In Case of Love (街角的小王子)
For his glossy debut feature, up-and-coming director Gavin Lin (林孝謙) tells a love story that centers on Claire, a reticent college student whose mother died 10 years ago.
One day she meets James, a guitarist who reminds her of a little boy with whom she once shared secrets, played music and raised an abandoned kitten until her mother died and the family moved away.Believing that James is her childhood friend, Claire is immediately drawn to the musician. But when she divulges her thoughts to the young man, he serves up some revelations of his own.The movie is a slipshod effort that languidly plods the romantic genre with its tedious plot and wooden characters who wander aimlessly in and out of frame.Stiff performances by the cast of youthful celebrities, including Taiwan’s Bea Kuo (郭碧婷), Jaline Yeh (葉羿君) and Christ Lee (李至正), as well as China’s Yang Zishan (楊子姍), kill the story — their annoyingly perfect and permanent smiles seem to be taken from a toothpaste advert.The movie’s feline actor, however, deserves an Oscar.
Kingfisher (魚狗)
Written by young filmmaker Kao Ping-chuan (高炳權), Kingfisher’s script offers promising material for a dark drama that revolves around policeman A Gou (阿狗) and young hooligan Yu Zai (魚仔) but fails to deliver.
The story begins with a teenaged Yu Zai being wrongfully accused of murdering his baby sister by a corrupt police officer. A Gou, new to the police force, is too weak to help Yu Zai prove his innocence.Ten years later, Yu Zai has grown into a misfit who is repeatedly jailed for petty crimes, while A Gou leads a drab life married to a dissatisfied woman.The two men’s paths cross once more when a city councilor is assassinated, and their fates are soon entangled in a web of betrayal, vengeance, guilt and intrigue.Unfortunately, director Kuang Sheng (鄺盛) completely mutilated the script, creating a ridiculous hodgepodge of dull humor, hackneyed romance and wearisome melodrama populated by a cast of bungling models and soap opera actors, including Ivan Chen (陳恩峰) and Enson Zhang (張雁名).Kuang’s feature debut The Fatality (絕魂印), which he co-directed with three other filmmakers, was a rudderless mess. Kingfisher, despite its solid script, is further indication that Kuang should stick with making music videos.A recipient of the government’s Subsidy for Film Production (電影輔導金) with a grant worth NT$7 million, this film is a good example of how to pour taxpayers’ money down the drain.
22 Bullets
You either like fast-paced, exotic action of Luc Besson productions or you don’t. His glorification of violence might seem unduly cynical, but he usually manages to ensure a high level of technical proficiency. 22 Bullets has plenty of violence and also features Jean Reno, who has developed his own line in the Gallic hard-boiled style of acting. Originally released as L’Immortel, the film is loosely based on a real Mafia story. Charly Mattei (Reno) is a mob boss who has retired, his operation handed over to childhood friend Tony Zacchia (Kad Merad). Old antagonisms linger, and Mattei gets shot, 22 times, and survives (hence the French title). Those responsible pay a high price for their failure to kill him.
The Tournament
Simple-minded action film about a tournament of the “world’s greatest assassins,” who come together in a sleepy British town in a kill or be killed tournament to see who’s the best. Behind the scenes there are a bunch of punters beating on the outcome. It’s really the same sort of set up as The Running Man (1987) or the more recently Death Race (2008), but with 30 assassins going at it with knives, guns and explosives, there is so much blood-letting that it’s a bit difficult to care much who gets axed. A competent bang-bang movie with some reasonable action talent, including Ving Rhames and parkour athlete Sebastien Foucan, with Kelly Hu providing some eye candy, but despite all the athleticism and explosions, it begins to drag even before its 95 minutes are up.
Memoirs of a Teenage Amnesiac
Loosely based on a novel by Gabrielle Zevin and directed by Hans Canosa, the film Memoirs of a Teenage Amnesiac is actually a product of the Japanese film industry with a mixed Japanese and American cast and starring teen idol Maki Horikita as the amnesiac in question. Set in an international school in Japan, the film mixes the familiar motifs of Japanese teen romance with Zevin’s high-concept conceit about discovering who you really are by forgetting about who you thought you were. Released in Japan in March, it is making tentative moves into the regional market, but seems not to have attracted much international interest. Horikita plays Naomi, a girl who loses her memory after suffering head trauma and who is faced with deciding between three suitors, none of whom she can remember anything about.
Puzzle (Rompecabezas)
Argentine art house production about jigsaw puzzles and how they relate to the complexities of human relationships. The story focuses on Maria, a middle-aged married woman who is given a jigsaw puzzle for her 50th birthday. She becomes engrossed in the challenge and beauty of the puzzle, and eventually, despite family misgivings, signs up to participate in a jigsaw puzzle competition. Intimate, romantic, low-key, it earned director Natalia Smirnoff a nomination for the Golden Bear at the 2010 Berlin International Film Festival.
Going the Distance
A perfectly good rom-com premise — long-distance relationships — and more than adequate performers — Drew Barrymore and Justin Long — manage to crash and burn in what Hollywood Reporter describes, in the least of its criticisms, as a “misbegotten production.” A script that apes the Judd Apatow school of comedy fails to be funny or even convincing in a movie supposedly about sophisticated young men and women. It is hard to imagine how a film about a no-strings-attached summer fling between two attractive young people could be quite this dull. This is a feature debut by documentary filmmaker Nanette Burstein, who is clearly out of her depth in the shifting sociological sands of romantic comedy.
A Brand New Life
(Yeo-haeng-ja)
South Korean film by French-Korean filmmaker Ounie Lecomte, A Brand New Life draws on the director’s own childhood experience to tell the story of Jinhee (Kim Sae Ron), who is abandoned at an orphanage by her father. She becomes something of a rebel, but also finds friendship with another orphan. The film explores the tribulations of childhood friendships and the resilience of kids in the face of tumultuous change with sensitivity, but without overblown sentimentality. The intimacy of the picture and strong performances by the child actors have seen A Brand New Life doing well on the festival circuit in categories dealing with children, and it picked up the Cinekid Film Award and Best Children’s Feature Film at the Asia Pacific Screen Awards among other awards in 2009.
The Housemaid (Hanyo)
South Korean film about a housemaid, Eun-yi, played by Jeon Do Yeon, only the second Asian actress after Maggie Cheung (張曼玉) to pick up a Best Actress Award at Cannes (2007 for Secret Sunshine). In this erotically charged revenge drama, the gentle Eun-yi is first seduced by the man of the house, then subsequently becomes the target for retribution from his wife and mother-in-law. This is a remake of a 1960 South Korean film which was the box office hit of its day, and the remake brings it up to date with a few more titillating thrills, including a fair bit of art house nudity.
Anita
Argentine film about a young woman with Down Syndrome who lives with her mother running a small shop in Buenos Aires. The relationship is carefully crafted by director Marcos Carnevale and features excellent acting by veteran Norma Aleandro as the mother and Alejandra Manzo as the title character. After a horrific terrorist event, the AMIA bombing against the Jewish organization Asociacion Mutual Israelita Argentina, Anita is separated from her mother and wanders the streets of Buenos Aires, protected by nothing more than her own innocence. Anita seems to have resisted the temptations of both the feel-good movie and the sentimental melodrama. In allowing Anita, for all her disability, to be a real character with both good and bad elements, the film has more to offer than a short synopsis might suggest.
Barbarossa
Big historical drama from Italian director Renzo Marinelli featuring Rutger Hauer as Frederick Barbarossa, aka Frederick the First, who became Holy Roman Emperor in 1155. Frederick fought a long a bitter campaign to recreate the empire of Charlemagne, who had become the first Holy Roman Emperor three centuries before, and fought many bitter military campaigns to bring Germans and Italians together under his rule. Barbarossa deals specifically with his conflict against Alberto da Giussano, who formed what became known as the Company of Death, which swore to resist Frederick’s ambitions and preserve regional independence from a central imperial power.
In the March 9 edition of the Taipei Times a piece by Ninon Godefroy ran with the headine “The quiet, gentle rhythm of Taiwan.” It started with the line “Taiwan is a small, humble place. There is no Eiffel Tower, no pyramids — no singular attraction that draws the world’s attention.” I laughed out loud at that. This was out of no disrespect for the author or the piece, which made some interesting analogies and good points about how both Din Tai Fung’s and Taiwan Semiconductor Manufacturing Co’s (TSMC, 台積電) meticulous attention to detail and quality are not quite up to
April 21 to April 27 Hsieh Er’s (謝娥) political fortunes were rising fast after she got out of jail and joined the Chinese Nationalist Party (KMT) in December 1945. Not only did she hold key positions in various committees, she was elected the only woman on the Taipei City Council and headed to Nanjing in 1946 as the sole Taiwanese female representative to the National Constituent Assembly. With the support of first lady Soong May-ling (宋美齡), she started the Taipei Women’s Association and Taiwan Provincial Women’s Association, where she
It is one of the more remarkable facts of Taiwan history that it was never occupied or claimed by any of the numerous kingdoms of southern China — Han or otherwise — that lay just across the water from it. None of their brilliant ministers ever discovered that Taiwan was a “core interest” of the state whose annexation was “inevitable.” As Paul Kua notes in an excellent monograph laying out how the Portuguese gave Taiwan the name “Formosa,” the first Europeans to express an interest in occupying Taiwan were the Spanish. Tonio Andrade in his seminal work, How Taiwan Became Chinese,
Mongolian influencer Anudari Daarya looks effortlessly glamorous and carefree in her social media posts — but the classically trained pianist’s road to acceptance as a transgender artist has been anything but easy. She is one of a growing number of Mongolian LGBTQ youth challenging stereotypes and fighting for acceptance through media representation in the socially conservative country. LGBTQ Mongolians often hide their identities from their employers and colleagues for fear of discrimination, with a survey by the non-profit LGBT Centre Mongolia showing that only 20 percent of people felt comfortable coming out at work. Daarya, 25, said she has faced discrimination since she
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