Bandslam
Good notices for this movie about a bunch of kids who enter a high school rock band competition were not enough to make money in the US. Some blamed poor marketing, but whatever the case, here is a show with attractive young folks who make the most of their differences and pull off something special. Shares a star with High School Musical, but don’t let that make you reach for the cable guide. Aimed at youngsters, but informed by a love of rock music new and old, Bandslam is sure to grow on audiences.
The Milk of Sorrow
A Spanish-Peruvian co-production, this is a strange slice of contemporary neurosis and historical burden in present-day Lima. A dying woman sings of her molestation by terrorists, and after she departs her traumatized daughter is found to have lodged a potato in her private parts to protect her chastity. Later, the daughter works her way back into the world — courtesy of new friendships and a beautiful singing voice. The title refers to the breast milk of a persecuted mother that by legend harms a daughter’s psychological well-being; the original Spanish title, La Teta Asustada (“the frightened breast”), is rather more direct. The film won several festival awards, including the Golden Bear.
First Snow
If you crave a mixture of squeaky-clean inter-ethnic teen romance and family drama, there’s no beating First Snow (also known as, ahem, Virgin Snow). Korean immigrant Lee Jun-ki bumps into incredibly sweet Aoi Miyazaki a couple of times and they fall in love. The real drama of the flick comes from the latter’s wretched home life, which leads to the question: Why do aberrant movie families always produce daughters who are as pure as the driven snow? Set in Kyoto, which doesn’t hurt.
Overheard (竊聽風雲)
Infernal Affairs (無間道) co-writer-director Alan Mak (麥兆輝) and co-writer Felix Chong (莊文強) return with another tale of crime and compromise. Stalwart leading man Sean Lau (劉青雲) joins Louis Koo (古天樂) and Daniel Wu (吳彥祖) as intel agents who cross to the dark side, but their plan to make a quick profit leads to a nightmare of cover-ups and murder. This flick is notable for securing a release in China without having its ethical gray zone excised. More importantly, the public and critical response in Hong Kong was very positive. Koo also stars in the other, much more lowbrow Hong Kong release of the week, namely ...
On His Majesty’s Secret Service (大內密探靈靈狗)
The Chinese title suggests a follow-up to the 1996 Hong Kong costume court comedy Forbidden City Cop (大內密探零零發, retitled 鹿鼎大帝 for its Taiwan release) featuring superstar Steven Chow (周星馳) at the beginning of his directorial career and the delightful Carina Lau (劉嘉玲). Sadly, critics said this Wong Jing (王晶) production lacks star power and momentum and could do with more technical smarts. Louis Koo is an imperial guard who gets caught up in a competition to marry off the emperor’s daughter; farce follows. For the faithful there are movie references, anachronistic and gay panic gags, silly stunts and clunky props. The cast includes Taiwan’s Barbie Hsu (徐熙媛, better known as 大S) in the Carina Lau role.
The Code
A Japanese nightclub singer in Shanghai has a tattoo that contains the code to a stash of treasure left behind by the Japanese during the war, and the heroic Detective Office 5 and its debonair staff must recover the treasure, led by enterprising Detective 507 (Kikunosuke Onoe, Kaidan). Handsome to watch, but Variety moaned about unnecessary complexity and sobriety, while IMDb lists no less than seven directors.
In late October of 1873 the government of Japan decided against sending a military expedition to Korea to force that nation to open trade relations. Across the government supporters of the expedition resigned immediately. The spectacle of revolt by disaffected samurai began to loom over Japanese politics. In January of 1874 disaffected samurai attacked a senior minister in Tokyo. A month later, a group of pro-Korea expedition and anti-foreign elements from Saga prefecture in Kyushu revolted, driven in part by high food prices stemming from poor harvests. Their leader, according to Edward Drea’s classic Japan’s Imperial Army, was a samurai
The following three paragraphs are just some of what the local Chinese-language press is reporting on breathlessly and following every twist and turn with the eagerness of a soap opera fan. For many English-language readers, it probably comes across as incomprehensibly opaque, so bear with me briefly dear reader: To the surprise of many, former pop singer and Democratic Progressive Party (DPP) ex-lawmaker Yu Tien (余天) of the Taiwan Normal Country Promotion Association (TNCPA) at the last minute dropped out of the running for committee chair of the DPP’s New Taipei City chapter, paving the way for DPP legislator Su
It’s hard to know where to begin with Mark Tovell’s Taiwan: Roads Above the Clouds. Having published a travelogue myself, as well as having contributed to several guidebooks, at first glance Tovell’s book appears to inhabit a middle ground — the kind of hard-to-sell nowheresville publishers detest. Leaf through the pages and you’ll find them suffuse with the purple prose best associated with travel literature: “When the sun is low on a warm, clear morning, and with the heat already rising, we stand at the riverside bike path leading south from Sanxia’s old cobble streets.” Hardly the stuff of your
April 22 to April 28 The true identity of the mastermind behind the Demon Gang (魔鬼黨) was undoubtedly on the minds of countless schoolchildren in late 1958. In the days leading up to the big reveal, more than 10,000 guesses were sent to Ta Hwa Publishing Co (大華文化社) for a chance to win prizes. The smash success of the comic series Great Battle Against the Demon Gang (大戰魔鬼黨) came as a surprise to author Yeh Hung-chia (葉宏甲), who had long given up on his dream after being jailed for 10 months in 1947 over political cartoons. Protagonist