When it comes to Bollywood, or anything entertainment-related in India, Taiwanese tend to think of belly dancing, says Chan Yu-kuo (詹煜國). The 35-year-old dancer and Taichung native wants to change this view.
On Sunday night, his Shiva India Dance Group (西瓦印度舞團) performed classical Indian folk and Bollywood dance in a sold-out show at the Chiang Kai-shek Memorial Hall’s 400-seat lecture auditorium.
One aim of the program, Chan said in an interview last week, was to show how the dancing of Bollywood movies is connected to India’s ancient performing arts.
Much of the music on Sunday was modern Indian pop played from a CD (with a nice live music interlude of three musicians playing a sitar, tablas and harmonium), but the lively dance moves were traditional.
Shiva India Dance Group, whose dozen or so members are all Taiwanese, performed routines based on Kathak, a classical dance from Northern India that features intricate foot-tapping and hand movements, and mujra, a suggestive dance once performed by female courtesans for royalty and the upper class.
For Chan, a devotee of both forms, the visual aspect was equally important, with a costume change for each of the 13 dance pieces.
As the only male dancer, Chan dressed in traditional kurtas, while the women donned colorful, sparkling saris and lenghas, the skirt and blouse combination often seen in Bollywood movies. Chan had all of the clothes tailor-made in New Delhi.
“We want people to see the real India,” he said. “Not what Taiwanese people see as India, but what Indian people see as India.”
Shiva India Dance Group’s performance received support from the India-Taipei Association, India’s representative office in Taiwan, which helped to publicize the group’s show.
Chan, known by friends and students as “Ricky Q,” is a “passionate Indophile” and one among a growing number of Taiwanese with an interest in Indian culture, said Pradeep Rawat, Director General of the India-Taipei Association.
“In fact, there are more than 20 individual dance groups today in various cities of Taiwan passionately pursuing popular and classical Indian dance,” Rawat wrote in an e-mail to the Taipei Times.
An increasing number of Taiwanese are traveling to India for “culture-related tourism,” as well as showing interest in yoga and traditional Indian spas, according to Rawat.
Film has been another sign of a surging interest. Rawat said an Indian film festival organized by the association in January sold out in less than two days.
“More importantly,” he wrote, “starting last year, Indian movies are now being released commercially in local theaters.”
It was a Bollywood film that originally attracted Chan to Indian dance. He said the 2002 film Devdas inspired him to quit his job as an aerobics instructor and travel to New Delhi to study Kathak dance.
“I think that film had an important influence on creating ‘India fans’ in Taiwan,” Chan said. “We discovered that India was not what we were accustomed to seeing and that it was not poor and without joy.”
Chan was enchanted by the colorful dress, rich facial expressions and refined hand movements of the dancers he saw in Devdas, which led him to seek out the one of movie’s choreographers, Panjit Biriju Maharaj, a world-renowned Kathak dancer, poet and singer.
It took a full year of e-mail correspondence to convince Maharaj that he would make a devoted student. Since 2004, Chan has made yearly trips to New Delhi, spending three months out of the year to study with his “guru.” If it weren’t for financial and family obligations in Taiwan, Chan says, he would move to India.
He started Shiva India Dance Group in 2005 to teach and promote what he regards as “orthodox” forms of Indian folk dance.
Kathak, which depicts stories from Hindu mythology, has a distinctive rhythmic element — performers stamp their feet to match or play off the complex beats performed by onstage musicians, who commonly play sitars and tablas.
For Chan, Kathak’s biggest appeal lies in how it combines storytelling and body movement.
“You have to take a story and let the audience understand what’s happening just from your expression,” he said. “[A performer] will use his hand, just one part of his hand, to express a very specific thing — this attracted me very much.”
Kathak dance is beautiful for its “humanity and spirituality,” Chan said. “It lets me be myself.”
Shiva holds seasonal performances and offers classes on classical Indian folk and Bollywood dance. For more information, visit its Web site (in Chinese only) at tw.myblog.yahoo.com/shiva-dance/archive?l=f&id=25
For information on the India-Taipei Association, go to
www.india.org.tw
May 11 to May 18 The original Taichung Railway Station was long thought to have been completely razed. Opening on May 15, 1905, the one-story wooden structure soon outgrew its purpose and was replaced in 1917 by a grandiose, Western-style station. During construction on the third-generation station in 2017, workers discovered the service pit for the original station’s locomotive depot. A year later, a small wooden building on site was determined by historians to be the first stationmaster’s office, built around 1908. With these findings, the Taichung Railway Station Cultural Park now boasts that it has
Wooden houses wedged between concrete, crumbling brick facades with roofs gaping to the sky, and tiled art deco buildings down narrow alleyways: Taichung Central District’s (中區) aging architecture reveals both the allure and reality of the old downtown. From Indigenous settlement to capital under Qing Dynasty rule through to Japanese colonization, Taichung’s Central District holds a long and layered history. The bygone beauty of its streets once earned it the nickname “Little Kyoto.” Since the late eighties, however, the shifting of economic and government centers westward signaled a gradual decline in the area’s evolving fortunes. With the regeneration of the once
The latest Formosa poll released at the end of last month shows confidence in President William Lai (賴清德) plunged 8.1 percent, while satisfaction with the Lai administration fared worse with a drop of 8.5 percent. Those lacking confidence in Lai jumped by 6 percent and dissatisfaction in his administration spiked up 6.7 percent. Confidence in Lai is still strong at 48.6 percent, compared to 43 percent lacking confidence — but this is his worst result overall since he took office. For the first time, dissatisfaction with his administration surpassed satisfaction, 47.3 to 47.1 percent. Though statistically a tie, for most
In February of this year the Taipei Times reported on the visit of Lienchiang County Commissioner Wang Chung-ming (王忠銘) of the Chinese Nationalist Party (KMT) and a delegation to a lantern festival in Fuzhou’s Mawei District in Fujian Province. “Today, Mawei and Matsu jointly marked the lantern festival,” Wang was quoted as saying, adding that both sides “being of one people,” is a cause for joy. Wang was passing around a common claim of officials of the People’s Republic of China (PRC) and the PRC’s allies and supporters in Taiwan — KMT and the Taiwan People’s Party — and elsewhere: Taiwan and
RSS