Fri, Dec 14, 2007 - Page 17 News List

Time to dust off that old script?

So far only television has suffered from the Hollywood writers' strike, but feature films could be next if negotiations drag on much longer

By David German  /  AP , LOS ANGELES

The Hollywood writers' strike has hit TV shows first and hardest, but if it drags on much longer, movies will start to feel the fallout, too.

PHOTO: AP

Indiana Jones, Captain James T. Kirk and other movie heroes may have to use more ad-libbed wisecracks next year. By 2009, they could be positively tongue-tied if a strike by Hollywood writers drags on for months.

Unlike television, which felt an immediate impact as some programs shut down when writers halted work last month, big-screen movies have a longer lead time and can ride out the strike with scripts already in hand, at least for now.

Talks between the Writers Guild (WGA) and the Alliance of Motion Picture and Television Producers broke down bitterly last week, diminishing any hope that a quick resolution would limit the impact on movie production to small ripples.

Shooting on a few big films - among them Johnny Depp's drama Shantaram and Tom Hanks and Ron Howard's Angels & Demons, a prequel to The Da Vinci Code - has been postponed, with studio executives deciding it was wiser to wait than risk a script impasse without a writer on set to polish up a scene.

Other films due out in 2008 have mostly moved ahead as planned, with producers taking extra pains as the strike deadline approached to have screenplays as close to letter-perfect as possible so filming could proceed in the writer's absence.

"I just thank God that I'm not involved with anything in production, because it would be agony to have to stand there and know you could fix something and not fix it," said Akiva Goldsman, who wrote The Da Vinci Code and Angels & Demons screenplays and won an Academy Award for the script of Howard's A Beautiful Mind. "But that's what a lot of my brothers and sisters are doing right now. That's tough, because you spend years getting to a movie, and it's like, melodramatically, it's like watching someone you love wander out into traffic." The key issue for writers, who say they have been shortchanged on DVD revenues, is compensation for programming on the Internet and other new distribution forms. If the strike lingers as long as the one in 1988, when writers walked off the job for five months, it could cause chaos for filming schedules, desperately needed reshoots for scenes that do not work and planning for films further down the road.

"For 2008, the studios are all fine. If anything, they've had too much product in release, so even if they're down a few projects as 2008 unfolds, they'll give themselves a little more breathing room at the box office," said Anne Thompson, deputy editor of Hollywood trade paper Variety. "It's 2009 that starts becoming the issue, especially big tentpole projects." Studios might be left dusting off scripts that have languished on the shelves for years to keep the production pipeline flowing, and the quality of the finished product would inevitably suffer.

"I would expect that as last time, you will see some forgettable movies coming to theaters," said Kim Masters, an entertainment correspondent for National Public Radio. "I can't see how studio executives can feel really comfortable going forward with a script where rewrites may be needed, as they so often are." Steven Spielberg's Indiana Jones and the Kingdom of the Crystal Skull, reuniting him with Harrison Ford and producer George Lucas for next summer's blockbuster sequel, has finished shooting, so presumably it will not be affected.

Yet even filmmakers of Spielberg and Lucas' caliber may want the luxury of last-minute reshoots to improve something that does not work in the editing room. If they needed to bring the cast back to reshoot something, they would be stuck with the words in the screenplay or letting the actors improvise.

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