In the sweltering streets of Jakarta, buskers carry towering, hollow puppets and pass around a bucket for donations. Now, they fear becoming outlaws.
City authorities said they would crack down on use of the sacred ondel-ondel puppets, which can stand as tall as a truck, and they are drafting legislation to remove what they view as a street nuisance.
Performances featuring the puppets — originally used by Jakarta’s Betawi people to ward off evil spirits — would be allowed only at set events.
Photo: AFP
The ban could leave many ondel-ondel buskers in Jakarta jobless.
“I am confused and anxious. I fear getting raided or even arrested, but what can I do? I need money to eat,” said Adi Sutisna, a 26-year-old Jakarta native who works as an ondel-ondel busker.
Adi, who only graduated from elementary school, has been working as an ondel-ondel busker for seven years, earning US$7 on a good day to provide for his wife and five-year-old daughter.
Photo: AFP
Ondel-ondel is the pride of the native Jakarta tribe, the Betawi people. Traditional performances were accompanied by instruments for festive and celebratory events, including weddings, circumcisions and welcome ceremonies for honorable guests.
Cyril Raoul Hakim, spokesman for Jakarta Governor Pramono Anung, said that the ban was still being drafted with “the preservation of Betawi culture” in mind and would be put to legislators soon.
“We hope it will be passed not too long from now,” he said.
Over time, ondel-ondel puppets have been increasingly used by buskers who sway the figures to music from loudspeakers, seeking money on the roadside, at traffic lights and in the alleyways of Jakarta’s densely populated neighborhoods. The city administration has long wanted to ban the busking, saying that the practice sullies the dignity of the cultural icon.
However, many Jakartans rely on the entertainment to bring in much-needed cash.
The number of people living below the poverty line in metropolitan Jakarta — a megalopolis of 11 million people — was up from 362,000 in 2019 to 449,000 as of September last year, government data showed.
The Indonesian Central Statistics Bureau said the poverty line in Indonesia this year is just more than US$1 a day.
“The ondel-ondel is heavy; it is very hot inside,” Adi said. “But I do it anyway because if I don’t, my wife and my kid won’t be able to eat.”
The planned ban has left authentic ondel-ondel performers and makers torn about the preservation of their culture and the plight of the buskers.
Performers such as Fadillah Akbar said the cultural symbol must be revered, and should not be used to beg for money.
“The problem is that they beg on the street — that’s a disturbance, and it bothers my soul,” the 33-year-old ondel-ondel artist said.
He said ondel-ondel must come in pairs, a woman and a man, and be accompanied by traditional live music instead of a recorded song playing on loudspeakers.
“Of course, I feel bad for the buskers, especially since I know many of them, but it is a cultural icon whose dignity must be upheld,” he said.
Jakarta Municipal Police Unit head Satriadi Gunawan said the busking disturbed road users with loudspeakers and requests for money.
“In Betawi culture, upholding ondel-ondel’s dignity is important, and now it is often used to beg for money,” he said.
Some historians disagree, saying that limiting the puppet presence on Jakarta’s streets could hurt efforts to keep the dwindling tradition alive.
“Banning ondel-ondel busking in the name of culture signifies their lack of understanding for tradition,” Jakarta-based historian J.J. Rizal said. “It proves that not only does the city government not understand culture, but it also endangers the preservation of art.”
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