When it comes to Bollywood, or anything entertainment-related in India, Taiwanese tend to think of belly dancing, says Chan Yu-kuo (詹煜國). The 35-year-old dancer and Taichung native wants to change this view.
On Sunday night, his Shiva India Dance Group (西瓦印度舞團) performed classical Indian folk and Bollywood dance in a sold-out show at the Chiang Kai-shek Memorial Hall’s 400-seat lecture auditorium.
One aim of the program, Chan said in an interview last week, was to show how the dancing of Bollywood movies is connected to India’s ancient performing arts.
Much of the music on Sunday was modern Indian pop played from a CD (with a nice live music interlude of three musicians playing a sitar, tablas and harmonium), but the lively dance moves were traditional.
Shiva India Dance Group, whose dozen or so members are all Taiwanese, performed routines based on Kathak, a classical dance from Northern India that features intricate foot-tapping and hand movements, and mujra, a suggestive dance once performed by female courtesans for royalty and the upper class.
For Chan, a devotee of both forms, the visual aspect was equally important, with a costume change for each of the 13 dance pieces.
As the only male dancer, Chan dressed in traditional kurtas, while the women donned colorful, sparkling saris and lenghas, the skirt and blouse combination often seen in Bollywood movies. Chan had all of the clothes tailor-made in New Delhi.
“We want people to see the real India,” he said. “Not what Taiwanese people see as India, but what Indian people see as India.”
Shiva India Dance Group’s performance received support from the India-Taipei Association, India’s representative office in Taiwan, which helped to publicize the group’s show.
Chan, known by friends and students as “Ricky Q,” is a “passionate Indophile” and one among a growing number of Taiwanese with an interest in Indian culture, said Pradeep Rawat, Director General of the India-Taipei Association.
“In fact, there are more than 20 individual dance groups today in various cities of Taiwan passionately pursuing popular and classical Indian dance,” Rawat wrote in an e-mail to the Taipei Times.
An increasing number of Taiwanese are traveling to India for “culture-related tourism,” as well as showing interest in yoga and traditional Indian spas, according to Rawat.
Film has been another sign of a surging interest. Rawat said an Indian film festival organized by the association in January sold out in less than two days.
“More importantly,” he wrote, “starting last year, Indian movies are now being released commercially in local theaters.”
It was a Bollywood film that originally attracted Chan to Indian dance. He said the 2002 film Devdas inspired him to quit his job as an aerobics instructor and travel to New Delhi to study Kathak dance.
“I think that film had an important influence on creating ‘India fans’ in Taiwan,” Chan said. “We discovered that India was not what we were accustomed to seeing and that it was not poor and without joy.”
Chan was enchanted by the colorful dress, rich facial expressions and refined hand movements of the dancers he saw in Devdas, which led him to seek out the one of movie’s choreographers, Panjit Biriju Maharaj, a world-renowned Kathak dancer, poet and singer.
It took a full year of e-mail correspondence to convince Maharaj that he would make a devoted student. Since 2004, Chan has made yearly trips to New Delhi, spending three months out of the year to study with his “guru.” If it weren’t for financial and family obligations in Taiwan, Chan says, he would move to India.
He started Shiva India Dance Group in 2005 to teach and promote what he regards as “orthodox” forms of Indian folk dance.
Kathak, which depicts stories from Hindu mythology, has a distinctive rhythmic element — performers stamp their feet to match or play off the complex beats performed by onstage musicians, who commonly play sitars and tablas.
For Chan, Kathak’s biggest appeal lies in how it combines storytelling and body movement.
“You have to take a story and let the audience understand what’s happening just from your expression,” he said. “[A performer] will use his hand, just one part of his hand, to express a very specific thing — this attracted me very much.”
Kathak dance is beautiful for its “humanity and spirituality,” Chan said. “It lets me be myself.”
Shiva holds seasonal performances and offers classes on classical Indian folk and Bollywood dance. For more information, visit its Web site (in Chinese only) at tw.myblog.yahoo.com/shiva-dance/archive?l=f&id=25
For information on the India-Taipei Association, go to
www.india.org.tw
In recent weeks the Trump Administration has been demanding that Taiwan transfer half of its chip manufacturing to the US. In an interview with NewsNation, US Secretary of Commerce Howard Lutnick said that the US would need 50 percent of domestic chip production to protect Taiwan. He stated, discussing Taiwan’s chip production: “My argument to them was, well, if you have 95 percent, how am I gonna get it to protect you? You’re going to put it on a plane? You’re going to put it on a boat?” The stench of the Trump Administration’s mafia-style notions of “protection” was strong
Every now and then, it’s nice to just point somewhere on a map and head out with no plan. In Taiwan, where convenience reigns, food options are plentiful and people are generally friendly and helpful, this type of trip is that much easier to pull off. One day last November, a spur-of-the-moment day hike in the hills of Chiayi County turned into a surprisingly memorable experience that impressed on me once again how fortunate we all are to call this island home. The scenery I walked through that day — a mix of forest and farms reaching up into the clouds
With one week left until election day, the drama is high in the race for the Chinese Nationalist Party (KMT) chair. The race is still potentially wide open between the three frontrunners. The most accurate poll is done by Apollo Survey & Research Co (艾普羅民調公司), which was conducted a week and a half ago with two-thirds of the respondents party members, who are the only ones eligible to vote. For details on the candidates, check the Oct. 4 edition of this column, “A look at the KMT chair candidates” on page 12. The popular frontrunner was 56-year-old Cheng Li-wun (鄭麗文)
“Eighteen years ago, people didn’t even know the name of this ingredient,” says 58-year-old Gil Sa-hyeon, holding up a cluster of dried brownish stems. “Now it’s everywhere.” His shop, Joseon Yakcho, sits in the heart of Seoul’s Yangnyeongsi Market, South Korea’s largest traditional medicinal herb market, its streets lined with shops displaying buckets of herbs such as licorice root and cinnamon bark that spill on to the pavements, filling the air with their distinct, earthy aroma. The ingredient Gil is referring to is hovenia dulcis, known in Korean as heotgae — the oriental raisin tree that’s become the cornerstone of South Korea’s
RSS