If the thrill of gambling were really about winning, there would be too few gamblers to support the multibillion-US dollar Vegas gambling industry. Everybody knows that the odds are predetermined to favor the house, and that people play the games for the rush, not the payoff. Bettors are many; winners are few. That’s what makes it a reliably profitable business. Like insurance. The premiums for participating in the game outweigh the payouts the company makes as incentives to keep the players playing.
So, how exciting would it be if, say, somebody devised a system that used simple math to give a blackjack player the edge over the dealer? 21 is “inspired by” the real-life story of the Massachusetts Institute of Technology (MIT) students who took Las Vegas casinos for millions, but has been reshaped to fit a simple movie template — and it’s nearly as much fun as watching an insurance professional compute actuarial tables.
In 21, the worst thing a gamester can be accused of is gambling. “Don’t give in to your emotions,” MIT professor Micky Rosa tells his blackjack students. “Play the system.” Good advice for a card-counting scheme. Bad advice for a movie. If you want to see how a formatted screenplay looks when it’s actually on the screen (you can just about count the page numbers as they flip by, and maybe measure the margins, too), 21 may provide a practical lesson: How to follow all the “rules” and end up with zero. It’s not unwatchable, but you could watch it with your eyeballs tied behind your back and enjoy it just as much.
PHOTOS COURTESY OF SONY
Here’s another example of a good story turned into a purely generic one — no doubt with the aid of a Bob McKee screenwriting seminar and textbook.
Act I: MIT undergrad Ben Campbell (Jim Sturgess) is a smart-nerd Bostonian white guy working with his best friends (a fat guy and a Persian-American guy) on a project for a robotics competition. He really needs a US$300,000 scholarship to get into Harvard Medical School, but he’s only one of 72 talented prospects. He’s recruited by professor Rosa (Kevin Spacey) to join a secret cabal of card-counters with a scheme to hit Vegas on weekends and make a fortune. He resists. A Beautiful Girl (Kate Bosworth) attempts to woo him. He resists. OK, he really needs the money, so he joins up — but just until he can get the money he needs for school. He learns the blackjack system in a montage sequence or two and passes the test. The Beautiful Girl rebuffs his advances in an attempt to maintain a strictly professional relationship.
Act II: The team goes to Vegas and they win. Another montage sequence? Maybe. It’s getting a little fuzzy. But wait: A casino security guy named Cole Williams (Laurence Fishburne) starts to notice something — and not a moment too soon because he’s losing all his business to high-tech biometric face-recognition software. Technology! Drat! Card-counting isn’t illegal, but the casinos want you to know that if you’re caught doing it, they might take you down in the basement and beat the living craps out of you.
PHOTOS COURTESY OF SONY
The Hard Rock Casino comps Beautiful Girl a suite in which she and Ben enjoy a brief, soft-focus sex-scene montage. “It seemed too good to be true,” Ben says in voice-over. “And it felt like it was never going to end.” It does. Ben is not the same guy he was back in Boston. He loses — money, his friends, the Beautiful Girl, his mentor, everything. Bummer.
Act III: Ben has one last chance. He makes up with Micky and Girl, and the team reunites for one last Big Score in Vegas. Everything works out exactly as the screenwriters have planned. The End.
Meanwhile, British actor Sturgess (Across the Universe, The Other Boleyn Girl) gets to play an American with traces of a peculiar accent (based on Jeff Ma, a Chinese-American who was called Kevin Lewis in the book); Spacey gets to alternate his slick good-cop schtick (LA Confidential) with his steely bad-cop schtick (Swimming With Sharks); director Robert Luketic (Legally Blonde, Monster-in-Law) gets to direct another picture; and Bosworth gets to wear some wigs.
PHOTOS COURTESY OF SONY
Watch for the moment when somebody obviously pulls a punch. If you hadn’t figured out the rest of the movie by then, it gives away the whole thing.
PHOTOS COURTESY OF SONY
PHOTOS COURTESY OF SONY
In late October of 1873 the government of Japan decided against sending a military expedition to Korea to force that nation to open trade relations. Across the government supporters of the expedition resigned immediately. The spectacle of revolt by disaffected samurai began to loom over Japanese politics. In January of 1874 disaffected samurai attacked a senior minister in Tokyo. A month later, a group of pro-Korea expedition and anti-foreign elements from Saga prefecture in Kyushu revolted, driven in part by high food prices stemming from poor harvests. Their leader, according to Edward Drea’s classic Japan’s Imperial Army, was a samurai
The following three paragraphs are just some of what the local Chinese-language press is reporting on breathlessly and following every twist and turn with the eagerness of a soap opera fan. For many English-language readers, it probably comes across as incomprehensibly opaque, so bear with me briefly dear reader: To the surprise of many, former pop singer and Democratic Progressive Party (DPP) ex-lawmaker Yu Tien (余天) of the Taiwan Normal Country Promotion Association (TNCPA) at the last minute dropped out of the running for committee chair of the DPP’s New Taipei City chapter, paving the way for DPP legislator Su
It’s hard to know where to begin with Mark Tovell’s Taiwan: Roads Above the Clouds. Having published a travelogue myself, as well as having contributed to several guidebooks, at first glance Tovell’s book appears to inhabit a middle ground — the kind of hard-to-sell nowheresville publishers detest. Leaf through the pages and you’ll find them suffuse with the purple prose best associated with travel literature: “When the sun is low on a warm, clear morning, and with the heat already rising, we stand at the riverside bike path leading south from Sanxia’s old cobble streets.” Hardly the stuff of your
April 22 to April 28 The true identity of the mastermind behind the Demon Gang (魔鬼黨) was undoubtedly on the minds of countless schoolchildren in late 1958. In the days leading up to the big reveal, more than 10,000 guesses were sent to Ta Hwa Publishing Co (大華文化社) for a chance to win prizes. The smash success of the comic series Great Battle Against the Demon Gang (大戰魔鬼黨) came as a surprise to author Yeh Hung-chia (葉宏甲), who had long given up on his dream after being jailed for 10 months in 1947 over political cartoons. Protagonist