Puppy love, hormones and masturbation are what being a teenager is all about, so it’s not surprising they play prominently in best-selling writer Jiubadao’s (九把刀 or “Nine Knives”) feature debut about his adolescent years.
You Are the Apple of My Eye (那些年，我們ㄧ起追的女孩) is based on a real-life romance that took place back when the novelist was still known by his real name, Giddens Ko (柯景騰). The highly anticipated movie is guaranteed to be a hit with Jiubadao’s readers and others who have an appetite for a bit of juvenile fun.
Newbie actor Ko Chen-tung (柯震東) plays Ko-teng, a teenage boy whose life revolves around hanging out with school buddies and goofing off. But there is one thing Ko-teng does not understand about his mates: They all have a crush on Shen Chia-yi (Michelle Chen, 陳妍希), an honor student in their class.
Photo Courtesy of Sony Music Entertainment Taiwan
When the teacher asks Shen to keep an eye on the prank-loving boy, he falls for her too. The pair are drawn to each other, and yet Ko-teng, afraid of being rejected, cannot bring himself to ask Shen to be his girlfriend.
Their love continues after the two go to different colleges until one night, a big fight puts an end to their youthful romance. Several years later, Ko-teng, now a writer, and his high school mates watch Shen walking down the aisle with another man, appearing as beautiful as they remember.
With a well-selected cast and a brisk pace, Jiubadao’s polished freshman effort manages to keep up a high level of energy throughout, frequently brandishing boyish humor that often involves a fixation with the male sex organ. One amusing example is a fantasy sequence in which the boys masturbate in a dance number while a teacher shows off some sexy moves in front of the class.
Although the penis jokes can get a bit tiring after a while, the director deserves a special mention for capturing adolescent urges with a fun, manga-esque punch.
The puppy love story would be less convincing if not for the two leading actors, who convey youthful innocence with what appears to be little effort. Jiubadao’s on-screen alter-ego Ko Chen-tung arrests attention with his charisma, and the up-and-coming Chen emerges from her supporting role in the romantic comedy Hear Me (聽說, 2009) as another one to watch.
The movie is at its best when it reminds viewers of their own lost youths. The 33-year-old director has repeatedly said it is like a time machine that takes him back to the past, and insisted on shooting the film at his old high school in Changhua.
One’s adolescence is a rich source of inspiration to many filmmakers. Think Tom Lin Shu-yu (林書宇) and his autobiographic debut feature Winds of September (九降風, 2008) and Lin Yu-hsien’s (林育賢) Jump Ashin! (翻滾吧！阿信), which is currently showing in theaters. You Are the Apple has potential but lacks the much-needed association of the personal with the collective that makes the other works shine.
Still, the film could be another feather in the cap for Jiubadao, as it appears the author has created a summer blockbuster. Since its soft opening on Friday last week, both the Liberty Times (the Taipei Times’ sister newspaper) and the Apple Daily have reported that the film has pulled in more than NT$20 million, making it the first Taiwanese film to do so before its official opening today.
In the March 9 edition of the Taipei Times a piece by Ninon Godefroy ran with the headine “The quiet, gentle rhythm of Taiwan.” It started with the line “Taiwan is a small, humble place. There is no Eiffel Tower, no pyramids — no singular attraction that draws the world’s attention.” I laughed out loud at that. This was out of no disrespect for the author or the piece, which made some interesting analogies and good points about how both Din Tai Fung’s and Taiwan Semiconductor Manufacturing Co’s (TSMC, 台積電) meticulous attention to detail and quality are not quite up to
April 21 to April 27 Hsieh Er’s (謝娥) political fortunes were rising fast after she got out of jail and joined the Chinese Nationalist Party (KMT) in December 1945. Not only did she hold key positions in various committees, she was elected the only woman on the Taipei City Council and headed to Nanjing in 1946 as the sole Taiwanese female representative to the National Constituent Assembly. With the support of first lady Soong May-ling (宋美齡), she started the Taipei Women’s Association and Taiwan Provincial Women’s Association, where she
It is one of the more remarkable facts of Taiwan history that it was never occupied or claimed by any of the numerous kingdoms of southern China — Han or otherwise — that lay just across the water from it. None of their brilliant ministers ever discovered that Taiwan was a “core interest” of the state whose annexation was “inevitable.” As Paul Kua notes in an excellent monograph laying out how the Portuguese gave Taiwan the name “Formosa,” the first Europeans to express an interest in occupying Taiwan were the Spanish. Tonio Andrade in his seminal work, How Taiwan Became Chinese,
Mongolian influencer Anudari Daarya looks effortlessly glamorous and carefree in her social media posts — but the classically trained pianist’s road to acceptance as a transgender artist has been anything but easy. She is one of a growing number of Mongolian LGBTQ youth challenging stereotypes and fighting for acceptance through media representation in the socially conservative country. LGBTQ Mongolians often hide their identities from their employers and colleagues for fear of discrimination, with a survey by the non-profit LGBT Centre Mongolia showing that only 20 percent of people felt comfortable coming out at work. Daarya, 25, said she has faced discrimination since she
RSS