Fans of the now-defunct TV talent show Happy Sunday (快樂星期天) had to wait three years for the arrival of their messiah. But it was worth it.
The show’s champion, William Wei Li-an (韋禮安) aka WeiBird, made a splash this June with the release of his Wei Li-an Debut Eponymous Original Album (韋禮安首張同名全創作專輯).
Wei — who performs his first stadium shows next weekend in Taipei and the following weekend in Taichung — possesses an impressive pedigree (he graduated from National Taiwan University), matinee idol looks and talent to spare as a singer and songwriter. He wows his fans with a smoldering charm reminiscent of Wang Lee-hom (王力宏), his down-to-earth persona and the fact that he writes his own songs, all of which help him stand out in a Mando-pop landscape populated by overly polished, self-promoting idol singers with suave dance moves.
“I’m a singer, not an entertainer,” Wei said in a phone interview on Tuesday. “People usually don’t recognize me on the street. It’s good that my career and life are separate.”
Much of Wei’s charm derives from the fact that he is a bashful, self-effacing star who is quick to flash an awkward smile.
“The most unforgettable thing in life is that I suffered from an acne problem for six years and didn’t dare to go out of the door,” he laughed. “I channeled my energy into singing and found comfort in music.”
“I’m pretty shy and don’t usually approach people. I don’t even go to out too much unless friends ask me,” he said.
But he’s propelled by an impeccable melodic drive. For his debut album, Wei crafted a pop opus by waxing poetic about love and the meaning of life. The album’s lead single, Yes or No (有沒有), is an irresistibly catchy tale of unrequited love.
“I wrote this song in college when I realized my love for a girl was not reciprocated. This song is about unspoken feelings,” Wei said. “[It] simply flew out of me in a few days.”
Wei isn’t considered a vocal powerhouse, but he’s a better singer at live performances than he is on his recordings, as he showed when he delivered a ravishing rendition of Blue Eyes (藍眼睛) at label partner Angela Chang’s (張紹涵) concert last month.
Wei performs at the Taipei International Convention Center (台北國際會議中心) next Saturday and at Taichung’s Chung Hsing University Huisun Auditorium (台中中興大學惠蓀堂) on Sept. 25. The set list will include covers of songs by Mando-pop/R ’n’ B star Khalil Fong (方大同) and veteran crooner Fei Yu-ching (費玉清).
It seems every few days one bumps into one of those “real man” comments in which Taiwan is urged to “face reality” or similar, and “make a deal,” with the speaker implying that soon it will be too late. “Deal” advocates always present themselves as having a superior grip on reality, and the manly ability to make the “hard choice.” Their testosterone-laden language often echoes that of Taiwan sellout advocates. Note that such commentary always specifies a process (“make a deal, work with, make progress”), never the end state of what occupation by a violent authoritarian colonialist state will entail. In
There are shadowy cabals plotting to sell out Taiwan to be annexed by China, by invasion if necessary. Fortunately, they are buffoons. In 2019, former Bamboo Union gangster and founder of the China Unification Promotion Party (CUPP), Chang An-le (張安樂, colorfully known as “White Wolf”), led a protest at the Legislative Yuan against comments made by then-premier Su Tseng-chang (蘇貞昌) that in the event of an attack by China, he would never surrender, but would protect the nation by fighting to the end, even if he only had a broom. Chang had party members bring a wooden casket that they
June 1 to June 7 "If all Taiwanese were as afraid of dying as you, then what would happen?” Physician Shih Chiang-nan (施江南) reportedly said this to his wife Chen Chiao-tung (陳焦桐) after she urged him to stop intervening on behalf of Taiwanese soldiers stranded overseas after serving in the Japanese Army during World War II. Shih had clashed with high-ranking officials over the issue, engaged in several heated arguments with Taiwan governor-general Chen Yi (陳儀) and allegedly shouted at general Ko Yuan-fen (柯遠芬), chief of staff of the Taiwan Garrison Command, over
Food prices have often played a major role in Taiwan’s history. The first major wave of migration from China occurred in 1628. A moderate drought, the Ming Dynasty maritime ban that prohibited fishing and trading (intended to reduce piracy) and a temporary tax, conspired to exhaust local resources, leading to famine in Fujian Province. The famed pirate and trader Zheng Zhilong (鄭芝龍), scooped up starving people from Fujian and transported them across the Taiwan Strait, where they settled under the Dutch. Two factors enabled Zheng. First, by 1624 he had settlements around today’s Beigang (北港) in Yunlin County with a small