VIEW THIS PAGE Known for his phenomenally successful tough-guy action fare, Hong Kong’s Andrew Lau (劉偉強) returns to the big screen with Look for a Star (游龍戲鳳), a romantic comedy film about a business tycoon and a cabaret dancer.
Though locked and loaded with a stellar cast that includes Andy Lau (劉德華) and Shu Qi (舒淇), the blockbuster director fails to establish his name in the chick-flick sphere with this effort, because he is unable to save the formulaic story line from making a, well, formulaic film.
In Look, Andy Lau plays the handsome, charming billionaire named Sam, while Shu plays the perky Milan, who works as a cabaret dancer and croupier to make ends meet. The two quickly fall in love after a chance encounter in a Macanese casino.
However, Milan, a romanticist who longs for love rather than fame and fortune, begins to have doubts when she uncovers Sam’s true identity.
The prenuptial agreement forced upon Milan by Sam’s mother, and his connivance in the accord, leaves the bride heartbroken.
Besides the main story focusing on how Sam and Milan overcome the odds, two subplots, which involve Sam’s secretary Jo (Denise Ho, 何韻詩) and Lin Jiu (Zhang Hanyu, 張涵予), an honest worker from Shandong Province as well as Sam’s chauffeur (Dominic Lam, 林嘉華) and single mother Shannon (Zhang Xinyi, 張歆藝), are introduced as variations on the rich-guy-marries-poor-girl drama.
Director Lau ingeniously sets the film mainly in Macau, whose Portuguese-style churches, cobbled streets and grand casinos provide a fanciful feel.
But the footage of Shu and Andy Lau scooting around the city’s enchanting vistas isn’t enough to lift the film from mediocrity. Crosscutting three plots, the narration feels messy and is at times incoherent, while plot devices such as a televised confession of love and the appearance of a cockhorse in a park appear tired and contrived. VIEW THIS PAGE
In the March 9 edition of the Taipei Times a piece by Ninon Godefroy ran with the headine “The quiet, gentle rhythm of Taiwan.” It started with the line “Taiwan is a small, humble place. There is no Eiffel Tower, no pyramids — no singular attraction that draws the world’s attention.” I laughed out loud at that. This was out of no disrespect for the author or the piece, which made some interesting analogies and good points about how both Din Tai Fung’s and Taiwan Semiconductor Manufacturing Co’s (TSMC, 台積電) meticulous attention to detail and quality are not quite up to
Chinese Nationalist Party (KMT) Chairman Eric Chu (朱立倫) hatched a bold plan to charge forward and seize the initiative when he held a protest in front of the Taipei City Prosecutors’ Office. Though risky, because illegal, its success would help tackle at least six problems facing both himself and the KMT. What he did not see coming was Taipei Mayor Chiang Wan-an (將萬安) tripping him up out of the gate. In spite of Chu being the most consequential and successful KMT chairman since the early 2010s — arguably saving the party from financial ruin and restoring its electoral viability —
It is one of the more remarkable facts of Taiwan history that it was never occupied or claimed by any of the numerous kingdoms of southern China — Han or otherwise — that lay just across the water from it. None of their brilliant ministers ever discovered that Taiwan was a “core interest” of the state whose annexation was “inevitable.” As Paul Kua notes in an excellent monograph laying out how the Portuguese gave Taiwan the name “Formosa,” the first Europeans to express an interest in occupying Taiwan were the Spanish. Tonio Andrade in his seminal work, How Taiwan Became Chinese,
Toward the outside edge of Taichung City, in Wufeng District (霧峰去), sits a sprawling collection of single-story buildings with tiled roofs belonging to the Wufeng Lin (霧峰林家) family, who rose to prominence through success in military, commercial, and artistic endeavors in the 19th century. Most of these buildings have brick walls and tiled roofs in the traditional reddish-brown color, but in the middle is one incongruous property with bright white walls and a black tiled roof: Yipu Garden (頤圃). Purists may scoff at the Japanese-style exterior and its radical departure from the Fujianese architectural style of the surrounding buildings. However, the property
RSS