5100 Mini-Store (5100 微型百貨) takes art out of the exhibition space and online, where viewers become a part of artist Wu Chien-yi’s (吳芊頤) work by shopping for canvases depicting nearly 400 products on her blog or the Ruten (露天拍賣) online auction site.
Canvases created for 5100 Mini-Store are currently on display as part of the 2011 Taipei Arts Award (臺北美術獎) exhibition, which is at the Taipei Fine Arts Museum (台北市立美術館) until March 4.
The concept for 5100 Mini-Store was inspired by the experience of browsing online auctions and stores. Wu used image thumbnails on Web sites like Ruten and Go Happy (快樂購物網) as visual references.
Photo courtesy of Wu Chien-yi
“When we look at listings online, everything has been reduced to a photo, one after another. On the Internet, everything looks the same, no matter what it is. It’s all uniform,” says Wu.
Wu used colored tape to create each of the 21cm2 canvases, which show items ranging from detergent to Gucci wallets. There are several depictions of Andy Warhol’s most recognizable artworks; one canvas features the cover of Walter Isaacson’s Steve Jobs biography. The canvases are priced at NT$3,000 each and can be purchased on Ruten or by contacting Wu through e-mail.
The amount of detail in each of Wu’s images varies from canvas to canvas, but many of the brands are recognizable upon first glance.
Photo courtesy of Wu Chien-yi
“[Wu] uses the same material in all of the canvases and they are all the same size, which focuses our attention on the question of how we determine each object’s value,” says artist Wang Jun-jieh (王俊傑), who was part of the jury that selected pieces to be included in the Taipei Arts Award exhibition. Wu was one of 15 artists picked from a pool of 264 submissions.
Wu, who began conceptualizing the project a year ago, spends 40 minutes to about two hours working on each canvas. A series of food items features snacks such as a bag of peanut M&M candies, Oreo cookies and cans of soft drinks like Pepsi, Coca Cola and Sidra. Entertainment products include a black Nintendo Wii console and an HTC Wildfire S smartphone. Other canvases show quotidian objects like a white Mono plastic eraser and a pack of 3M Command adhesives.
One series of canvases focuses on products that were found to contain di(2-ethylhexyl) phthalate, or DEHP, during a food contamination scandal last year.
Photo courtesy of Wu Chien-yi
“Everyone refused to purchase them. The items all became highly recognizable,” Wu says.
Though Wu has created about 400 canvases, only eight have been purchased so far, most by customers who found her artwork through 5100 Mini-Store’s blog or Ruten.
“She hasn’t sold a lot of canvases, but she is using the Internet as a platform to talk about consumer value and I think that is something only young artists can do, because the Internet is such a big part of their life and using it is completely natural to them,” says Wang, the head of the Center for the Study of Art and Technology at the Taipei National University of the Arts (國立台北藝術大學).
Photo courtesy of Wu Chien-yi
Wu chose tape because it is a common household material. Rolls of tape are stacked on a worktable that has been set up in the Taipei Fine Arts Museum installation, and bits of the material overflow from three trash cans. During the opening day of the Taipei Arts Award exhibition, Wu sat at the table and worked on a canvas.
“One of the things I want to do was to make my process as transparent as possible, so everyone knows how I work and what materials I work with,” says Wu.
Wu plans to keep creating new canvases for 5100 Mini-Store, including a series that will focus on art supplies. Now that her canvases are listed online, Wu says people sometimes stumble upon 5100 Mini-Store’s “items” while searching for the original object.
Photo courtesy of Wu Chien-yi
“Someone saw my work in a Google search, and said it was easy to recognise what the items were without reading the descriptions,” says Wu.
“Sometimes people go looking for the actual item and this is what they find instead. It gives it new life,” she adds. “When you go shopping online, you don’t know what you will actually end up with.”
Photo courtesy of Wu Chien-yi
Photo courtesy of Wu Chien-yi
Photo courtesy of Wu Chien-yi
Photo courtesy of Wu Chien-yi
In the next few months tough decisions will need to be made by the Taiwan People’s Party (TPP) and their pan-blue allies in the Chinese Nationalist Party (KMT). It will reveal just how real their alliance is with actual power at stake. Party founder Ko Wen-je (柯文哲) faced these tough questions, which we explored in part one of this series, “Ko Wen-je, the KMT’s prickly ally,” (Aug. 16, page 12). Ko was open to cooperation, but on his terms. He openly fretted about being “swallowed up” by the KMT, and was keenly aware of the experience of the People’s First Party
Aug. 25 to Aug. 31 Although Mr. Lin (林) had been married to his Japanese wife for a decade, their union was never legally recognized — and even their daughter was officially deemed illegitimate. During the first half of Japanese rule in Taiwan, only marriages between Japanese men and Taiwanese women were valid, unless the Taiwanese husband formally joined a Japanese household. In 1920, Lin took his frustrations directly to the Ministry of Home Affairs: “Since Japan took possession of Taiwan, we have obeyed the government’s directives and committed ourselves to breaking old Qing-era customs. Yet ... our marriages remain unrecognized,
During the Metal Ages, prior to the arrival of the Dutch and Chinese, a great shift took place in indigenous material culture. Glass and agate beads, introduced after 400BC, completely replaced Taiwanese nephrite (jade) as the ornamental materials of choice, anthropologist Liu Jiun-Yu (劉俊昱) of the University of Washington wrote in a 2023 article. He added of the island’s modern indigenous peoples: “They are the descendants of prehistoric Formosans but have no nephrite-using cultures.” Moderns squint at that dynamic era of trade and cultural change through the mutually supporting lenses of later settler-colonialism and imperial power, which treated the indigenous as
An attempt to promote friendship between Japan and countries in Africa has transformed into a xenophobic row about migration after inaccurate media reports suggested the scheme would lead to a “flood of immigrants.” The controversy erupted after the Japan International Cooperation Agency, or JICA, said this month it had designated four Japanese cities as “Africa hometowns” for partner countries in Africa: Mozambique, Nigeria, Ghana and Tanzania. The program, announced at the end of an international conference on African development in Yokohama, will involve personnel exchanges and events to foster closer ties between the four regional Japanese cities — Imabari, Kisarazu, Sanjo and
RSS