Burlesque
Song-and-dance film with the two big names on the marquee likely to make up for its many failings. One doesn’t expect great innovation in a movie like Burlesque, where the action exists to frame a couple of big set piece routines, but the lack of cinematic ambition is a disappointment in a film featuring such A-list celebs. Starring Cher and Christina Aguilera, and with the family friendly PG rating (viewing not permitted for children under 12), Burlesque is ripe for the teen market. Aguilera puts in a solid performance, especially in the early scenes, as a small-town girl trying to make it in the big city, while Cher stays very much behind the facade that has become her onstage persona. The rest of the cast includes many familiar faces including Stanley Tucci, as well as the likes of Peter Gallagher and Kristen Bell, who attempt to flesh out Burlesque with something akin to a story.
Gulliver’s Travels
This movie, starring Jack Black, has only the most tenuous connection with Jonathan Swift’s novel, telling the story of travel writer Lemuel Gulliver, who finds himself in Lilliput after getting caught in a storm while en route to the Bermuda Triangle. Black’s comedic talents are not to everybody’s taste, but even fans complain that Gulliver’s Travels lacks the actor’s manic humor from School of Rock. Instead, what we have is an old-fashioned, light romantic comedy with a touch of medieval costume drama thrown in. (Lilliput is a very Camelot sort of place.) The cast includes Emily Blunt and veteran comic Billy Connolly, who are always enjoyable to watch, but with its sometimes cheap-looking special effects and mildly scatological humor, Gulliver’s Travels is more likely to appeal to children than adults.
Diary of a Sex Addict (Diario de una Ninfomana)
Also released as Diary of a Nymphomaniac, this Spanish movie, which premiered in 2008, is based on the best-selling novel Insatiable — The Erotic Adventures of a French Girl in Spain by Valerie Tasso. While the book, published in 2005, was something of a sensation in erotic fiction, this semi-autobiographical work about a middle-class French girl who dabbles in prostitution has not transferred so well to film. Though the commonplace cinematic trope of romantic fulfilment blunts the hard edge of Tasso’s psychosexual experiments, the acting is well above average — but that’s not sufficient to raise Diary of a Sex Addict above the crowd of sexy European art house movies that flood the DVD market.
Space Battleship Yamato
A live-action movie adapted from the classic 1970s television anime series. While the original series was remarkable for being able to cross the cultural divide and was released in Western markets under the title of Star Blazers, the series does not seem to have managed the transition to the big screen quite as successfully, with fans on the Internet expressing considerable disappointment with many aspects of the film, particularly the main characters’ shallowness. In terms of effects, Space Battleship Yamato is extremely ambitious, but in trying to cram a 26-episode TV series into 150 minutes, the film’s makers have bitten off far more than they can chew. While fans may be disappointed, newcomers to the series could find it an excellent introduction to a story that has achieved iconic status in Japan.
Hanamizuki
Big-budget Japanese romance inspired by a well-known song of the same name. The movie follows the lives of Canada-born schoolgirl Saki (Yui Aragaki), who achieves her ambition of getting into a prestigious Tokyo university, and Gohei (Toma Ikuta), a student from the nearby fisheries high school who is determined to follow in the footsteps of his fisherman father. They fall in love, try a long-distance relationship, break up and after many vicissitudes, are reunited. The two leads are both pop idols with strong followings, and the filmmakers have taken pains to shoot on location in Hokkaido, Toronto, New York and Tokyo, giving the film an exotic international look that will appeal to armchair tourists.
Mumu
Starring Sylvie Testud, who might be known to Taiwanese audiences from the films Lourdes and Sagan, both of which were recently released here. Written and directed by Joel Seria, who made his reputation with a number of sexy pseudo-intellectual B-movie features, such as Don’t Deliver Us From Evil (1971), which tells the tale of two convent school girls who have taken a vow to sin and serve Satan. Telling the story of a neglected, mischievous kid called Roger, who finds new hope after being put into the care of Mumu, a strict teacher whose severe demeanor hides a heart of gold, Mumu is a departure from Testud’s usual material.
Grand Champion
Cinematic filler from 2002 being brought to local screens to meet the needs of the festive season. Grand Champion will more than satisfy people looking for a nice film with children and animals that conveys an upbeat and inspirational message. Directed by actor Barry Tubb, a Texas native who was a bull riding champion at age 15 (in a junior division), the film tells the story of Buddy and Hokey (a calf), who work their way through the ranks of several Texas stock shows to win the coveted title of Grand Champion. They get help from all sorts of charming characters along the way.
May 6 to May 12 Those who follow the Chinese-language news may have noticed the usage of the term zhuge (豬哥, literally ‘pig brother,’ a male pig raised for breeding purposes) in reports concerning the ongoing #Metoo scandal in the entertainment industry. The term’s modern connotations can range from womanizer or lecher to sexual predator, but it once referred to an important rural trade. Until the 1970s, it was a common sight to see a breeder herding a single “zhuge” down a rustic path with a bamboo whip, often traveling large distances over rugged terrain to service local families. Not only
Ahead of incoming president William Lai’s (賴清德) inauguration on May 20 there appear to be signs that he is signaling to the Chinese Communist Party (CCP) and that the Chinese side is also signaling to the Taiwan side. This raises a lot of questions, including what is the CCP up to, who are they signaling to, what are they signaling, how with the various actors in Taiwan respond and where this could ultimately go. In the last column, published on May 2, we examined the curious case of Democratic Progressive Party (DPP) heavyweight Tseng Wen-tsan (鄭文燦) — currently vice premier
The last time Mrs Hsieh came to Cihu Park in Taoyuan was almost 50 years ago, on a school trip to the grave of Taiwan’s recently deceased dictator. Busloads of children were brought in to pay their respects to Chiang Kai-shek (蔣中正), known as Generalissimo, who had died at 87, after decades ruling Taiwan under brutal martial law. “There were a lot of buses, and there was a long queue,” Hsieh recalled. “It was a school rule. We had to bow, and then we went home.” Chiang’s body is still there, under guard in a mausoleum at the end of a path
Last week the Directorate-General of Budget, Accounting and Statistics (DGBAS) released a set of very strange numbers on Taiwan’s wealth distribution. Duly quoted in the Taipei Times, the report said that “The Gini coefficient for Taiwanese households… was 0.606 at the end of 2021, lower than Australia’s 0.611, the UK’s 0.620, Japan’s 0.678, France’s 0.676 and Germany’s 0.727, the agency said in a report.” The Gini coefficient is a measure of relative inequality, usually of wealth or income, though it can be used to evaluate other forms of inequality. However, for most nations it is a number from .25 to .50