Dance and choreography are often described in terms of liquidity or fluidity of movement. This afternoon a group of young Taiwanese dancers will use their bodies to focus attention on the most precious fluid of all — water — and the need for safe drinking water for everyone, as part of a 24-hour worldwide event, Global Water Dances.
The project is the brainchild of 11 Laban Movement analysts who were inspired by a dance and the environment conference they attended in England in 2009. (Labanotation and Laban Movement Analysis were first developed by Rudolf Laban in the early 20th century as a way of describing, notating and recording human movement used by dancers, physical therapists and others.) The 11 all had experience with Laban’s idea of Movement Choirs, which are events aimed at creating social cohesion through community dances. Planning for tomorrow’s event began last year with the creation of a Web site and networking.
Global Water Dances begins in Pacific Rim nations and travels westward around the world, involving dancers, musicians and other artists in 60 cities. It can be followed online at globalwaterdances.org.
Photo Courtesy of Chen Yi-shu, Dancecology
The Taiwanese portion has been organized by a two-year-old troupe called Dancecology (舞蹈生態系創意團隊), founded and directed by Peng Hsiao-yin (彭筱茵), a former member of the Neo-Classical Dance Company (新古典舞團) who received her MFA from the Graduate Institute of Choreography at Taipei National University of the Arts (TNUA). She wanted to move beyond the traditional limits of stage-bound performance to focus on environmental theater, hence the thinking behind the troupe’s name — dance plus ecology, or Dancecology.
Since the group’s founding, it has performed at the 2009 Kuandu Arts Festival, the Taipei Fine Arts Museum, Juming Museum and, earlier this year, at the Taipei International Flora Expo. It was selected as the 2009-2010 artist-in-residence at the TNUA KD Art Culture Industry Innovation Incubation Center. The company joined the Global Water Dances lineup at the end of last year.
Peng’s work is usually site specific and today’s show will take place in the viewing area in front of Zhuwei Wharf (竹圍碼頭) in Tamsui, which is a short walk along the bikeway from the Zhuwei MRT Station (竹圍捷運站). It is also the site of Plum Tree Creek (樹梅坑溪), which was the inspiration for Peng’s portion of the program.
Photo Courtesy of Chen Yi-shu, Dancecology
In her program notes Peng said the creek, a branch of the Tamsui River, was once the only source of fresh water in the Zhuwei area, but rapid development has left it little more than a gutter. Starting last year, several historians, artists and local residents banded together to draw awareness to the creek’s plight and push for its restoration.
Eight dancers and two musicians will be performing this afternoon, joined by children from Zhuwei Elementary School for sections three and four (“The Water Dance” and “Confluence”), which are the global collective portions of the program.
Peng choreographed the first two sections: “Flowing with Water,” which she said will gather the energy of participants and flow along with the Plum Tree Creek, and “The Story of Plum Tree Creek,” telling how humans change and damage nature.
To encourage people to get involved in helping to save the creek and protect Taiwan’s environment, audience members will be invited to join the dancers at several points during the show. For example, when the dancers who are portraying the creek are being polluted by the dancers who are playing the role of garbage, “we’ll invite the audience to save them,” Peng said. In “Confluence,” the troupe’s dancers will lead the audience in a group dance. In “The Water Dance,” dancers and volunteers will perform the same moves that are being danced around the world today.
In addition, after the show audience members will be invited to take a pledge to treasure water resources and reduce daily water pollution. Those who do will be invited to add their handprints to a long roll of paper.
The idea is to turn the paper into a “river of hands,” Peng said.
Dancecology notified us after the paper went to press that because of the advent of Typhoon Meari, their performance will be postponed until next Saturday, July 2, at 5pm at the same location.
What: Dancecology, Global Water Dances
When: July 2, at 5pm
Where: The viewing area in front of Zhuwei Wharf (竹圍碼頭) in Tamsui District, New Taipei City (新北市淡水區); it is a five-minute walk from Exit 2 of the Zhuwei MRT Station (竹圍捷運站)
When Auntie Su (蘇) was evicted from her apartment last Monday, locals were so overjoyed that they sent thank you wreaths to the Tainan Police Department. “Justice has been served.” “Punish villains and eradicate evil,” read some of the notes. “Thank you, hardworking police for bringing peace and quiet back to Tainan!” a neighbor posted on Facebook. Auntie Su is a notorious “informer demon” (檢舉魔人), someone who is known to excessively report violations either for reward money or — depending which side you’re on — to serve as a justice warrior or a nosy annoyance. Usually they are called “professional”
In Taiwan’s foothills, suspension bridges — or the remnants of them — are almost as commonplace as temples. “Suspension bridge” is a direct translation of the Chinese-language term (吊橋, diaoqiao), but it’s a little misleading. These spans aren’t huge pieces of infrastructure. The larger ones are just wide enough for the little trucks used by farmers. Others are suitable for two-wheelers and wheelbarrows. If one end is higher than the other, they may incorporate steps, like the recently-inaugurated, pedestrians-only Shuanglong Rainbow Suspension Bridge (雙龍七彩吊橋) in Nantou County. Because torrential rains hammer Taiwan during the hot season, the landscape is scarred by
With his sugarcane juice stall at Monga Nightmarket (艋舺夜市) floundering due to COVID-19, things took a turn for the worse for Lin Chih-hang (林志航) when he was furloughed from a part-time job. The crowds are trickling back to this nightmarket in Taipei’s Wanhua District (萬華), but Lin is now so busy that he has hired a friend to run his stall. As the sole driver of the night market’s delivery service, established on April 12, Lin takes on an average of 20 orders on weeknights and over 60 on weekends, with his father helping out when he is too busy.
May 25 to May 31 Three months before his 90th birthday in 2015, Chung Chao-cheng (鍾肇政) woke up shortly after midnight and experienced a inexplicable sense of clarity. “Suddenly, my mind started going all over the place. There were some recent memories, but also many that I thought I had long forgotten. They would appear and disappear from my brain one after another, and they were so clear, so lucid. Even the memories from 70, 80 years ago felt like they happened yesterday. I suddenly thought, if I still remember so much, why don’t I write everything down?” Despite his solid