Fans, friends and show biz colleagues continue to grieve after news of Taiwanese pop diva Fong Fei-fei’s (鳳飛飛) death broke on Monday last week. Born Lin Chiu-luan (林秋鸞) in August 1953 in Dasi Township (大溪), Taoyuan County, the star, whose luminous career spanned 40 years, died of lung cancer in Hong Kong on Jan. 3 at the age of 58.
Her importance to Taiwanese popular culture is probably best summed up by writer, cultural pundit and PChome chairman Jan Hung-tze’s (詹宏志) oft-quoted comment: “To the Taiwanese public, the images of Taiwan are likely to be the city god temple, danzai noodles, fish-ball soup and Fong Fei-fei” (台灣人心目中的台灣，可能是：城隍廟、擔仔麵、魚丸湯和鳳飛飛).
Born to a humble household, Fong, the only daughter of a truck driver and housewife, was a tomboy.
Photo: Taipei times
Aged 12, she went deaf in her left ear because of an infection, and lived with the disability until she received an artificial eardrum when she was 30.
As a student Fong liked to sing and did well in art class, but not so well in other subjects. When she heard about a singing contest, to be held in Taipei, on the radio, the young singer wannabe persuaded her mother to let her go to the capital. She won the competition in her second attempt in 1968 and soon after started performing in restaurants and clubs under the stage name Lin Chien (林茜).
As Fong wrote on her official Web site (www.fongfeifei.com.tw), the first four years of her singing career were tough. To save money, the then teenage singer used to walk to her Sanchong District (三重) home, where she lived with an aunt and her family home, from her place of work on Nanjing East Road (南京東路).
Her breakthrough came in 1972 when the struggling singer was cast in a successful television drama under the new screen name Fong Fei-fei. Album deals and more television appearances followed, making Fong a household name. The performer was further propelled to superstardom in the late 1970s when she started singing movie theme songs for the big-screen adaptations of romance novels by Chiung Yao (瓊瑤). Both the songs and movies, including I Am a Cloud (我是一片雲) and The Wild Goose on the Wing (雁兒在林梢), were immensely popular at the time.
In her heyday, Fong was not only a singing diva, but a sought-after host of television shows. She starred in six movies, including Lovable You (就是溜溜的她, 1980) and Cheerful Wind (風兒踢踏踩, 1981), two of Hou Hsiao-hsien’s (侯孝賢) early commercial films.
In 1981, the then 27-year-old star married Hong Kong businessman Zhao Hongqi (趙宏琦), who died of lung cancer in 2009 at the age of 70. After marrying, Fong had devoted less time to her career, but remained active until her last days.
It has been said that Fong’s grassroots upbringing kept the star in tune with ordinary people.
Chen Chien-chih (陳建志), an assistant professor at Tamkang University’s (淡江大學) Department of English, who wrote a book on Fong in 2009, pointed out that during her early career, entertainers were required to sing in Beijing-accented Mandarin, but Fong crooned Mandarin songs with a Hoklo accent, which made her more “accessible” to the country’s Taiwanese population.
Her later Hoklo-language albums and tours of southern Taiwan’s industrial zones endeared her to blue-collar workers and earned her the moniker “People’s Diva” (國民天后).
Fong was renowned for her unisex look as she wore pants and a hat whenever she performed. With a collection of more than 600 pieces of headgear in her wardrobe, Fong was known as “Queen of Hats” (帽子歌后).
“She was a fan of the Takarazuka Revue [a Japanese all-female theater troupe noted for its Broadway-style musicals], so she picked up the idea of menswear and hats from there,” Mando-pop master songwriter and one of Fong’s mentors Liu Chia-chang (劉家昌) was quoted as saying in China Times.
This is the year that the demographic crisis will begin to impact people’s lives. This will create pressures on treatment and hiring of foreigners. Regardless of whatever technological breakthroughs happen, the real value will come from digesting and productively applying existing technologies in new and creative ways. INTRODUCING BASIC SERVICES BREAKDOWNS At some point soon, we will begin to witness a breakdown in basic services. Initially, it will be limited and sporadic, but the frequency and newsworthiness of the incidents will only continue to accelerate dramatically in the coming years. Here in central Taiwan, many basic services are severely understaffed, and
Jan. 5 to Jan. 11 Of the more than 3,000km of sugar railway that once criss-crossed central and southern Taiwan, just 16.1km remain in operation today. By the time Dafydd Fell began photographing the network in earnest in 1994, it was already well past its heyday. The system had been significantly cut back, leaving behind abandoned stations, rusting rolling stock and crumbling facilities. This reduction continued during the five years of his documentation, adding urgency to his task. As passenger services had already ceased by then, Fell had to wait for the sugarcane harvest season each year, which typically ran from
It is a soulful folk song, filled with feeling and history: A love-stricken young man tells God about his hopes and dreams of happiness. Generations of Uighurs, the Turkic ethnic minority in China’s Xinjiang region, have played it at parties and weddings. But today, if they download it, play it or share it online, they risk ending up in prison. Besh pede, a popular Uighur folk ballad, is among dozens of Uighur-language songs that have been deemed “problematic” by Xinjiang authorities, according to a recording of a meeting held by police and other local officials in the historic city of Kashgar in
It’s a good thing that 2025 is over. Yes, I fully expect we will look back on the year with nostalgia, once we have experienced this year and 2027. Traditionally at New Years much discourse is devoted to discussing what happened the previous year. Let’s have a look at what didn’t happen. Many bad things did not happen. The People’s Republic of China (PRC) did not attack Taiwan. We didn’t have a massive, destructive earthquake or drought. We didn’t have a major human pandemic. No widespread unemployment or other destructive social events. Nothing serious was done about Taiwan’s swelling birth rate catastrophe.
RSS