Jennifer Hudson and Beyonce won major honors at the NAACP Image Awards on Thursday night, where The Secret Life of Bees was named best picture.
But both Rihanna and Chris Brown stayed away from the most prestigious African-American awards show of the year, which took place less than a week after Brown, 19, was arrested for making criminal threats against Rihanna, 20.
Will Smith and Rosario Dawson took the top actor and actress awards for Seven Pounds, while Hudson took home trophies for outstanding new artist, best album and best collaboration.
Beyonce was named best female artist and Jamie Foxx was best male artist. Rap mogul Sean Combs was named best TV actor for his role in Raisin in the Sun. Slumdog Millionaire won the prize for outstanding independent motion picture.
Meanwhile, new details emerged on Wednesday about Brown’s alleged attack.
According to E! Online, Rihanna told police that her superstar boyfriend threatened to kill her and then choked her until she lost consciousness.
The glamorous young couple started fighting in Brown’s rented Lamborghini following a star-studded pre-Grammy party late Saturday, Feb. 7. According to OK magazine, the tiff was sparked when Brown received a text message from another woman after reportedly flirting with Paris Hilton at the party.
When Brown pulled over in a swanky Los Angeles neighborhood, Rihanna grabbed the car keys and threw them out the window, E! reported. After struggling to find the keys, Brown then wrapped his hands around his girlfriend’s neck and screamed, “I’m going to kill you.”
Rihanna reportedly told police she lost consciousness and woke up to find Brown gone. Police were called by a neighbor and took Rihanna to hospital in a squad car, where she was treated for a split lip, contusions on her forehead and bite marks on her arms.
Rihanna and Brown missed the Grammy Awards ceremony on Sunday of last week, at which both had been scheduled to perform.
Brown was arrested on charges of making criminal threats and is free on US$50,000 bail. Prosecutors have ordered police to continue their investigation into the incident, a sign that more serious charges are being weighed.
Peter Gabriel’s minute in the Oscars spotlight will lack one important element: Peter Gabriel. The Academy Award-nominated singer won’t perform at the Feb. 22 ceremony to protest an apparently revamped presentation of best original song contenders. Gabriel says in a video on his Web site that he objects to the songs being shortened to 65 seconds apiece and made part of a medley. Gabriel is nominated alongside Thomas Newman for Down to Earth from WALL-E.
“It’s a bit unfortunate because the songwriters, even though they’re a small part of the whole filmmaking process, we still work bloody hard and deserve a place in the ceremony as well,” the 59-year-old singer said.
In other film news, director Claudia Llosa’s The Milk of Sorrow, a movie that addresses the fears of women abused during Peru’s turbulent recent history, won the Berlin film festival’s top Golden Bear award.
The movie stars Magaly Solier as Fausta, a young woman suffering from a mysterious illness that is said to be transferred through the milk of mothers who were raped or physically abused during Peruvian authorities’ long war against leftist guerrillas. The Spanish-Peruvian co-production is Llosa’s second feature film.
The festival’s jury grand prize, which comes with a runner-up Silver Bear, was shared Saturday by two films. Argentine director Adrian Biniez’ debut feature Gigante tells the story of a supermarket security guard who falls in love with a cleaner, while German director Maren Ade’s Everyone Else follows a couple during a difficult vacation.
Iran’s Asghar Farhadi was chosen as best director for About Elly, which looks at thirtysomething Iranians’ attitudes to life.
Sotigui Kouyate was named best actor for his part in director Rachid Bouchareb’s London River. He plays a French Muslim desperately awaiting news of his son after the 2005 terrorist attacks in London.
Birgit Minichmayr won the best actress honor for her role as half of the awkward couple in Everyone Else.
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The low voter turnout for the referendum on Aug. 23 shows that many Taiwanese are apathetic about nuclear energy, but there are long-term energy stakes involved that the public needs to grasp Taiwan faces an energy trilemma: soaring AI-driven demand, pressure to cut carbon and reliance on fragile fuel imports. But the nuclear referendum on Aug. 23 showed how little this registered with voters, many of whom neither see the long game nor grasp the stakes. Volunteer referendum worker Vivian Chen (陳薇安) put it bluntly: “I’ve seen many people asking what they’re voting for when they arrive to vote. They cast their vote without even doing any research.” Imagine Taiwanese voters invited to a poker table. The bet looked simple — yes or no — yet most never showed. More than two-thirds of those
In the run-up to the referendum on re-opening Pingtung County’s Ma-anshan Nuclear Power Plant last month, the media inundated us with explainers. A favorite factoid of the international media, endlessly recycled, was that Taiwan has no energy reserves for a blockade, thus necessitating re-opening the nuclear plants. As presented by the Chinese-language CommonWealth Magazine, it runs: “According to the US Department of Commerce International Trade Administration, 97.73 percent of Taiwan’s energy is imported, and estimates are that Taiwan has only 11 days of reserves available in the event of a blockade.” This factoid is not an outright lie — that
The People’s Republic of China (PRC) yesterday paraded its military hardware in an effort to impress its own population, intimidate its enemies and rewrite history. As always, this was paced by a blizzard of articles and commentaries in the media, a reminder that Beijing’s lies must be accompanied by a bodyguard of lies. A typical example is this piece by Zheng Wang (汪錚) of Seton Hall in the Diplomat. “In Taiwan, 2025 also marks 80 years since the island’s return to China at the end of the war — a historical milestone largely omitted in official commemorations.” The reason for its