Jennifer Hudson and Beyonce won major honors at the NAACP Image Awards on Thursday night, where The Secret Life of Bees was named best picture.
But both Rihanna and Chris Brown stayed away from the most prestigious African-American awards show of the year, which took place less than a week after Brown, 19, was arrested for making criminal threats against Rihanna, 20.
Will Smith and Rosario Dawson took the top actor and actress awards for Seven Pounds, while Hudson took home trophies for outstanding new artist, best album and best collaboration.
Beyonce was named best female artist and Jamie Foxx was best male artist. Rap mogul Sean Combs was named best TV actor for his role in Raisin in the Sun. Slumdog Millionaire won the prize for outstanding independent motion picture.
Meanwhile, new details emerged on Wednesday about Brown’s alleged attack.
According to E! Online, Rihanna told police that her superstar boyfriend threatened to kill her and then choked her until she lost consciousness.
The glamorous young couple started fighting in Brown’s rented Lamborghini following a star-studded pre-Grammy party late Saturday, Feb. 7. According to OK magazine, the tiff was sparked when Brown received a text message from another woman after reportedly flirting with Paris Hilton at the party.
When Brown pulled over in a swanky Los Angeles neighborhood, Rihanna grabbed the car keys and threw them out the window, E! reported. After struggling to find the keys, Brown then wrapped his hands around his girlfriend’s neck and screamed, “I’m going to kill you.”
Rihanna reportedly told police she lost consciousness and woke up to find Brown gone. Police were called by a neighbor and took Rihanna to hospital in a squad car, where she was treated for a split lip, contusions on her forehead and bite marks on her arms.
Rihanna and Brown missed the Grammy Awards ceremony on Sunday of last week, at which both had been scheduled to perform.
Brown was arrested on charges of making criminal threats and is free on US$50,000 bail. Prosecutors have ordered police to continue their investigation into the incident, a sign that more serious charges are being weighed.
Peter Gabriel’s minute in the Oscars spotlight will lack one important element: Peter Gabriel. The Academy Award-nominated singer won’t perform at the Feb. 22 ceremony to protest an apparently revamped presentation of best original song contenders. Gabriel says in a video on his Web site that he objects to the songs being shortened to 65 seconds apiece and made part of a medley. Gabriel is nominated alongside Thomas Newman for Down to Earth from WALL-E.
“It’s a bit unfortunate because the songwriters, even though they’re a small part of the whole filmmaking process, we still work bloody hard and deserve a place in the ceremony as well,” the 59-year-old singer said.
In other film news, director Claudia Llosa’s The Milk of Sorrow, a movie that addresses the fears of women abused during Peru’s turbulent recent history, won the Berlin film festival’s top Golden Bear award.
The movie stars Magaly Solier as Fausta, a young woman suffering from a mysterious illness that is said to be transferred through the milk of mothers who were raped or physically abused during Peruvian authorities’ long war against leftist guerrillas. The Spanish-Peruvian co-production is Llosa’s second feature film.
The festival’s jury grand prize, which comes with a runner-up Silver Bear, was shared Saturday by two films. Argentine director Adrian Biniez’ debut feature Gigante tells the story of a supermarket security guard who falls in love with a cleaner, while German director Maren Ade’s Everyone Else follows a couple during a difficult vacation.
Iran’s Asghar Farhadi was chosen as best director for About Elly, which looks at thirtysomething Iranians’ attitudes to life.
Sotigui Kouyate was named best actor for his part in director Rachid Bouchareb’s London River. He plays a French Muslim desperately awaiting news of his son after the 2005 terrorist attacks in London.
Birgit Minichmayr won the best actress honor for her role as half of the awkward couple in Everyone Else.
Chen Zhiwu (陳志武) says that the COVID-19 crisis puts into sharp focus that we are in a new cold war, with China and the US being the two protagonists. “It’s almost literally in front of us,” says Chen, Director of Asia Global Institute and Chair Professor of Finance at the University of Hong Kong. Political observers were hesitant, Chen says, even up to the beginning of this year, to confirm a new cold war was underway. “But ... the coronavirus has made clear the clash in values and way of life between what China would like to pursue, and what
For tourists visiting Hualien, Taroko National Park (太魯閣國家公園) is the first order of business. But if you find yourself in the city with half a day to spare — your train back to Taipei will leave mid-afternoon, say — it’s hardly worth busing out to Taroko Gorge. Instead, borrow or rent a bicycle or a scooter, or hail a cab, and set out for one of these attractions. At only one of these places is there an admission charge. CISINGTAN SCENIC AREA A literal translation of Cisingtan (七星潭) would be “Seven Stars Pond,” but there’s no pond here, just the vast Pacific
To bring sustainability and prosperity to their farms, some agriculturalists in southern Taiwan have embraced innovative types of companion planting. In contrast to the monoculture that dominates much of the rich world’s farmland, companion planting is the cultivation of different crops in proximity, usually to optimize the space, for pest control or to enhance pollination. The symbiotic relationship between cacao trees and betel nut, which may be unique to Pingtung County, is striking when one visits the cacao plantations maintained by Choose Chius (邱氏可可) and Wugawan (牛角灣) in Neipu (內埔). The history of growing cacao in Taiwan goes back to Japanese colonial
I had really hoped that this film would be a Taiwanese answer to the American camp classic Snakes on a Plane, but Spiders on a Ship — er, Abyssal Spider (海霧) — takes itself way too seriously. One major gripe about Taiwanese commercial features is that they are prone to being unnecessarily over the top, but that’s the one element that could have made Abyssal more watchable. The lack of camp is especially disappointing since director Joe Chien (錢人豪) first made his mark with the intentionally trashy horror movie Zombie 108 (棄城Z-108). Released in 2012, it is considered Taiwan’s earliest
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