Hanna Hais
House music fans will want to catch this French DJ, who’s lauded for her good taste in beats and sultry voice. Hais, who was invited to Taiwan by the French Institute in Taipei, performs at the DJ stage tomorrow and Sunday.
www.myspace.com/hannahais
Lazy Habits
Hip-hop with big band soul and a British accent: Lazy Habits are from East London. You’ll even hear a little mariachi in the mix. This eight-piece group, armed with two deft MCs, a scratch DJ and a jazz band, is a sure-fire party waiting to happen.
www.myspace.com/lazyhabits
The Clippers (夾子電動大樂隊)
The Clippers were one of Taiwan’s most memorable bands during Spring Scream’s early days. Fans loved the dancing girls on stage and the group’s mix of rock, dated karaoke music and social satire. The band returns to Spring Scream with a few new members, but expect the same campy humor from lead singer and actor Xiao Ying (小應), who recently enjoyed a little stardom in the hit movie Cape No. 7 (海角七號).
obaigonn.pixnet.net/blog
Ciacia (何欣穗)
As one of the most talented singer-songwriters in Taiwan’s indie scene, not to mention a producer with a keen ear, Ciacia is always worth a listen.
www.myspace.com/ciacia.her
Matzka and Di Hot (馬斯卡和辣肉樂團)
This dreadlocked Paiwan (排灣) musician is guaranteed to please sun-soaked crowds with a unique blend of reggae, hard rock, soul and Aboriginal folk. Don’t be surprised to find yourself humming his catchiest song, Ma Do Va Do (像狗一樣), long after the show.
www.indievox.com/matzka
Daximen (大囍門)
This hip-hop outfit of three MCs raps in Mandarin and Hoklo (commonly known as Taiwanese) against a backdrop of funky beats and jazz riffs. Daximen’s sound and rhymes lean mainstream but stay clear of Mando-pop territory.
www.indievox.com/mrbrownchen
Celluloid (賽璐璐)
Another veteran band from Spring Scream’s early days, Celluoid plays blues and garage rock. The band might lack the style and sheen of younger groups on the underground circuit today, but it always delivers for audiences that simply want to rock out.
Elisa Lin (林依霖)
Elisa Lin is one to watch. This young folk rocker looks as if she’s already being groomed for Mando-pop stardom, but her original songwriting and soulful voice keep things real. She often performs with IO, a group of talented Chinese Canadian rockers that won ICRT’s Battle of the Bands last year.
www.myspace.com/elisa010
88 Balaz (八十八顆芭樂籽)
This four-piece band’s punk-inspired garage rock is a perfect match for Spring Scream’s “let loose” ethos. Lead singer Ah-Chang (阿強) probably won’t be stage-diving into the crowd on a bicycle like he did during his first time at the festival, but that same energy will be present.
balaz88.pixnet.net
Zenkwun (神棍樂團)
Plenty of bands experiment with traditional Chinese instruments, but Zenkwun uses them particularly well in its brand of pop-rock. Listeners will hear strains of nanguan (南北) and Hakka music in the sounds of the erhu (二胡) and suona horn (嗩吶) laced between electric guitar riffs and loud drums. And how can you not like a band whose lead singer named himself (Obiwan, 歐比王) after Obi Wan Kenobi?
www.indievox.com/obiwan1103
Milk
Festivalgoers who keep track of Spring Scream history will welcome the return of Milk, one of the most beloved and storied expat bands in Taiwan. The group is back after a hiatus of several years.
theroamads.blogspot.com/2007/07/tribute-to-great-taiwan-band-milk.html
The Money Shot Horns
The Money Shot Horns are a crowd pleaser. Their brand of funk, groovy soul and R ’n’ B appeals to many, thanks to charming lead singer Dooley Chandler. His magnetic stage presence and the talented musicians in the band form a lasso that pulls you onto the dance floor from the very first note.
www.myspace.com/themoneyshothorns
My Skin Against Your Skin
My Skin Against Your Skin has given Andrea Huang (黃盈誼) room to grow from her days as the head-thrashing lead singer of Rabbit Is Rich (兔子很有錢) into a performer with a wider repertoire. She still punks out, but now also delves into smoky blues-rock vocals reminiscent of another queen of disquietude, PJ Harvey.
www.myspace.com/myskinagainstyourskin
Go Chic
Go Chic takes chick power to the nth degree with irreverent but relevant lyrics written from the point of view of modern youth. Hilarious, dangerous and fun, the band takes the piss out of everyone from culture vultures to foreign men, and redefines the “Asian girl” stereotype in the process.
www.myspace.com/gochictheband
Dr Reniculous Lipz and the Scallyunz
With catchy, fun and wacky rhythms and lyrics and rhymes that tickle the brain, Dr Reniculous Lipz and the Scallyunz are a bit like Dr Seuss for grown-ups. Add a rocking live band (with bassist Molly Lin (林孟珊), who occasionally dresses as a nurse), and you have a treat for the eyes, ears and feet.
www.myspace.com/theskallyunz
Skaraoke
Skaraoke’s frontman Thomas Hu (胡世漢) is as engaging and professional as Money Shot’s Dooley Chandler, with the manners of a dapper gentleman and the style of a streetwise hepcat. The group’s big band sound is full of raging horns and toe-tapping beats that speak ska, reggae, rocksteady, swing and jazz. There’s even a bit of karaoke in the mix.
www.myspace.com/skaraoke
Collider
Collider has lost none of its dark, soul-wringing power, despite several lineup changes. Its newest member, bassist Thomas Squires, helps create an angst-ridden and beautifully torturous sound.
www.myspace.com/colliderrockband
New Hong Kong Hair City
New Hong Kong Hair City has set the bar for expat female talent with lead vocalist and keyboardist Danielle Sanger belting out and growling songs full of passion and vigor. Macgregor Wooley matches her intensity on vocals and saxophone.
www.myspace.com/newhongkonghaircitytw
Point 22 (.22)
Composed of a trio of “founding fathers” from the expat music scene, including festival co-founder Wade Davis, Point 22 (.22) is a rock band with songs that are either gut wrenchingly funny or so catchy that they stick in your head for days.
www.myspace.com/point22
Blood Orange
Blood Orange (血橙) is what would happen if you sent a bunch of punks back in time to the jazz age and told them to form a band. With chaotic, discordant melodies that smack into full stops then twist back around for more, it is an instrumental band that doesn’t need a vocalist — the music is the frontman. www.myspace.com/bloodorangetw
Growing up in a rural, religious community in western Canada, Kyle McCarthy loved hockey, but once he came out at 19, he quit, convinced being openly gay and an active player was untenable. So the 32-year-old says he is “very surprised” by the runaway success of Heated Rivalry, a Canadian-made series about the romance between two closeted gay players in a sport that has historically made gay men feel unwelcome. Ben Baby, the 43-year-old commissioner of the Toronto Gay Hockey Association (TGHA), calls the success of the show — which has catapulted its young lead actors to stardom -- “shocking,” and says
The 2018 nine-in-one local elections were a wild ride that no one saw coming. Entering that year, the Chinese Nationalist Party (KMT) was demoralized and in disarray — and fearing an existential crisis. By the end of the year, the party was riding high and swept most of the country in a landslide, including toppling the Democratic Progressive Party (DPP) in their Kaohsiung stronghold. Could something like that happen again on the DPP side in this year’s nine-in-one elections? The short answer is not exactly; the conditions were very specific. However, it does illustrate how swiftly every assumption early in an
Inside an ordinary-looking townhouse on a narrow road in central Kaohsiung, Tsai A-li (蔡阿李) raised her three children alone for 15 years. As far as the children knew, their father was away working in the US. They were kept in the dark for as long as possible by their mother, for the truth was perhaps too sad and unjust for their young minds to bear. The family home of White Terror victim Ko Chi-hua (柯旗化) is now open to the public. Admission is free and it is just a short walk from the Kaohsiung train station. Walk two blocks south along Jhongshan
Jan. 19 to Jan. 25 In 1933, an all-star team of musicians and lyricists began shaping a new sound. The person who brought them together was Chen Chun-yu (陳君玉), head of Columbia Records’ arts department. Tasked with creating Taiwanese “pop music,” they released hit after hit that year, with Chen contributing lyrics to several of the songs himself. Many figures from that group, including composer Teng Yu-hsien (鄧雨賢), vocalist Chun-chun (純純, Sun-sun in Taiwanese) and lyricist Lee Lin-chiu (李臨秋) remain well-known today, particularly for the famous classic Longing for the Spring Breeze (望春風). Chen, however, is not a name
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