pay for.
With a touch of magical realism, Yaya’ is a coming-of-age story about an Aboriginal kid discovering his family’s house has a magical power that brings his pet dog back to life. With help from his friends, the child decides to save the hut from being demolished so that his terminally ill mother could be revived after she passes away.
Industry professionals, including directors Lin Yu-hsien (林育賢) and Yeh Tien-lun (葉天倫), as well as producer Jimmy Huang (黃志明) of Seediq Bale (賽德克.巴萊), will deliver lectures during the 10-day event.
For the Golden Harvest Awards alone, 49 films were selected from 195 entries to compete for a total of NT$3 million in prize money. Awards will be handed out for best fiction, animation, documentary, experimental and student films at a ceremony on March 30 at Zhongshan Hall, Taipei City (台北市中山堂).
The combined festival runs until April 1, after which it will tour the rest of the country until May 31. For more information, visit the event’s Web site at www.movieseeds.com.tw or its blog at blog.sina.com.tw/movieseeds.
From the last quarter of 2001, research shows that real housing prices nearly tripled (before a 2012 law to enforce housing price registration, researchers tracked a few large real estate firms to estimate housing price behavior). Incomes have not kept pace, though this has not yet led to defaults. Instead, an increasing chunk of household income goes to mortgage payments. This suggests that even if incomes grow, the mortgage squeeze will still make voters feel like their paychecks won’t stretch to cover expenses. The housing price rises in the last two decades are now driving higher rents. The rental market
July 21 to July 27 If the “Taiwan Independence Association” (TIA) incident had happened four years earlier, it probably wouldn’t have caused much of an uproar. But the arrest of four young suspected independence activists in the early hours of May 9, 1991, sparked outrage, with many denouncing it as a return to the White Terror — a time when anyone could be detained for suspected seditious activity. Not only had martial law been lifted in 1987, just days earlier on May 1, the government had abolished the Temporary Provisions Effective During the Period of National Mobilization for Suppression of the Communist
Hualien lawmaker Fu Kun-chi (傅?萁) is the prime target of the recall campaigns. They want to bring him and everything he represents crashing down. This is an existential test for Fu and a critical symbolic test for the campaigners. It is also a crucial test for both the Chinese Nationalist Party (KMT) and a personal one for party Chairman Eric Chu (朱立倫). Why is Fu such a lightning rod? LOCAL LORD At the dawn of the 2020s, Fu, running as an independent candidate, beat incumbent Democratic Progressive Party (DPP) lawmaker Hsiao Bi-khim (蕭美琴) and a KMT candidate to return to the legislature representing
Fifty-five years ago, a .25-caliber Beretta fired in the revolving door of New York’s Plaza Hotel set Taiwan on an unexpected path to democracy. As Chinese military incursions intensify today, a new documentary, When the Spring Rain Falls (春雨424), revisits that 1970 assassination attempt on then-vice premier Chiang Ching-kuo (蔣經國). Director Sylvia Feng (馮賢賢) raises the question Taiwan faces under existential threat: “How do we safeguard our fragile democracy and precious freedom?” ASSASSINATION After its retreat to Taiwan in 1949, the Chinese Nationalist Party (KMT) regime under Chiang Kai-shek (蔣介石) imposed a ruthless military rule, crushing democratic aspirations and kidnapping dissidents from