Urbanites in Taipei have long been used to having a plethora of film festivals almost year-round, leaving little reason to travel outside the capital to see a good movie. That may change, however, when the first edition of Kavalan International Short Film Festival opens in Yilan this weekend. Billed as the country’s first comprehensive, international showcase for short films, the event features an exciting lineup of more than 120 works divided into 10 sections, including rarely screened shorts by David Lynch.
Following in the wake of the now-defunct Yilan Green International Festival (宜蘭國際綠色影展) and Yilan International Children’s Film Festival (宜蘭國際兒童電影節), the Yilan County Government-sponsored event retains much of the environmentally friendly spirit and emphasis on wholesome family entertainment of its predecessors, while attempting to expose local audiences to quirky, unconventional films they might not normally see.
“We want to bring something different, less aimed at a general audience and less readily understandable,” festival curator Mike Chang (張全琛) said.
Photo Courtesy of Kavalan International Short Film Festival
The festival organizers’ predilection for the unusual is evident in the selection of six short films by Lynch. Among his early works, The Grandmother, made in 1970 by the then 24-year-old American filmmaker, is brimming with the surreal sensibility and mystic tone that later became his signature. The short tells the story of a boy who tries to escape his abusive parents by growing a grandmother in his bedroom.
Fast-forward to the 21st century: David O’Reilly from Ireland has emerged as a formidable new talent whose animated works are influenced by video games and the Internet. The 26-year-old animator’s Berlin-winning Please Say Something (2009) uses primitive designs and only 10 minutes to build a profound fable of love in which a cat and a mouse are caught in a relationship with each other that spans 50 years. His whimsically dark and occasionally funny The External World (2010) is made up of fleeting episodes portraying a world of sex, violence and fear.
In tune with the long tradition of puppetry in Yilan, the festival has put together a complete retrospective collection of 10 short films by Japanese animation maestro Kihachiro Kawamoto, who is noted for puppet animation that uses elements from Japanese traditional art forms such as Noh and samisen performances.
Another highlight from Japan is Koji Yamamura, who is mostly known for his Oscar-nominated Mt Head (2002). The exquisitely animated magnum opus tells a traditional Japanese story, but set in contemporary Tokyo, with a man eating a cherry pip that causes unexpected side effects. Yamamura’s The Old Crocodiles (2005) paints a poignant allegory of love and desire in which a crocodile slowly devours his friend and lover octopus.
On the home front, seasoned documentary director Ke Chin-yuan (柯金源) is being give some long-overdue recognition. He has used his camera to explore the country’s environmental issues while making documentaries with the Public Television Service (公共電視) since the 1990s.
Swing (擺盪, 2010) traces the 20-year history of orangutans that were smuggled in great numbers to Taiwan from their homes in the rainforests of Indonesia and Malaysia during the 1980s.
“If you are not a fan of Public Television, you probably don’t know Ke,” Chang said. “His documentaries are not your usual Discovery programs. They are very filmic and have a distinct style. To me, he is Taiwan’s Werner Herzog.”
Filmmakers including Ke, O’Reilly and Yamamura will attend the festival and hold question-and-answer sessions.
For a fledgling festival, the event has big ambitions. With a grand prize of US$5,000 and US$1,500 prizes in each of the three award categories of animation, fiction and documentary shorts, the competition attracted a total of 278 films; 40 of them from 13 countries made it through to the competition.
The award ceremony is scheduled to take place at Yilan Performing Arts Center on the festival’s closing night.
Highlights in the competition segment include The D Train, an elegant film poem about an old man reflecting back on his life by renowned experimental filmmaker Jay Rosenblatt from San Francisco, and the Oscar-winning God of Love, a thesis film for New York University’s graduate film program by Luke Matheny. The movie, shot in monochromatic tones and accompanied by an atmospheric jazz score, tells the story of a love triangle.
In addition to film screenings, festivalgoers will have a chance to mingle with local farmers at a farmer’s market on the festival’s opening day. Music performances and special screenings of music-inspired shorts will be held at The Wall Uri-Sabaki-Jo (The Wall賣捌所) at 38 Kangle Rd, Yilan City (宜蘭市康樂路38號) on Friday next week.
The organizers compare the new festival to the biennial Yamagata International Documentary Film Festival in Japan, which attracts crowds from Tokyo when it takes place every other October.
“People from Taipei should not limit themselves to film festivals in the capital ... It’s nice to go to a pretty little town and enjoy a slow, relaxing weekend sometimes,” said Liu Yen-yu (劉宴瑜), the festival’s press coordinator.
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